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35,738 stories from The Guardian

While We're Here review " love and loneliness in a small play with a big heart by Lyn Gardner

Bush, LondonTessa Peake-Jones and Andrew French star in Barney Norris's quietly affecting two-hander about ordinary lives"I've been alive for so long and I haven't got anything to show for i…

SOURCE: The Guardian at 10:12am on May 1, 2017

From Tata to the NHS: how Kully Thiarai is making theatre for Wales by Lyn Gardner

They both create work that is bold and deeply relevant for local communities, so National Theatre Wales and its new artistic director Kully Thiarai are a perfect fitKully Thiarai, the new ar…

SOURCE: The Guardian at 7:42am on May 1, 2017

Mayerling review " sex, drugs and revolution in the Royal Ballet's superb staging by Judith Mackrell

Royal Opera House, LondonEdward Watson finds sympathy for the doomed prince while Sarah Lamb gives one of the performances of her career in MacMillan's unsparingly brutal balletMayerling is …

SOURCE: The Guardian at 7:42am on May 1, 2017

The Cardinal review " darkly comic revenge drama is a forgotten gem by Michael Billington

Southwark Playhouse, London A defiant duchess takes on a corrupt clergyman in this vigorous revival of James Shirley's cracking 17th-century playJames Shirley (1596-1666) is one of British t…

SOURCE: The Guardian at 6:48am on May 1, 2017

The Euro ballroom scene: when voguing came to town by Alex Rayner

The stylised dance routines of New York's gay subculture have made their way to the continent, from Sweden to Estonia, captured in all their theatricality by British grime photographer Ewen …

SOURCE: The Guardian at 2:36am on May 1, 2017

Drama school a waste of time? Not necessarily " but it costs too much by Nick Asbury

The National Youth Theatre's Paul Roseby claims that drama school isn't worth the money. He's both right and wrongWhen he says that going to drama school is a waste of time and money for the…

SOURCE: The Guardian at 9:24pm on April 30, 2017

Oh Yes Oh No review " taboo-breaking theatre about female sexual desire by Lyn Gardner

Camden People's theatre, LondonLouise Orwin's bold work involves the voices of real women, as well as naked Ken and Barbie dolls, in order to lay bare the politics of female sexuality"What i…

SOURCE: The Guardian at 10:31am on April 30, 2017

The Treatment review " Martin Crimp's movie biz satire is more potent than ever by Michael Billington

Almeida, London Lyndsey Turner's immaculate, neon-lit revival of Crimp's 1993 play lays bare the ways reality is exploited and distorted by the mediaThere's a rich ambiguity to the title of …

SOURCE: The Guardian at 9:18am on April 30, 2017

Send us your questions for Susannah Clapp… by The Observer

Got something to ask the Observer's long-standing theatre critic? Here's your chance, ahead of an article in which she reflects upon two decades of reviewingThis June will see the 20th anniv…

SOURCE: The Guardian at 5:54am on April 30, 2017

Romeo and Juliet review " a bellowing pantomime by Susannah Clapp

Shakespeare's Globe, LondonThe lovers alone convince in Daniel Kramer's bewildering productionEmma Rice's last season in charge of the Globe opens with loud defiance. Daniel Kramer's product…

SOURCE: The Guardian at 4:18am on April 30, 2017

City of Glass review " Auster adaptation is all spectacle by Susannah Clapp

Lyric Hammersmith, LondonA visually dazzling staging by 59 Productions is missing a human dimensionJames Fenton, trenchant former theatre critic of the Sunday Times, once described his job a…

SOURCE: The Guardian at 4:18am on April 30, 2017

Obsession review " Jude Law is stranded in treacle-slow adaptation by Susannah Clapp

Barbican, LondonNo amount of writhing and roaring can enliven Ivo van Hove's self-absorbed take on ViscontiIn one corner David Hare: the least likely of dramatic Brexiters, suspicious of con…

SOURCE: The Guardian at 4:18am on April 30, 2017

Forty Years On review " satire showing its age by Clare Brennan

Chichester Festival theatreRichard Wilson stars as a crusty headmaster in Alan Bennett's playful but patchy 1968 state-of-the-nation play"An elaborate life support system for the preservatio…

