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35,738 stories from The Guardian

Room review " Emma Donoghue's story of survival is ingeniously staged by Michael Billington

Theatre Royal Stratford East, London A moving adaptation of the award-winning novel, with added songs, explores the mental toll on an abducted woman and her childMy queasiness about the subj…

SOURCE: The Guardian at 7:24am on May 11, 2017

Time for another round: the rebirth of pub theatre by Matt Trueman

Boozy function rooms were once theatre's radical heart. Rising costs and the changing face of the fringe threatened all that " but pubs around Britain are pulling in audiences with their spi…

SOURCE: The Guardian at 2:06am on May 11, 2017

King Charles III review " a 21st-century Shakespearean tragedy by Michael Billington

Wyndham's, LondonTim Pigott-Smith gives the performance of his career in Mike Bartlett's intelligent meditation on the pressures and purpose of monarchy today' King Charles III: a West End t…

SOURCE: The Guardian at 5:54pm on May 10, 2017

King Charles III review " Shakespearean take on future reign raises unique questions for Australia by Steve Dow

Roslyn Packer theatre, SydneyAfter an acclaimed run in the UK and on Broadway, Rupert Goold's production of Mike Bartlett's audacious play holds particular resonance for the coloniesThe Quee…

SOURCE: The Guardian at 5:54pm on May 10, 2017

'Back to the future': Liverpool Everyman's new rep company takes stock of first season by Frances Perraudin North Of England Reporter

All eyes on theatre that launched the careers of Julie Walters and Pete Postlethwaite as it brings back the old repertory model in a modern ageAs the penultimate production in the Liverpool …

SOURCE: The Guardian at 12:05pm on May 10, 2017

Salomé review " Yaël Farber's portentous take on the myth is a headache by Michael Billington

Olivier, LondonThe celebrated writer-director's attempt to radically update and reclaim the story is hamstrung by a terrible text and an over-complex stagingIt's not been a great month for c…

SOURCE: The Guardian at 10:05am on May 10, 2017

Salome | Theatre review by Michael Billington

Hampstead Theatre, LondonMore symbolist poem than play, Oscar Wilde's once-banned Salome invites a strong directorial concept. But where Steven Berkoff memorably gave us a stylised, slow-mot…

SOURCE: The Guardian at 6:36am on May 10, 2017

Obituary: Ken Campbell by Michael Coveney

Experimental writer, theatre director and improviser, he was one of the strangest people in BritainKen Campbell, who has died suddenly aged 66, was one of the most original and unclassifiabl…

SOURCE: The Guardian at 5:33am on May 10, 2017

Cosmic Trigger: Ken Campbell's daughter captures Illuminatus! spirit in trippy epic by Michael Coveney

Daisy Campbell's version of Robert Anton Wilson's cult book harks back to the counterculture era of conspiracies, hallucinogenic drugs and sinister ritualsThe counterculture strikes back at …

SOURCE: The Guardian at 2:12am on May 10, 2017

RSC activates Large Hadron Collider drama by Oppenheimer playwright by Hannah Ellis-petersen

Tom Morton-Smith's The Earthworks, set just before the LHC was switched on at Cern, is the latest collision between science and theatreTom Morton-Smith was never any good at physics at schoo…

SOURCE: The Guardian at 1:48pm on May 9, 2017

Occupational Hazards review " headlong rush through Rory Stewart's Iraq memoir by Michael Billington

Hampstead theatre, LondonThis adaptation shows the nightmarish conflicts faced by Stewart as a provincial governor in Iraq but fails to connect with the bigger political pictureThere have be…

SOURCE: The Guardian at 10:06am on May 9, 2017

Old people need to feel the joy of human interaction, too | Stewart Dakers by Stewart Dakers

By morphing from carer to cared-for, actors in a powerful new play remind us that we are all ageing " and deserve love and respect'It sometimes feels like we've stopped being human, we're ju…

SOURCE: The Guardian at 9:02am on May 9, 2017

Assata Taught Me review " former Black Panther's gripping lessons in resistance by Lyn Gardner

