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35,739 stories from The Guardian

The Goat, Or Who Is Sylvia? review " an unappetising plea for liberalism by Susannah Clapp

Theatre Royal, HaymarketDamian Lewis and Sophie Okonedo do their best with Edward Albee's provocative play, but it is too knowing for its own goodIn the seven months since Edward Albee died,…

SOURCE: The Guardian at 4:02am on April 9, 2017

I Capture the Castle review " soaring ambition falls short of Dodie Smith's novel by Clare Brennan

Watford Palace theatreThe magic and nuance of the written word are missed in this musical adaptation, despite colourful songs and an inventive setA scaffolding structure rises on the stage, …

SOURCE: The Guardian at 4:02am on April 9, 2017

Globe director Dominic Dromgoole swaps stage for screen by Dalya Alberge

After 10 years at the Globe, Dominic Dromgoole will direct and produce films, following in the footsteps of Stephen Daldry and Sam MendesA former director of the Globe theatre in London is t…

SOURCE: The Guardian at 7:18pm on April 8, 2017

My workout: 'Ballet has given me strength' by Daniel Masoliver

Lauren Hibbert, 32, on why she loves to danceI have always loved to dance. It's a brilliant way to keep fit: it's so much fun and doesn't even feel like exercise. I've had lessons since I wa…

SOURCE: The Guardian at 2:42am on April 8, 2017

Why I love… Julie Andrews by Bim Adewunmi

Her voice is the happiest sound you'll ever hear, like the best of summer holidaysI'm a screen addict, so a fair chunk of my childhood memories are intimately tied up in film. Around the age…

SOURCE: The Guardian at 1:36am on April 8, 2017

Tim Pigott-Smith: a man born to play kings by Mark Lawson

The actor's imposing vocal and physical presence equipped him to play Lear and a future Charles III as well as a series of police and army officersCombining height with a voice of unusual br…

SOURCE: The Guardian at 7:02pm on April 7, 2017

BBC Young Dancer finalist Vidya Patel: 'Your feet are almost a musical instrument' by Interview By David Jays

The rising dance star on the exchange of ideas in her collaboration with Richard Alston, kathak's rhythm and grace, and meditating before rehearsalReaching the final of the BBC Young Dancer …

SOURCE: The Guardian at 5:54pm on April 7, 2017

Tim Pigott-Smith: how Ian McKellen made me raise my acting game by Tim Pigott-smith

In the first of a new series in which actors write about pivotal moments in their career, Tim Pigott-Smith recalls the year he appeared alongside Ian McKellen … and met his future wifeBy e…

SOURCE: The Guardian at 2:42pm on April 7, 2017

King Charles III " a flawed premise but royally entertaining by Michael Billington

Almeida theatre, LondonMike Bartlett has written a speculative play about the future of the monarchy that has the courage to ask serious questionsMike Bartlett has written a speculative play…

SOURCE: The Guardian at 2:42pm on April 7, 2017

Actor Tim Pigott-Smith dies aged 70 by Ruth McKee

Best known for The Jewel in the Crown, he was awarded an OBE last month and due to star in Death of a SalesmanThe actor Tim Pigott-Smith has died at the age of 70.His career spanned over fou…

SOURCE: The Guardian at 2:42pm on April 7, 2017

Tim Pigott-Smith: a life on stage and screen " in pictures by Guardian Staff

Theatre, film and TV actor Tim Pigott-Smith came to the British public's attention as Ronald Merrick in the 1984 TV series The Jewel in the Crown, and starred in plays and films including Ki…

SOURCE: The Guardian at 2:42pm on April 7, 2017

Casanova review " too much plot, not enough passion for Northern Ballet's limp lothario by Judith Mackrell

Theatre Royal, NorwichThere are powdered wigs and romps galore in Kenneth Tindall's first full-length story ballet, but he never truly gets at his hero's mind and heartThere is a properly ri…

SOURCE: The Guardian at 9:12am on April 7, 2017

The Winter's Tale review " male jealousy casts a toxic shadow in canny revival by Lyn Gardner

Barbican, LondonDeclan Donnellan and Nick Ormerod bring imagination and striking visuals to a modern-day retelling that is easier to admire than to loveDirector Declan Donnellan and designer…

