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3,537 stories from The Arts Desk

50 First Dates: The Musical, The Other Palace review - romcom turned musical by Gary Naylor

★★★ 50 FIRST DATES: THE MUSICAL, THE OTHER PALACE Forgettable, but comforting Date movie about repeating dates inspires date musical About halfway through this world …

SOURCE: The Arts Desk at 8:42pm on September 25, 2025

Entertaining Mr Sloane, Young Vic review " funny, flawed but welcome nonetheless by Aleks.sierz

Lively star-led revival of Joe Orton's 1964 debut is fun, but raises uncomfortable questions Playwright Joe Orton was a merry prankster. His main work " such as Loot (1965) and What the B…

SOURCE: The Arts Desk at 1:02pm on September 25, 2025

Bacchae, National Theatre review - cheeky, uneven version of Euripides' tragedy by Heather Neill

Indhu Rubasingham's tenure gets off to a bold, comic start The word "after" can be elastic when a modern writer is inspired by a classic. Nima Taleghani here stretches it to breaking point, …

SOURCE: The Arts Desk at 9:36pm on September 24, 2025

The Harder They Come, Stratford East review - still packs a punch, half a century on by Gary Naylor

★★★★★ THE HARDER THEY COME, STRATFORD EAST Great story, songs and performances Natey Jones and Madeline Charlemagne lead a perfectly realised adaptation of t…

SOURCE: The Arts Desk at 10:36am on September 24, 2025

The Weir, Harold Pinter Theatre review - evasive fantasy, bleak truth and possible community by David Nice

Three outstanding performances in Conor McPherson's atmospheric five-hander Why are the Irish such good storytellers? The historical perspective is that the oral tradition goes way, way back…

SOURCE: The Arts Desk at 8:06am on September 21, 2025

Dracula, Lyric Hammersmith review - hit-and-miss recasting of the familiar story as feminist diatribe by Helen Hawkins

Morgan Lloyd Malcolm's version puts Mina Harkness centre-stage If a classic story is going to be told for the umpteenth time, there is a good bet it will come with a novel spin on it. So it…

SOURCE: The Arts Desk at 3:42pm on September 19, 2025

The Lady from the Sea, Bridge Theatre review - flashes of brilliance by Matt Wolf

Simon Stone refashions Ibsen in his own high-octane image Like the lighting that crackles now and again to indicate an abrupt change of scene or mood, Simon Stone's version of The Lady from…

SOURCE: The Arts Desk at 6:54am on September 19, 2025

The Code, Southwark Playhouse Elephant review - superbly cast, resonant play about the price of fame in Hollywood by Helen Hawkins

Tracie Bennett is outstanding as a ribald, riotous Tallulah Bankhead Hot on the heels of Goodnight, Oscar comes another fictional meeting of real entertainment giants in Los Angeles, this t…

SOURCE: The Arts Desk at 6:54am on September 19, 2025

Reunion, Kiln Theatre review - a stormy night in every sense by Gary Naylor

★★★ REUNION, KILN THEATRE New play brings a family's old enmities to the surface Beautifully acted, but desperately grim drama If you ever wanted to know what a mash up…

SOURCE: The Arts Desk at 9:18pm on September 18, 2025

Romans: A Novel, Almeida Theatre review " a uniquely extraordinary work by Aleks.sierz

Alice Birch's latest is a wildly epic family drama that is both mind-blowing and exasperating OMG! I mean OMG doubled!! This is amazing! Or is it? Can Alice Birch's Romans: A Novel at th…

SOURCE: The Arts Desk at 2:48pm on September 18, 2025

The Producers, Garrick Theatre review - Ve haf vays of making you laugh by Gary Naylor

★★★★ THE PRODUCERS, GARRICK THEATRE Musical mayhem in Mel Brooks' meisterwerk You probably know what's coming, but it's such great fun! Unexpectedly, there's a sly…

SOURCE: The Arts Desk at 8:12am on September 16, 2025

Not Your Superwoman review " powerful tribute to the plight and perseverance of Black women by Demetrios Matheou

Golda Rosheuvel and Letitia Wright excel in a super new play The Bush is likely to continue its fine recent run of hit plays, with this funny, poignant, culturally authentic and beautifully …

SOURCE: The Arts Desk at 7:54pm on September 14, 2025

Cow | Deer, Royal Court review " paradox-rich account of non-human life by Aleks.sierz