SOURCE: The Guardian at 4:18am on April 30, 2017

Northern Ballet: Casanova review " a seductive debut by Luke Jennings

Milton Keynes theatre, and touringThe sex is better than the storyline, but Kenneth Tindall's Casanova is a handsome creationKenneth Tindall's Casanova for Northern Ballet is a lustrous prod…

SOURCE: The Guardian at 4:18am on April 30, 2017

Foul-mouthed Scottish schoolgirls get ready to hit the West End by Rachel Cooke

Billy Elliot creator Lee Hall won an Olivier with his musical Our Ladies of Perpetual Succour " now it's starting a major London runUntil I knew the real story, I had some fun imagining the …

SOURCE: The Guardian at 4:18am on April 30, 2017

Sharon D Clarke: 'I'd like to see more multiracial casts on stage and TV' by Interview By Nick Curtis

The actor and singer on her new role in the civil rights musical Caroline, Or Change " and playing the baddie in pantoSharon D Clarke, 50, grew up in Tottenham, north London, the daughter of…

SOURCE: The Guardian at 3:02am on April 30, 2017

Nuclear War review " a fascinating journey into a world of pain by Luke Jennings

Jerwood Theatre Upstairs, Royal Court, LondonSimon Stephens's experimental 'text for dance' about a woman coping with personal loss teeters on the brink of failure, but is consistently engag…

SOURCE: The Guardian at 3:02am on April 30, 2017

Timberlake Wertenbaker: 'I got to feel that nobody wanted me' by Vanessa Thorpe

After 10 years of self-imposed exile, the playwright is enjoying a renaissance. However, she says that female dramatists are still being disregardedPlaywright Timberlake Wertenbaker was once…

SOURCE: The Guardian at 7:18pm on April 29, 2017

Balancing Acts by Nicholas Hytner review " secrets of the National Theatre by Andrew Dickson

The NT's former artistic director digs up absorbing material, and argues that high-minded can also be showbiz goldImpressive though his time running the National Theatre was, in one respect …

SOURCE: The Guardian at 5:31am on April 29, 2017

Maxine Peake: 'I'm a Corbyn supporter. We need a coup' by Simon Hattenstone

She used to be told she was too fat, too northern, too political. Decades into a stellar career, Maxine Peake is on fighting formMaxine Peake looks at me and rolls her eyes. "Last time we me…

SOURCE: The Guardian at 4:24am on April 29, 2017

The Bodyguard review " a shallow, shaky love story with all the thrills of a wet sock by Clarissa Sebag-montefiore

Sydney Lyric Theatre, SydneyEven Australian Idol Paulini's stellar voice can't rescue this musical, which turns the Whitney Houston film into a glitzy but baffling spectacle for the stageThe…

SOURCE: The Guardian at 7:18pm on April 28, 2017

Our actors upstaged by weather presenters | Letters by Letters

Reader Mary McKeown applauds Dame Judi Dench for speaking up about actors delivering inaudible linesHurrah for Dame Judi Dench (Get off the sofa and learn your Shakespeare, Dench tells young…

SOURCE: The Guardian at 2:54pm on April 28, 2017

How My Light Is Spent review " Newport life becomes as strange as Under Milk Wood by Alfred Hickling

Royal Exchange, ManchesterAnxieties over loneliness and zero-hours contracts take an eerily real form for the characters in Alan Harris's lyrical two-handerJimmy, who is 34 and lives with hi…

SOURCE: The Guardian at 11:31am on April 28, 2017

Katy Brand: 'Victoria Wood's Two Soups is the funniest sketch ever' by Rachel Aroesti

The comedian and sketch-show doyenne on the things that make her laugh the mostSimon Munnery's The League Against Tedium in Edinburgh in the late 1990s. I had never seen anything like it; I …

SOURCE: The Guardian at 9:12am on April 28, 2017

Divine Chaos of Starry Things review " retracing revolutions from Paris to the South Pacific by Lyn Gardner

White Bear, London Politics predominates in Paul Mason's frustrating account of the French communard Louise Michel who was deported to New Caledonia in the 1870sDealing with defeat is part o…

SOURCE: The Guardian at 8:02am on April 28, 2017
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