SOURCE: The Guardian at 8:06am on April 7, 2017

Les Fêtes d'Hébé review " Rameau wanted to charm and delight, and this succeeds by George Hall

Britten theatre, London The Royal College of Music's European collaboration brings clean-edged chic and character to the French composer's opéra-ballet spectacleThe distinctively French for…

SOURCE: The Guardian at 8:06am on April 7, 2017

Rich Hall: 'Albert Brooks is one of the funniest comedians ever' by Rachel Aroesti

From squid pelts to neurotic standup, the misanthropic US comic, writer and musician reveals the things that make him laugh the mostKevin Meaney, the recently departed Boston comedian, had t…

SOURCE: The Guardian at 8:06am on April 7, 2017

Jane Eyre and Betroffenheit: this week's best UK theatre and dance by Lyn Gardner and Judith Mackrell

Sally Cookson captures the fragile heart of Charlotte Brontë's novel, while Crystal Pite's astounding take on grief and addiction returnsJane Eyre Continue reading...

SOURCE: The Guardian at 5:54am on April 7, 2017

The 10 best things to do this week: Syd, Russell Brand and I Am Not Your Negro by The Guide

The R&B up-and-comer performs with the Internet, the erstwhile king of British comedy reclaims his throne and radical writer James Baldwin is rememberedPure ComedyFather John Misty's new…

SOURCE: The Guardian at 4:54am on April 7, 2017

It's showtime! by Stuart Jeffries

Kevin Spacey's first season in charge of the Old Vic starts tomorrow. Will he boost the fragile ecology of British theatre? Or will he leave us cold? Stuart Jeffries reportsIn the long queue…

SOURCE: The Guardian at 3:42pm on April 6, 2017

Phone call delays play for Hugh Jackman and Daniel Craig on Broadway by Staff and Agencies

New York preview of A Steady Rain, starring Hugh Jackman and Daniel Craig, is interrupted by a mobile ringtone, leading actors to ad-lib in characterRichard Griffiths ordered its owner out o…

SOURCE: The Guardian at 2:48pm on April 6, 2017

David Baddiel: why I'm turning The Infidel into my first musical by David Baddiel

As a Kickstarter campaign is launched to fund Infidel: the Musical, the comic and author explains why his cult comedy about Jews and Muslims was ripe for a stage makeoverPerhaps surprisingly…

SOURCE: The Guardian at 11:24am on April 6, 2017

Girl in the Machine review " the dilemmas of digital dependency by Mark Fisher

Traverse, Edinburgh Stef Smith's dystopian sci-fi two-hander, staged during the Edinburgh international science festival, anatomises our relationships with technologyThe lines of Neil Warmin…

SOURCE: The Guardian at 10:18am on April 6, 2017

Caste review " Victorian class-clash comedy with pin-sharp performances by Michael Billington

Finborough theatre, London Paul Bradley as a hopeless boozehound, Susan Penhaligon as a haughty mother and Rebecca Collingwood as a sparky sister light up TW Robertson's 1867 playIt is 150 y…

SOURCE: The Guardian at 8:06am on April 6, 2017

National Theatre to unveil 'intellectual thriller' about 1993 Oslo accords by Mark Brown Arts Correspondent

Oslo, a behind-the-scenes look at the talks that led to the deal between Israel and the PLO, has already enjoyed critical success on BroadwayA stage play based on the behind-the-scenes talks…

SOURCE: The Guardian at 2:36am on April 6, 2017

The Who's Tommy review " bold retake on rock opera tackles disability rights by Lyn Gardner

New Wolsey, Ipswich Disabled and non-disabled actors, mixing in sign language and audio description, bring fresh dramatic insight to Ramps on the Moon's pinball wizard musicalSwaggering and …

SOURCE: The Guardian at 2:36am on April 6, 2017

Lord of the Flies review " a compelling adaptation all the better for its imperfections by Jane Howard

State Theatre, Arts Centre, MelbourneMatthew Bourne and Scott Ambler's dance-theatre production is at its strongest when its performances are most rawWe're not quite on a Pacific island in M…

SOURCE: The Guardian at 11:24pm on April 5, 2017
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