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1,906 stories from The New Yorker

Restaurant Review: Wild Cherry by Helen Rosner

Inside a playhouse now owned by A24, a new restaurant offers frogs' legs, a killer cheeseburger, and a heavy dose of haute-theatrical glamour.

SOURCE: The New Yorker Subscription at 6:00am on January 25, 2026

TV Review: Ryan Murphy's "The Beauty," on FX and Hulu on Disney+ by Inkoo Kang

Ryan Murphy attempts to comment on incels, celebrity culture, and the age of Ozempic in a new FX series about a drug that makes its users young and gorgeous"at a terrible price.

SOURCE: The New Yorker Subscription at 6:00am on January 22, 2026

Mark Strong, on the Clock by Zach Helfand

On a break from playing Oedipus in the new Broadway production, the British actor stops by Federal Hall to chat politics, family dynamics, and being mistaken for Stanley Tucci.

SOURCE: The New Yorker Subscription at 6:00am on January 19, 2026

Acts of Self-Destruction by Doreen St. Félix

On the most irreversible form of dissent, in art and in real life.

SOURCE: The New Yorker Subscription at 6:00am on January 18, 2026

Amanda Seyfried's Epiphanies by Rachel Syme

The star of "The Testament of Ann Lee" and "The Housemaid" discusses letting go of judgment, working without hierarchies, and committing to the role of a woman possessed by faith.

SOURCE: The New Yorker Subscription at 6:00am on January 18, 2026

When a Man Loves a Cello by John Phipps

For the concert soloist Steven Isserlis, the perfect instrument is a blessing"and a curse.

SOURCE: The New Yorker Subscription at 6:00am on January 17, 2026

The Mental Pratfalls of Anne Gridley, in "Watch Me Walk" by Hilton Als, Sheldon Pearce, Emily Nussbaum, Marina Harss, Cressida Leyshon, Richard Brody, Jane Bua, Rachel Syme, Katy Waldman

Also: Jodie Foster's new movie, New York City Ballet's winter season, music inspired by the poetry of the Black Arts Movement, and more.

SOURCE: The New Yorker Subscription at 6:00am on January 16, 2026

How to Serve Like Marty Supreme by Victoria Uren

The costume designer Miyako Bellizzi has worked with the Safdie Brothers for years. Picking out Timothée Chalamet's boxers was a new challenge.

SOURCE: The New Yorker Subscription at 6:00am on January 12, 2026

Patrick Radden Keefe on Truman Capote's "In Cold Blood" by Patrick Radden Keefe

Capote's journalistic transgressions were serious, but there is no denying the awesome influence of his work.

SOURCE: The New Yorker Subscription at 6:00am on January 11, 2026

Dances of the Georgian Court and Countryside by Brian Seibert, Sheldon Pearce, Richard Brody, Jillian Steinhauer, Marina Harss, Jane Bua, Jennifer Wilson

Also: Bang on a Can and St. Vincent in Richard Foreman's "What to Wear," the celestial folk of Cassandra Jenkins, Jennifer Wilson and Richard Brody on comfort in the cold weather, and more.

SOURCE: The New Yorker Subscription at 6:00am on January 9, 2026

In Tracy Letts's "Bug," Crazy Is Contagious by Emily Nussbaum

A Broadway revival arrives at a moment when paranoia plots are everywhere.

SOURCE: The New Yorker Subscription at 6:00am on January 9, 2026

The Perils of Killing the Already Dead by Rivka Galchen

Fear of what the dead might do to us didn't start with Dracula, and it didn't end with him, either.

SOURCE: The New Yorker Subscription at 6:00am on January 7, 2026

Catch Marc Shaiman If You Can by Emily Nussbaum

On the eve of his new book, "Never Mind the Happy," the composer dishes on his career ups and downs"from touring with Bette Midler to getting caught in Twitter wars.

SOURCE: The New Yorker Subscription at 6:00am on January 5, 2026

Briefly Noted

"Heiresses," "I Deliver Parcels in Beijing," "A Danger to the Minds of Young Girls," and "Estate."

SOURCE: The New Yorker Subscription at 6:00am on January 5, 2026

Letters from Our Readers

Readers respond to Rebecca Mead's Profile of Stephen Fry and Rivka Galchen's piece about geothermal energy.

SOURCE: The New Yorker Subscription at 6:00am on January 5, 2026

Joan Lowell and the Birth of the Modern Literary Fraud by Michael Waters

A century ago, an aspiring actress published a remarkable autobiography. She made up most of it.

SOURCE: The New Yorker Subscription at 6:00am on January 3, 2026

January Festivals Bring the Weird, Wonderful Shows by Helen Shaw, Sheldon Pearce, Jane Bua, Brian Seibert, Jillian Steinhauer, Richard Brody, Taran Dugal, Justin Chang

Also: "Tartuffe" mania, the guitar stylings of William Tyler and Yasmin Williams, Justin Chang's movies for a new year, and more.

SOURCE: The New Yorker Subscription at 6:00am on January 2, 2026

Kanak Kapur on Migrant Labor and Skating in Dubai by Deborah Treisman

The author discusses her novella "The Ice-Skater."

SOURCE: The New Yorker Subscription at 6:00am on December 28, 2025

Natalia Lafourcade Reimagines Mexican Folk Music by Jack Herrera

The former teen pop star has become a new emblem of "Veracruz sound."

SOURCE: The New Yorker Subscription at 6:00am on December 28, 2025

What to Do on New Year's Eve by Sheldon Pearce, Vinson Cunningham

Also: Vinson Cunningham on his favorite songs of the year.

SOURCE: The New Yorker Subscription at 6:00am on December 26, 2025

Patricia Lockwood Reads Elizabeth Bishop

The poet joins Kevin Young to read and discuss "In the Waiting Room," by Elizabeth Bishop, and her own poem "Love Poem Like We Used to Write It."

SOURCE: The New Yorker Subscription at 2:00pm on December 22, 2025

A Puppet Called Paddington by Anna Russell

Tahra Zafar has made creatures for "Harry Potter" and "Star Wars." Her latest project? Bringing the beloved bear to the stage.

SOURCE: The New Yorker Subscription at 6:00am on December 22, 2025

"Father Mother Sister Brother" Explores the Mysteries of Family Life by Richard Brody

Jim Jarmusch's three-part drama, set in New Jersey, Dublin, and Paris, casts such notables as Adam Driver and Cate Blanchett in wry, ironic probes of grown children's relationships with thei…

SOURCE: The New Yorker Subscription at 6:00am on December 22, 2025

Briefly Noted

"Daring to Be Free," "The Second Estate," "Best Offer Wins," and "A Love Story from the End of the World."

SOURCE: The New Yorker Subscription at 6:00am on December 22, 2025

The Organists Improvising Soundtracks to Silent Films by Alex Ross

Early on, movies had no sound, but musicians provided live accompaniment. The tradition continues.

SOURCE: The New Yorker Subscription at 6:00am on December 22, 2025
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