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6,591 stories from Stage and Cinema

Theater Review: THE DROWSY CHAPERONE (Coronado Playhouse) by Dan Zeff

NO SNOOZE BUTTON HERE Coronado’s Drowsy Chaperone keeps the laughs coming The Coronado Playhouse is reviving the musical comedy The Drowsy Chaperone, hoping to repeat the popularity of the…

SOURCE: Stage and Cinema at 8:08pm on April 20, 2026

Theater Review: ENGLISH (Wallis Annenberg Center, Beverly Hills) by Ernest Kearney

LOST IN TRANSLATION— AND INTENTION Pulitzer winner that provokes, puzzles, and occasionally frustrates. Is it a scream into a void or a play? English, by Sanaz Toossi, won the 2023 Pulitze…

SOURCE: Stage and Cinema at 9:42pm on April 19, 2026

Theater Review: HELL MOUTH (The Road Theatre Company, North Hollywood) by Michael M. Landman-karny

A HELL OF A MOUTHFUL A play where grief, faith, and ambition collide —and silence carries the weight Jacobson knows that the domestic and the exalted do not occupy different rooms. Hell Mo…

SOURCE: Stage and Cinema at 8:51pm on April 19, 2026

Theater Review: CABARET (Rancho Mirage Amphitheater in Palm Desert) by Jason Mannino

A CHILLING NIGHT UNDER THE STARS A high-energy production that refuses to look away from history’s shadows Desert Theatricals’ production of Kander and Ebb’s Cabaret, currently running…

SOURCE: Stage and Cinema at 2:30am on April 19, 2026

Theater Preview: 43RD ELLIOT NORTON AWARDS: NOMINATIONS & CEREMONY (Boston Theater Critics Association, The Huntington) by Tony Frankel

The Boston Theater Critics Association has announced nominations for the 43rd Annual Elliot Norton Awards, a wide-ranging snapshot of the current theater season in Greater Boston. The ceremo…

SOURCE: Stage and Cinema at 2:50am on April 18, 2026

Off-Broadway Review: MILK AND HONEY (J2 Spotlight Theatre Company at AMT, NYC) by Rob Lester

MIDDLE-AGED PEOPLE IN THE MIDDLE EAST, IN THE MIDDLE OF ADVENTURES Jerry Herman's early musical still charms Through the magic of musical theatre, we're vicariously taking a guided tour thro…

SOURCE: Stage and Cinema at 2:45am on April 18, 2026

Theater Review: THE NOTEBOOK (North American Tour at San Diego Civic Theatre) by Dan Zeff

LOVE, LOSS, AND LYRICS An earnest musical adaptation that leans into memory, even when it leans too hard The touring production of The Notebook arrives at the Civic Theatre with a built-in a…

SOURCE: Stage and Cinema at 10:21pm on April 17, 2026

Dance Review: LA SYLPHIDE (San Francisco Ballet) by Chuck Louden

A SCOTTISH FANTASY TAKES FLIGHT A Romantic ballet classic that still enchants This month, San Francisco Ballet is performing the Danish Romantic classic La Sylphide. This revival was first p…

SOURCE: Stage and Cinema at 2:59am on April 17, 2026

Cabaret Review: MARILYN MAYE (54 Below, NY) by Rob Lester

THE QUEEN OF CABARET STILL REIGNS A birthday-month run proves that Marilyn Maye at 98 remains unstoppable Memo to fans of solo singers who've been living in a cave for more than half a centu…

SOURCE: Stage and Cinema at 4:27am on April 16, 2026

Broadway Review: TITANÍQUE (St. James Theatre) by Paulanne Simmons

CELINE TAKES THE WHEEL An irreverent Titanic spoof that goes all in on camp and pop spectacle Titaníque, the Titanic parody which premiered in Los Angeles in 2017, opened at The Asylum Th…

SOURCE: Stage and Cinema at 2:59am on April 15, 2026

Theater Review: REVENGE OF THE SOY BOY (FRIGID New York City Fringe Festival) by Alex Simmons

MAY THE FUNNY FORCE BE WITH YOU A solo show that blasts fandom toxicity into hyperspace Plot a course, prime the hyperdrive, and punch it, Chewie! A sci-fi multimedia solo show lands in the …

SOURCE: Stage and Cinema at 2:57am on April 15, 2026

Off-Broadway Review: THE ADDING MACHINE (The New Group at St. Clement's Theatre) by Gregory Fletcher

MAN VS. MACHINE, STILL LOSING Rice's century-old warning lands with unsettling familiarity In its inaugural production at the newly claimed St. Clement's Theatre, The New Group launches its …

SOURCE: Stage and Cinema at 6:55pm on April 14, 2026

Theater Review: WHAT THE CONSTITUTION MEANS TO ME (Greater Boston Stage Company) by Lynne Weiss

