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35,738 stories from The Guardian

Oh What a Lovely War: the show that shook Britain by Michael Billington

Joan Littlewood's pioneering 1963 musical about the first world war not only changed attitudes towards the conflict, it remade British theatre. As the show gets a loving revival, Michael Bil…

SOURCE: The Guardian at 5:48pm on May 7, 2017

Shakespeare's Richard III to be staged at Leicester Cathedral by Mark Brown Arts Correspondent

Organisers promise 'sensitive' production at cathedral where monarch was buried after remains were found under car parkA "sensitive" staging of William Shakespeare's Richard III has been pro…

SOURCE: The Guardian at 1:06pm on May 7, 2017

Five Short Blasts review " waterborne performance is all at sea by Lyn Gardner

Brighton festivalA meditative, site-specific piece about maritime lives loses its way as it takes the audience out on a pleasure cruise at duskFive short blasts on a whistle is the maritime …

SOURCE: The Guardian at 9:18am on May 7, 2017

Kate Tempest review " a fleeting, thrilling whirlwind of emotion by David Bennun

Brighton DomeThe poet/rapper/pop star packs a powerful musical punch as the indefinable chronicler of the ageTwo years ago, Kate Tempest topped the bill at The Great Escape, Brighton's jambo…

SOURCE: The Guardian at 9:18am on May 7, 2017

The Treatment review " flawless production by Kate Kellaway

The Almeida, LondonThis revival of Martin Crimp's intricate 1993 satire captures the powerlessness of a writer chewed up by the movie businessEveryone has a story, but who owns it? What happ…

SOURCE: The Guardian at 4:02am on May 7, 2017

The Resistible Rise of Arturo Ui review " Lenny Henry sizzles by Kate Kellaway

Donmar Warehouse, LondonBrecht's anti-fascist study of political power hits home in a tremendous new adaptation by Bruce NorrisThe Donmar has been transformed: gone are the elegant benches; …

SOURCE: The Guardian at 4:02am on May 7, 2017

Angels in America review " Kushner's epic 'gay fantasia' flies again by Susannah Clapp

Lyttelton, LondonGaudy and unflinching, Tony Kushner's 90s Aids drama still resonates in this bold, starry revival directed by Marianne ElliottYou can tell when a show is bound for success. …

SOURCE: The Guardian at 4:02am on May 7, 2017

How My Light Is Spent review " phone sex romance needs work by Clare Brennan

Royal Exchange, ManchesterTwo charming leads fail to plug the holes in a black comedy that replaces dark reality with ersatz whimsyKitty is a telephone sex worker. Jimmy is a regular client …

SOURCE: The Guardian at 4:02am on May 7, 2017

Mayerling; Material Men Redux " review by Luke Jennings

Royal Opera House; the Place, LondonMacMillan's unsparing story of mayhem and murder at the Austro-Hungarian court is taken to another level by Natalia OsipovaThe role of Crown Prince Rudolf…

SOURCE: The Guardian at 4:02am on May 7, 2017

The Ferryman review " Jez Butterworth pulls another rabbit from the hat by Susannah Clapp

Royal Court, London Magic runs through Butterworth's brilliant new play, directed by Sam Mendes, with a fine stage debut from Paddy ConsidineJez Butterworth's plays shoulder their way on to …

SOURCE: The Guardian at 4:02am on May 7, 2017

The Life of Galileo, National, London by Michael Billington

National, LondonGalileo is a restless, endlessly evolving masterpiece. Brecht himself wrote three versions between 1937 and his death. David Hare has now amplified his 1994 adaptation for th…

SOURCE: The Guardian at 3:06am on May 7, 2017

At home in Jerusalem: Micky Lay, the real-life rebel behind the role that wowed Broadway by Vanessa Thorpe, Arts and Media Correspondent

Mark Rylance's star turn as Rooster in Jez Butterworth's play owes much to the time he spent with the hard-drinking Wiltshire wild man who inspired the playwrightWhen Mark Rylance was toast…

SOURCE: The Guardian at 3:06am on May 7, 2017

Beware the revolution by Dj Taylor

George Orwell's Homage to Catalonia details everything from the tedium of life in the trenches to the politics of war and the feeling of being shot in the neck. How can it possibly be staged…

