1,623 stories from exeuntmagazine.com
"They have the power here": Ava Wong Davies writes on a Forced Entertainment show that forces us to take kids seriously.
The post Review: That Night Follows Day at Southbank Centre appeared…
For every play that makes it to the stage, there are many more languishing under commission. Duncan Gates makes a case for more transparency in new writing for theatre.
The post An Open(ness…
Someone else's shoes: Lilith Wozniak writes on the mechanics of empathy in an immersive audio experience in Bristol shopping quarter.
The post Review: Of Home and Each Other at Broadmead Sho…
Sinful pageantry: Paulette Randall's production of Marlowe's play brings out all its wicked humour.
The post Review: Doctor Faustus at Shakespeare’s Globe appeared first on Exeunt Mag…
A magical immersion in the history of Battersea: Frey Kwa Hawking writes on Sarah Golding's 'gentle and very different Christmas show'
The post Review: Return to Elm House at Battersea Arts …
And all that jazz: Emily Davis reviews Little Bulb's metatheatrical take on the Orpheus myth, set in a 1920s jazz bar
The post Review: Orpheus at Battersea Arts Centre appeared first on Exeu…
The little things: Lilith Wozniak writes on the detail and scale of The Borrowers.
The post Review: The Borrowers at Tobacco Factory Theatres, Bristol appeared first on Exeunt Magazine.
As Brexit looms, a series of live art parties are creating space to explore multicultural LGBT+ experiences.
The post Queer Migrant Takeover appeared first on Exeunt Magazine.
'Shimmer and sparkle': Catherine Love reviews an unlikely Christmas show which delights as much as it unsettles.
The post Review: The Producers at the Royal Exchange, Manchester appeared fir…
Using a voice: Crystal Bennes writes on the 'ethical quandary' of representation in Kieran Hurley's examination of class and the appropriation of stories.
The post Review: Mouthpiece at the …
Hailey Bachrach writes on the Menier's wintry new staging of a musical that's "by and for the kinds of Jews who want something to celebrate at Christmastime".
The post Review: Fiddler on the…
A bewildering tribute: Frey Kwa Hawking writes on Gary Barlow's Take That! musical.
The post Review: The Band at Theatre Royal Haymarket appeared first on Exeunt Magazine.
Ava Wong Davies writes on a production that's strong in hotness, but lacking in menace.
The post Review: True West at Vaudeville Theatre appeared first on Exeunt Magazine.
Farting geese and the spirit of Christmas: Andy Edwards reviews Johnny McKnight's deliriously silly and subversive panto.
The post Review: Mammy Goose at the Tron, Glasgow appeared first on …
'Joyful sincerity': Pete Kirwan writes on an earnest, escapist panto that brings the 12th century into the 21st.
The post Review: Robin Hood and the Babes in the Woods at Nottingham Playhous…
"The change is small but the difference is mighty" - J N Benjamin writes on how Misty was transformed in the hands of Arinzé Kene's female understudy, Kibong Tanji.
The post Misty’s U…
Sculpting bodies through clay and dance: Rachel Nouchi reviews Antony Gormley and Sidi Larbi Cherkaoui's collaboration with GöteborgsOperans Danskompani
The post Review: Icon at Sadler̵…
Horsing around: Crystal Bennes and Tom Jeffreys write a rhyming review of Red Bridge's production of Black Beauty.
The post Review: Black Beauty at the Traverse, Edinburgh appeared first on …
Layers of reconstruction: Hailey Bachrach writes on a verbatim theatre event that "plays with the boundaries of 'now' and 'then'."
The post Review: The Ralegh Trial at Shakespeare’s Gl…
James Varney interviews performance-maker Jackie Hagan about access and telling the stories of "real people who are having a hard time"
The post Jackie Hagan: “The whole class-rage thi…
Intrepid panto correspondent and newbie Londoner Rosemary Waugh reviews the bright lights of Jude Christian and Cariad Lloyd's pantomime
The post Review: Dick Whittington at Lyric Hammersmit…
Artist Nick Field is bringing two new shows to CPT. He chats to Hannah Greenstreet about neoliberalism, Tom Baker, and making work that's "pretty damn queer".
The post Nick Field: “Neo…
Counting the cost of love: Lauren Mooney reviews Haley McGee's 'consistently hilarious and hypnotically honest' solo show
The post Review: Ex-Boyfriend Yard Sale at Camden People’s The…
'Talented young voices': Hailey Bachrach writes on the impressive performances at the heart of the National Youth Theatre's Macbeth.
The post Review: Macbeth at the Garrick Theatre appeared …
Dances with difference: Aniqah Choudhri reviews Cathy Marsten and Arthur Pita-choreographed ballets for the all-PoC company Ballet Black.
The post Review: Ballet Black at The Lowry, Salford …
