1,902 stories from Village Voice
Old myth of love and loss transforms in musical underworld by Charlotte Stoudt
Orpheus
Symphonie Fantastique
Ionesco's one-acts: Language flying on a dangerous high by Michael Feingold
The Bald Soprano & The Lesson
What George Bush truly deserves: Karen Finley's vision of his sex life with Martha Stewart by Michael Feingold
George and Martha
Edward Hall's gutsy staging of Henry VI ratchets up the gore by Alisa Solomon
Rose Rage
Anyone can whistle a happy tune, but it's not so easy going far from the home you love by Michael Feingold
Us
Existential puppets contemplate the mysteries of animation by Jorge Morales
Dead Puppet Talk
The Peanuts turn freaky when given the Royal treatment by David Ng
Dog Sees God: Confessions of a Teenage Blockhead
Tim Miller's New Solo Piece, Us; the Public Theater Sits Tight
In the company of heroines: Juliet, Lady Macbeth, et al. by Charlotte Stoudt
The Loves of Shakespeare's Women
Thalia Follies
Acting under seditious pretenses, with Bush-bashing intent by David Ng
I'm Gonna Kill the President: A Federal Offense
From Iceland with self-love: The art of the solo breakdown by Stephen Nunns
Plums in New York
Guantánamo's assemblage of undeniable facts: Home truths in a memo from overseas by Michael Feingold
Guantánamo: Honor Bound to Defend Freedom
Armless
Is that an undead corpse biting our collective necks, or just another corporation at work? by Michael Feingold
Dracula: The Musical
Zombies, opium smokers, and Tupperware ladies, oh my! by Alexis Soloski
When old playwrights look back, they sometimes see youthful thrills instead of nostalgia
From My Hometown
A Middle East setting doesn't guarantee classic tragedy
Stand-up satirist misplaces his pointed political punchlines by Charlotte Stoudt
Brian Dykstra: Cornered & Alone
Squeeze Box
The Booths once knocked 'em dead. Not anymore, though by Alexis Soloski
The Booth Variations
At 84, Mickey Rooney's hardy, but not much like Andy Hardy by Michael Feingold
Let's Put On a Show!
