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618 stories from The New York Theatre Experience

Review: YOU ARE IN AN OPEN FIELD by Bess Rowen

The tone of this production is set as the audience enters to a modulated voice speaking the words "You are in an open field. On the left side of a white house." A bouncing beat is in the bac…

SOURCE: The New York Theatre Experience at 12:00am on May 1, 2012[SHARE]

Review: A STREETCAR NAMED DESIRE by Aimee Todoroff

In his book Jitterbug Perfume, author Tom Robbins says the weather in New Orleans is "like an obscene phone call from nature. The air--moist, sultry, secretive, and far from fresh--felt as i…

SOURCE: The New York Theatre Experience at 12:00am on April 30, 2012[SHARE]

Review: IN MASKS OUTRAGEOUS AND AUSTERE by David Fuller

Now we have a play that Williams never let see the light of day, let alone the advice of a collaborator-director. In Masks Outrageous and Austere is being presented at 45 Bleecker Street by …

SOURCE: The New York Theatre Experience at 12:00am on April 30, 2012[SHARE]

Review: THE HOUSE OF MIRTH by Loren Noveck

I went to Metropolitan Playhouse's production of The House of Mirth expecting to be educated as much as entertained, as often happens with rarely produced classics--in this case, a classic I…

SOURCE: The New York Theatre Experience at 12:00am on April 29, 2012[SHARE]

Review: ADRENALIN...HEART by Ed Malin

Mind The Gap"famous for producing high quality contemporary British theater in New York"presents Georgia Fitch’s Adrenalin…Heart. True love in Islington? A white single mother of two…

SOURCE: The New York Theatre Experience at 12:00am on April 29, 2012[SHARE]

Review: GHOST THE MUSICAL by David Gordon

At least Bono and The Edge gave Spider-Man one song with a hook so catchy I can still remember it a year later. The only good song in Ghost is the Righteous Brothers' hit "Unchained Melody."…

SOURCE: The New York Theatre Experience at 12:00am on April 28, 2012[SHARE]

Review: THE COLUMNIST by Martin Denton

Joseph Alsop was one of the most powerful and influential journalists in America during the middle third of the 20th century and the details of his life would seem to lend themselves natural…

SOURCE: The New York Theatre Experience at 12:00am on April 28, 2012[SHARE]

Review: OBAMA IN NAPLES by Martin Denton

The idea behind Obama in Naples is intriguing: a modern-day Pulcinella (the crafty meddler from classic commedia dell'arte) plants a rumor that President Obama is planning to visit Naples, p…

SOURCE: The New York Theatre Experience at 12:00am on April 27, 2012[SHARE]

League of Independent Theater " Annual Meeting on April 28 by Martin Denton

The League of Independent Theater, Inc. will have its Annual Meeting this Saturday, April 28, at 5:00pm, at The Living Theatre, 21 Clinton Street. If you’re a member of the League, ple…

SOURCE: The New York Theatre Experience at 9:30am on April 26, 2012[SHARE]

Review: DON'T DRESS FOR DINNER by David Gordon

If you're offended by the prospect of women behaving as nothing more than sex objects trying to please their cunning-but-dim men folk, Don't Dress for Dinner probably isn't the entertainment…

SOURCE: The New York Theatre Experience at 12:00am on April 26, 2012[SHARE]

Review: THE LYONS by Martin Denton

I love The Lyons. Now that may seem surprising, for this new play by Nicky Silver is not particularly a lovable play. (In fact, in some respects, it's a little bit creepy.) But unlike every …

SOURCE: The New York Theatre Experience at 12:00am on April 23, 2012[SHARE]

Review: PROMETHEUS WITHIN by Richard Hinojosa

In 1952 Jonas Salk developed the first effective vaccine for polio but he didn't sell it to the highest bidder; instead he gave it away for the betterment of humankind. Today some may find i…

SOURCE: The New York Theatre Experience at 12:00am on April 23, 2012[SHARE]

Review: THE RING CYCLE (PARTS 1-4) by Stephen Cedars

In his collection Mythologies, Roland Barthes published a short, elucidating essay called "The World of Wrestling," in which he explores how the archetypes of ancient tragedy and c…

