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35,739 stories from The Guardian

Present Laughter review " Kevin Kline can't find the funny in a classic by Alexis Soloski

False starts and outmoded techniques make this latest iteration of Noël Coward's creation seem dated, leaving its star with too much heavy liftingSt James Theater, New YorkDressing gown e…

SOURCE: The Guardian at 9:06pm on April 5, 2017

The Goat, or Who Is Sylvia? review " Damian Lewis shines in Albee's bestial classic by Michael Billington

Theatre Royal Haymarket, LondonLewis plays an architect in love with a goat in Edward Albee's tragedy about uncontrollable sexuality " with Sophie Okonedo equally riveting as his wifeAs we k…

SOURCE: The Guardian at 7:06pm on April 5, 2017

To boo or not to boo? Royal Opera music chief defends vocal crowds by Mark Brown Arts Correspondent

Sir Antonio Pappano says while latest trend of booing villains can be fun, calling out a bad performance is a step too farTo boo or not to boo at the opera? The Royal Opera House would rathe…

SOURCE: The Guardian at 12:24pm on April 5, 2017

The Lottery of Love review " sex and sadism in a class-hopping comedy of manners by Michael Billington

Orange Tree, Richmond Servants and employers swap places with a great deal of amorous confusion in a sparkling revival of Marivaux's classicIn the past, we've seen Marivaux's classic comedy …

SOURCE: The Guardian at 9:02am on April 5, 2017

Natives review " teenage angst goes digital in fable of networked culture by Lyn Gardner

Southwark Playhouse, LondonThree young people find that online validation comes at a price, in Glenn Waldron's hugely enjoyable dramaParental neglect can come in many forms, and it does so i…

SOURCE: The Guardian at 9:02am on April 5, 2017

Consent review " love and justice on trial in fierce courtroom drama by Michael Billington

Dorfman, London The audience become judge and jury in Nina Raine's intelligent play about a rape case full of opposing narratives, starring Anna Maxwell Martin and Ben ChaplinAside from John…

SOURCE: The Guardian at 7:54am on April 5, 2017

Roanne Dods obituary by Kate McGrath

My friend Roanne Dods, who has died of cancer aged 51, was founding director of the Jerwood Charitable Foundation, through which she distributed £14m of grants to a vast range of arts org…

SOURCE: The Guardian at 6:48am on April 5, 2017

Royal Ballet gambles on new talent and competitive spirit to invigorate classics by Judith Mackrell

For its 2017-18 season, the Royal Ballet pays tribute to Kenneth MacMillan and Leonard Bernstein " and brings in Liam Scarlett, Edmund de Waal and a take on a deranged silent movieOne of the…

SOURCE: The Guardian at 5:42am on April 5, 2017

Louis CK: 2017 review " buttons are pushed but the set doesn't achieve lift-off by Elise Czajkowski

Abortion and suicide are hot topics in this latest hour of standup for Netflix, but the quirky left turns that once made this material feel so fresh can't be foundWhen I saw Louis CK perform…

SOURCE: The Guardian at 3:36am on April 5, 2017

42nd Street " review by Lyn Gardner

Curve, Leicester"You're going to go out there a youngster, but you've got to come back a star," director Julian Marsh (Tim Flavin) tells young Peggy Sawyer in 42nd Street. And there was high…

SOURCE: The Guardian at 6:48pm on April 4, 2017

42nd Street review " dancing and dazzle distract from jarringly sexist lyrics by Michael Billington

Theatre Royal Drury Lane, LondonSheena Easton brings poise and star quality to an energetic revival that suffers from its bloodless and out of date source materialIf you like musicals staged…

SOURCE: The Guardian at 6:48pm on April 4, 2017

Standup comedian Richard Herring defends his 'Hitler Moustache' act by Richard Herring

Standup comedian Richard Herring defends his 'Hitler Moustache' act following an article by Guardian critic Brian LoganBlog: Join the debate On Monday I was astounded to read an article by …

SOURCE: The Guardian at 2:24pm on April 4, 2017

Brexit play and opera festival to feature in BBC's £4m culture drive by Mark Brown Arts Correspondent