Experimental work about nature led by Katie Mitchell is both extraordinary and banal I love irony. Especially beautiful irony. So I'm very excited about the ironic gesture of staging a show…

SOURCE: The Arts Desk at 11:02am on September 11, 2025

Deaf Republic, Royal Court review - beautiful images, shame about the words by Aleks.sierz

Staging of Ukrainian-American Ilya Kaminsky's anti-war poems is too meta-theatrical The Ukraine war is not the only place of horror in the world, but it does present a challenge to theatre …

SOURCE: The Arts Desk at 2:02pm on September 5, 2025

Laura Benanti: Nobody Cares, Underbelly Boulevard Soho review - Tony winner makes charming, cheeky London debut by Matt Wolf

Broadway's acclaimed Cinderella, Louise, and Amalia reaches Soho for a welcome one-night stand Laura Benanti has been enchanting Broadway audiences for several decades now, and London has t…

SOURCE: The Arts Desk at 9:48am on September 4, 2025

The Pitchfork Disney, King's Head Theatre review - blazing with dark energy by Aleks.sierz

Thrilling revival of Philip Ridley's cult classic confirms its legendary status Ever wondered if there was one moment when in-yer-face theatre started? Well, yes there was; there was one pl…

SOURCE: The Arts Desk at 12:06pm on September 3, 2025

Born with Teeth, Wyndham's Theatre review - electric sparring match between Shakespeare and Marlowe by Heather Neill

Rival Elizabethan playwrights in an up-to-the-minute encounter The title refers to a line in Henry VI, Part III: the future Richard III boasts that midwives cried, "Oh Jesus bless us, he is …

SOURCE: The Arts Desk at 9:48pm on September 2, 2025

Interview, Riverside Studios review - old media vs new in sparky scrap between generations by Helen Hawkins

Robert Sean Leonard and Paten Hughes make worthy sparring partners The cult film that director Theo van Gogh left behind when he was killed in 2004, Interview, has already been remade twice;…

SOURCE: The Arts Desk at 8:06am on August 29, 2025

Fat Ham, RSC, Stratford review - it's Hamlet Jim, but not as we know it by Gary Naylor

★★★★ FAT HAM, RSC A raucous, raunchy Pulitzer Prize-winning re-imagining for our times An entertaining, positive and contemporary blast! $8.2B. That's what can ha…

SOURCE: The Arts Desk at 6:54am on August 28, 2025

Juniper Blood, Donmar Warehouse review - where ideas and ideals rule the roost by Aleks.sierz

Mike Bartlett's new state-of-the-agricultural-nation play is beautifully performed Playwright Mike Bartlett is, like many writers, a chronicler of both contemporary manners and of the state …

SOURCE: The Arts Desk at 1:36pm on August 27, 2025

As You Like It: A Radical Retelling, Edinburgh International Festival 2025 review - breathtakingly audacious, deeply shocking by David Kettle

A cunning ruse leaves audiences facing their own privilege and complicity in Cliff Cardinal's bold theatrical creation There is, let's be honest, a certain self-congratulatory self-satisfact…

SOURCE: The Arts Desk at 10:12pm on August 24, 2025

The Gathered Leaves, Park Theatre review - dated script lifted by nuanced characterisation by Rachel Halliburton

The actors skilfully evoke the claustrophobia of family members trying to fake togetherness The Gathered Leaves is set on the tectonic plates of a middle-class family reunion, in which three…

SOURCE: The Arts Desk at 6:54pm on August 24, 2025

Edinburgh Fringe 2025 reviews: Refuse / Terry's / Sugar by David Kettle

A Ukrainian bin man, an unseen used car dealer and every daddy's dream twink in three contrasting Fringe shows Refuse, Assembly George Square Studios ★★★★

SOURCE: The Arts Desk at 4:24am on August 23, 2025

Faustus in Africa!, Edinburgh International Festival 2025 review - deeply flawed by David Kettle

Bringing the Faust legend to comment on colonialism produces bewildering results What new light can the age-old legend of Faust selling his soul to the devil shed on colonialism in Africa, s…

SOURCE: The Arts Desk at 5:32pm on August 21, 2025

Edinburgh Fringe 2025 reviews: Imprints / Courier by David Kettle

A slippery show about memory and a rug-pulling Deliveroo comedy in the latest from the Edinburgh Fringe Imprints, Summerhall ★★★★

SOURCE: The Arts Desk at 5:32am on August 21, 2025
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