Building Trust and Affection
By Jan Cohen-Cruz. In this episode, the intimacy of self and group expression brings loving relationships of all kinds into being-"deep friendships, Jan and Finn's romance, familial feelings…
By Jan Cohen-Cruz. In this episode, the intimacy of self and group expression brings loving relationships of all kinds into being-"deep friendships, Jan and Finn's romance, familial feelings…
By . Featuring panels with Ira Weitzman (Lincoln Center Theater, Playwrights Horizons) as well as Cooper Howell (CATS: The Jellicle Ball) and Jonathan Kalb (Theatre for a New Audience) and p…
By Tonderai Chiyindiko. Amid flareups of anti-immigrant sentiment in South Africa, The Last Country offers a much-needed platform for migrant voices.
By Martin Boross, Tara Khozein, Suli Holum, Yury Urnov. How can ensemble training influence theatre culture and grow capacity?
By Kristin Marting. On 9 February 2026, TORCHES will continue with a conversation with the wildly inventive creative director, designer, advocate, and producer Clint Ramos.Â
By Bess Rowen. Bess Rowen reflects on two decades of exciting, experimental productions at the Provincetown Tennessee Williams Theater Festival.
By . The Tune Up! is a new episodic performance series created by Suzan-Lori Parks (SLP) and directed by Bessie Award-winning executive artistic director of The Flea Theater Niegel Smith, th…
By Jan Cohen-Cruz. This episode takes a closer look at the interplay of particular participants and group dynamics in the workshops.
By Martin Boross, Tara Khozein, Jeremy Eaton, GG Griffith. How do our own needs inform and drive our work with community?
By Artist Caregiver. This month's diarist is a dramaturg with a full-time job at an arts service organization and a toddler at home.
By Artist Caregiver. This month's diarist has two kids under five and two jobs in different states. When a parent needs her, too, she begins to grapple with the added strain "sandwich genera…
By Ramona Rose King, Anne G. Morgan. To celebrate the launch of I Don't Know How They Do It!, column curator Anne G.
By Jan Cohen-Cruz. The different prison theatre workshops get started.
By Israel Wekpe, Eseovwe Emakunu. Every four years, Catholic seminaries across Nigeria come together for the All Saints Seminary Festival of Arts and Culture, which features theatre rooted i…
By Kristin Marting. Paul Pinto creates multi-disciplinary music, opera-theater, installation and performance, sometimes with his longtime friends thingNY and Varispeed.
By Kristin Marting. David Herskovits is the founding artistic director of Target Margin Theater (TMT).
By Tara Khozein, Martin Boross, Matthew Glassman, Wanda Strukus. How can theatre artists enter a space as outsiders and create work there in a way that does not fall into our habits of colon…
By Jan Cohen-Cruz. What leads people to prison theater workshops?
By . An online conversation in partnership with artEquity that is connecting art service organizations and leadership who have shaped the arts ecosystem.Â
By . An online conversation reconnecting artists, activists, and organizations who have shaped the MENA and SWANA theatre legacy.
By . A conversation supporting college students as they transition into the professional theatre field.
By . A conversation honoring the Consortium of Asian American Theaters and Artists (CAATA)'s origin story and evolution.Â
By Ash Marinaccio, Veronika Skliarova. Ash Marinaccio and Ukrainian theatremaker Veronika Skliarova discuss how documentary theatre is preserving testimony, fostering resilience, and buildin…
By Kristin Marting. Eisa Davis is a performer, composer, and writer.
By Martin Boross, Tara Khozein, Sandy Timmerman, Apollo Garcia Orellana. What's the point of entering the rehearsal room without a plan?