SOURCE: The Guardian at 10:24pm on May 6, 2017

Ubu Roi " review by Michael Billington

Barbican, LondonHow do you recapture the shock impact of Alfred Jarry's 1896 play, with its savage portrait of a grotesque monster? Given that Jarry's play started as a schoolboy prank aimed…

SOURCE: The Guardian at 10:24pm on May 6, 2017

Cosmic take on Brecht's Galileo perfect for post-truth world by Dalya Alberge

Director hails clash between science and political dogma as more relevant than everWatching stars at the theatre takes on new meaning at the Young Vic in London this month. A swirling cosmos…

SOURCE: The Guardian at 8:12pm on May 6, 2017

Jez Butterworth: the visionary fast becoming a theatrical great | Observer profile by Vanessa Thorpe

His new play, The Ferryman, follow-up to Jerusalem, has been rapturously received at the Royal Court. Far from resting his laurels, his next venture is a historical TV blockbusterAudiences w…

SOURCE: The Guardian at 8:12pm on May 6, 2017

Samantha Spiro: 'I have friends in therapy and I am jealous' by Kate Kellaway

The actor talks about the psychology of Lady Macbeth " and feelings of guilt closer to homeSamantha Spiro suggests, when we meet on a summer afternoon at the Globe theatre, that rehearsal is…

SOURCE: The Guardian at 7:54am on May 6, 2017

Camille O'Sullivan: 'I've always thought of the audience as a tiger' by Guardian Staff

As she presents a 10th anniversary show at the Edinburgh festival, Camille O'Sullivan remembers her first fringe gigs and explains how she puts together her set listBefore I first came to Ed…

SOURCE: The Guardian at 6:36am on May 6, 2017

10 of the UK's best music festivals for families by Arwa Haider

Kids' discos, circus workshops, craft corners, PG-rated comedy … not forgetting proper music lineups, from Stormzy to Happy Mondays - here's our pick of the events all the family can enjoy…

SOURCE: The Guardian at 4:18am on May 6, 2017

Why I love… Amber Riley by Bim Adewunmi

Sure, she has screen presence, but it's her voice that is truly arrestingContrary to the bombastic voiceover at the start of reality TV music competitions, we know that finding that one-in-a…

SOURCE: The Guardian at 1:24am on May 6, 2017

Stand Up Stand Up review " neurotic comic meets burly bailiff in Jim Cartwright's caper by Alfred Hickling

Theatre Royal, WakefieldThe writer launches his touring company with a new play blending the gentle hilarity and northern baroque he has made his ownA standup comedian and a debt collector w…

SOURCE: The Guardian at 10:02am on May 5, 2017

Limmy: '1922 by Stephen King is the funniest thing I've ever read' by Rachel Aroesti

From baked beans to Tim & Eric, sketch show creator and Vine enthusiast Brian Limond reveals the things that make him laugh the mostTim and Eric Awesome Show, Great Job!. I saw it after …

SOURCE: The Guardian at 8:42am on May 5, 2017

Sky's the limit: Boris Charmatz's rooftop dance reclaims cities from terror by Judith Mackrell

His dancers have performed at Tate Modern and been lifted by cranes. Now, the maverick choreographer is taking them to the top of a multistorey carpark for a feverish protest showIt is dark,…

SOURCE: The Guardian at 7:12am on May 5, 2017

The Graduate review " here's to Mrs Robinson and the strange, seductive 60s by Alfred Hickling

West Yorkshire Playhouse, LeedsTerry Johnson's adaptation, directed by Lucy Bailey and starring Catherine McCormack, captures the dubious sexual politics and superficiality of the eraThe mos…

SOURCE: The Guardian at 7:12am on May 5, 2017

Golem and Brighton festival: this week's best UK theatre and dance by Lyn Gardner and Judith Mackrell

Catch 1927's fable about our over-reliance on machines and explore the best of dance, as curated by Kate Tempest. Plus: Every Brilliant Thing and Voodoo1 GolemFew companies have the all-roun…

SOURCE: The Guardian at 6:02am on May 5, 2017
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