A GREAT DEBATE A play that asks the audience to think about what the Constitution means to them When she was 15, Heidi Schreck went on tour to compete for college scholarships by delivering …

SOURCE: Stage and Cinema at 10:59am on April 14, 2026

Broadway Review: BECKY SHAW (Helen Hayes) by Carol Rocamora

LOVE, LIES, AND LETHAL CHARM Gina Gionfriddo's comedy of dysfunction refuses easy labels"and lands every blow "Rom-com?" No. "Meet-cute"? Far from it. Sitting through Becky Shaw at the Helen…

SOURCE: Stage and Cinema at 10:29am on April 14, 2026

Theater Review: LOVE! VALOUR! COMPASSION! (Dezart Performs, Palm Springs) by Jason Mannino

A SUMMER OF MEMORY AND LOSS A moving revival that transforms urgency into reflection without losing its emotional core The lights went down at Dezart Performs' gorgeous new home on Saturday,…

SOURCE: Stage and Cinema at 5:30am on April 14, 2026

Theater Review: WHAT PRICE FREEDOM (Moving Arts Theatre, Los Angeles) by Ernest Kearney

FOUNDING FATHERS, FOUND WANTING A promising historical premise undone by uneven writing What Price Freedom, by Tony Blake, having its world premiere at Moving Arts Theatre, recounts one of t…

SOURCE: Stage and Cinema at 5:05am on April 14, 2026

Concert Review: LISE DAVIDSEN & FREDDIE DE TOMMASO (BroadStage, Santa Monica) by Michael M. Landman-karny

TWO VOICES, ONE VOLTAGE An evening of operatic power finds its charge in connection, not just scale BroadStage does not often present evenings of this ambition: a sold-out house, a freelance…

SOURCE: Stage and Cinema at 2:57am on April 14, 2026

Theater Review: WHEN PLAYWRIGHTS KILL (Huntington Theatre, Boston) by Lynne Weiss

TURNING A THEATRICAL LEMON INTO FIZZY LEMONADE Matthew Lombardo spins a true-life theatrical disaster into a relentlessly funny backstage comedy According to Nora Ephron, who turned her husb…

SOURCE: Stage and Cinema at 2:55am on April 14, 2026

Broadway Review: DOG DAY AFTERNOON (August Wilson Theatre) by Paulanne Simmons

HOLDING UP UNDER PRESSURE A bold stage adaptation that captures much "but not all"of the film's tension Adapting an iconic film like Dog Day Afternoon for the stage is a challenge. There are…

SOURCE: Stage and Cinema at 2:50am on April 14, 2026

Theater Review: GOODNIGHT MOON (Chicago Children's Theatre) by C.j. Fernandes

A GREAT, GREEN ROOM YOU'LL NEVER WANT TO LEAVE Chicago Children's Theatre closes out its 20th anniversary season with a picture(book)-perfect triumph! "I wish I might, I wish I may / go live…

SOURCE: Stage and Cinema at 2:19am on April 14, 2026

Dance Preview: PARSONS DANCE (BroadStage, Santa Monica) by Tony Frankel

HIGH VOLTAGE DANCE, NO SAFETY NET A company built on athleticism, musicality, and sheer momentum returns to BroadStage Few choreographers have maintained the kind of sustained, high-energy a…

SOURCE: Stage and Cinema at 2:58am on April 13, 2026

Dance Review: SCORCHED EARTH (St. Ann's Warehouse, Brooklyn) by Paola Bellu

LAND, LABOR, AND THE BODY Luke Murphy's dance-theatre work turns ownership into something visceral and urgent St. Ann's Warehouse unveils Scorched Earth, a striking dance-theatre work from A…

SOURCE: Stage and Cinema at 2:51am on April 13, 2026

Theater Review: KNIFE TO THE HEART (Desert Ensemble Theatre in Palm Springs) by Jason Mannino

A FINAL BOW WITH HUMOR AND HEART DET closes its run with a sharp, funny family comedy about tradition and change There is a bittersweet irony in Desert Ensemble Theatre choosing Knife to the…

SOURCE: Stage and Cinema at 2:48am on April 13, 2026

Theater Review: THE GOAT, OR WHO IS SYLVIA? (Shotgun Players, Berkeley) by Chuck Louden

A MODERN TRAGEDY IN PLAIN SIGHT Albee's shocking premise unfolds with the inevitability of Greek drama Playwright Edward Albee remains one of the most incisive chroniclers of American family…

SOURCE: Stage and Cinema at 11:52pm on April 12, 2026

Preview: THE MUSIC THAT MAKES ME DANCE: THE SONGS OF JULE STYNE (El Portal Theatre, North Hollywood) by Michael M. Landman-karny

EVERYTHING'S COMING UP JULE Broadway's golden-age hits return in a world premiere revue that treats them as living drama Jule Styne's name tends to arrive attached to titles that feel immova…

SOURCE: Stage and Cinema at 5:12am on April 12, 2026
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