Director-general says collaboration with UK arts funding bodies will create 'moments of scale that no other organisation can'A TV adaptation of the National Theatre's current Brexit play, a …

SOURCE: The Guardian at 9:48am on April 4, 2017

Massive Dad review " sketch trio sling gags from unexpected angles by Brian Logan

Pleasance, LondonThis lovably stupid group breathe fresh air into traditional material " even the throwaway jokes are hilariousI'm all for the shock of the new " but sometimes the old, done …

SOURCE: The Guardian at 8:42am on April 4, 2017

Posh review " Laura Wade's Bullingdon boys become lairy ladies who lunch by Corrie Tan

Pleasance, LondonWade's riotous Oxford students get a gender reversal in a revival of her 2010 play that brims with high camp and swagger"Who run the world?" one of the characters belts out …

SOURCE: The Guardian at 8:42am on April 4, 2017

Gecko: the theatre company divorcing post-Brexit Britain by Lyn Gardner

After a series of poetic and emotional productions, Gecko director Amit Lahav is now asking what it means to be in a 'forced marriage'. He explains why his shows change every night " and why…

SOURCE: The Guardian at 8:42am on April 4, 2017

Rameau's Les Fêtes d'Hébé: making a song and dance about it by Stephen Johns

It's taken almost 300 years for the French composer's genre-crossing opéra-ballet to come to the UK, with a Royal College of Music staging opening tomorrow. Why the wait? This week the Roya…

SOURCE: The Guardian at 5:18am on April 4, 2017

Sally Field: 'I never felt that I had very many choices. Ever' by Alexis Soloski

The actor, who is on Broadway in The Glass Menagerie, talks about being typecast and struggling to find roles while balancing life as a parentLast fall, Sally Field turned 70. Her celebratio…

SOURCE: The Guardian at 5:18am on April 4, 2017

Amélie review " a creme brulee of a musical: cloying and far too sweet by Alexis Soloski

The Walter Kerr Theatre, New YorkThe Pam MacKinnon-directed adaptation of the whimsical 2001 film struggles to deliver the goods, hemmed in by a saccharine songbook and passionless plotIn Am…

SOURCE: The Guardian at 10:48pm on April 3, 2017

Stephen K Amos: 'I want you to laugh and then I pull the rug from under your feet' by Simon Miraudo

The British comedian talks Trump, marriage equality and why he's telling golliwog jokes in his show at the Melbourne international comedy festivalStephen K Amos is back in Australia after 12…

SOURCE: The Guardian at 9:36pm on April 3, 2017

Parv Bancil: What have multicultural arts policies done for us? by Parv Bancil

I recently spoke to a young British Muslim playwright about the attention he was suddenly getting from a few mainstream theatres and TV companies. He is one of many plucked from the north of…

SOURCE: The Guardian at 7:36pm on April 3, 2017

Dave Chappelle review " an outrageous white-knuckle ride by Brian Logan

Hammersmith Apollo, LondonChappelle kicks off with gleeful, scorching indelicacy, but his cock-of-the-walk comedy doesn't always match his considerable charisma You'd think it was a rock sta…

SOURCE: The Guardian at 5:24pm on April 3, 2017

Dave Chappelle, Ricky Gervais and comedy's 'ironic bigotry' problem by Brian Logan

The onstage returns of Ricky Gervais and Dave Chappelle have both brought criticism of their jokes about trans people. Can their approach of tackling taboos with a sledgehammer ever work or …

SOURCE: The Guardian at 4:18pm on April 3, 2017

Balanchine's Jewels: the product-placement ballet that became a masterpiece by Judith Mackrell

With its shameless courting of wealthy New York, George Balanchine's plot-free ballet Jewels was initially seen as tacky. But its magical synthesis of ballet history means it has endured for…

SOURCE: The Guardian at 11:48am on April 3, 2017

Echo's End review " everyday lives shattered by war's contradictions by Michael Billington

Salisbury PlayhouseA rural Wiltshire community during the first world war is depicted with quiet poetry in Barney Norris's play on childhood friendship and adult expectationBarney Norris is …

SOURCE: The Guardian at 8:31am on April 3, 2017
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