SOURCE: The New York Theatre Experience at 12:00am on April 22, 2012[SHARE]

Review: CLYBOURNE PARK by Robert Attenweiler

Somewhere along the line I must have missed the story about how the Avenue Q song "Everyone's A Little Bit Racist" was adapted into a two-act straight play with enough chops to win the 2011 …

SOURCE: The New York Theatre Experience at 12:00am on April 22, 2012[SHARE]

Review: THE ASH GIRL by Stephen Cedars

Who says a play needs to be about one thing? Well, lots of people do, and yet often the most exciting theatre transcends its ostensible theme in favor of ambitious storytelling that eschews …

SOURCE: The New York Theatre Experience at 12:00am on April 22, 2012[SHARE]

Review: ONE MAN, TWO GUVNORS by Michael Mraz

"I know exactly what he's after. And if he carries on like this, he';s going to get it," says Dolly, a character in Richard Bean's One Man, Two Guvnors, which opened this week at Broadway's …

SOURCE: The New York Theatre Experience at 12:00am on April 22, 2012[SHARE]

Review: PETER AND THE STARCATCHER by Aimee Todoroff

An outstanding cast creates magic in Peter and the Starcatcher, making its Broadway transfer to the Brooks Atkinson Theatre. Rick Elice's script, adapted from the novel by Dave Barry and Rid…

SOURCE: The New York Theatre Experience at 12:00am on April 21, 2012[SHARE]

Review: RADIOTHEATRE'S 3RD H.P. LOVECRAFT FESTIVAL by Danny Bowes

The work of Mr. Howard Philips Lovecraft lends itself naturally to claustrophobic readings, being as it was so largely unappreciated in his own lifetime. It's not hard at all (if perhaps sli…

SOURCE: The New York Theatre Experience at 12:00am on April 21, 2012[SHARE]

Review: THE FOREPLAY PLAY by Michael Mraz

Mariah MacCarthy, the playwright of The Foreplay Play, notes in the program that a friend once said to her, "Well, people think that if group sex is awkward, you're doing it wrong. The truth…

SOURCE: The New York Theatre Experience at 12:00am on April 20, 2012[SHARE]

Review: THE ARTIFACTS by Martin Denton

If you just happened to meet Laura Wingfield one day, would she know that her glass menagerie was a symbol of her own fragility and uniqueness? This is one of the potent ideas in Steven Fech…

SOURCE: The New York Theatre Experience at 12:00am on April 19, 2012[SHARE]

Review: MASSACRE (SING TO THE CHILDREN) by Avi Glickstein

The Rattlestick Playwrights Theater’s new production of Jose Rivera’s play Massacre (Sing to Your Children) is difficult to sit through. It is not difficult to watch in the way t…

SOURCE: The New York Theatre Experience at 12:00am on April 17, 2012[SHARE]

Review: I AM GOING TO RUN AWAY by Ed Malin

Poor Baby Bree's vaudeville presentation I Am Going To Run Away is a show I wished would never end. Young and sprightly enough to recall a 1920s starlet, and endowed with an unstoppable voic…

SOURCE: The New York Theatre Experience at 12:00am on April 17, 2012[SHARE]

Paul Hufker's New Plays: Reading on April 24 by Martin Denton

From nytheatre.com reviewer Paul Hufker: I’m having a reading on April 24th of two plays of mine. The reading starts at 7:00pm and ends at 9:30. Its location is The Drilling Company, 2…

SOURCE: The New York Theatre Experience at 6:45pm on April 15, 2012[SHARE]

Review: YOUR BOYFRIEND MAY BE IMAGINARY by Martin Denton

So, the thing about Larry Kunofsky's new play Your Boyfriend May Be Imaginary is that, when it's all over, we can't be sure whether Marci's boyfriend is for real or not. But that's not impor…

SOURCE: The New York Theatre Experience at 12:00am on April 15, 2012[SHARE]

Review: YOU BETTER SIT DOWN: TALES FROM MY PARENTS' DIVORCE by Bess Rowen

A show with the word "divorce" in the title rarely conjures the image of an evening of fun entertainment, but the The Flea Theater and The Civilians have managed to do just that with You Bet…

SOURCE: The New York Theatre Experience at 12:00am on April 13, 2012[SHARE]
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