Gate, London A young Cuban gets an education in race, protest and betrayal from the fugitive Assata Shakur in Kalungi Ssebandeke's imagined encounter'Assata taught me" was the legend that st…

SOURCE: The Guardian at 9:02am on May 9, 2017

A play to make Richard III turn in his grave | Letter by Letters

A reader is unimpressed by Leicester cathedral's decision to allow Shakespeare's Richard III to be staged close to the real king's resting place"Dignity and honour" the authorities at Leices…

SOURCE: The Guardian at 1:42pm on May 8, 2017

Broadway boredom: the worst screen-to-stage musicals ever by Noah Gittell

As singalong adaptations of Peaky Blinders and Fever Pitch threaten to hit the stage, what have been the most regrettable examples from the past?If you stroll down Broadway or the West End t…

SOURCE: The Guardian at 12:24pm on May 8, 2017

Letter: Bill Mitchell taught by doing by Tony Coult

In the late 1970s Bill Mitchell and I joined the theatre company Key Perspectives. I soon saw that Bill was a great learner and an even greater teacher.He taught by doing. I had written a sc…

SOURCE: The Guardian at 12:24pm on May 8, 2017

Reginald D Hunter review " ranting and spanking as comic hunts for controversy by Brian Logan

Orchard, DartfordThe standup considers kinky sex, politics and Angela Merkel's alter ego but his new touring show is seldom strikingYou might have heard I'm controversial, Reginald D Hunter …

SOURCE: The Guardian at 10:12am on May 8, 2017

Richard III staging in Leicester Cathedral condemned by Mark Brown Arts Correspondent

Screenwriter who led project to find king's remains in car park deplores plan as 'wholly unprincipled' A screenwriter who spearheaded the project to find the remains of Richard III has conde…

SOURCE: The Guardian at 10:12am on May 8, 2017

The Pulverised review " characters crushed by globalisation by Lyn Gardner

Arcola, LondonAlexandra Badea's fervent, over-simplistic drama is an intertwining set of tales about the victims of globalisation, from Senegal to ShanghaiA Shanghai factory worker (Rebecca …

SOURCE: The Guardian at 8:02am on May 8, 2017

All Our Children review " Nazi drama is a gripping battle of words by Michael Billington

Jermyn Street theatre, LondonIn his debut as a playwright, Stephen Unwin explores the fate of disabled youths in Nazi Germany and creates an engrossing moral debateThere is an obvious diffic…

SOURCE: The Guardian at 8:02am on May 8, 2017

Brilliant casting makes this Babs biopic every bit as bubbly she is by Chitra Ramaswamy

A heartwarming and only occasionally cliche biopic from ex-EastEnders writer Tony Jordan. Plus, insights are scant in Dara and Ed's Road To Mandalay It's 1993 and Babs (Windsor, not Streisan…

SOURCE: The Guardian at 3:18am on May 8, 2017

Beauty and the Beast " review by Lyn Gardner

Young Vic, LondonPhelim McDermott thrusts disability into the spotlight and explores the dark heart of the famous fairytaleMat Fraser is discussing his disability. Assured it was safe, his m…

SOURCE: The Guardian at 2:18am on May 8, 2017

Mat Fraser on playing Richard III: 'I'd begun to feel like yesterday's cripple' by Alfred Hickling

He's staged Thalidomide! A Musical, stormed American TV and starred in an explicit fairytale with his wife. Now, Mat Fraser is raising hell as Shakespeare's royal villain " without the humpI…

SOURCE: The Guardian at 2:18am on May 8, 2017

We need Australian storytelling in our ballet " that's why the 'Aussie' Nutcracker still resonates | Emma Froggatt by Emma Froggatt

Graeme Murphy reimagined the classic Russian ballet to tell a uniquely Australian story of Clara. For the sake of young dancers, we need more like thisThere's a touching scene that opens the…

SOURCE: The Guardian at 1:06am on May 8, 2017

Richard Roxburgh and Margaret Pomeranz join fight against Fairfax cuts " video by Guardian Staff

A group of Australian actors, dancers, writers and comedians " including Charlotte Wood, Zoe Coombs Marr and Marieke Hardy as well as Pomeranz and Roxburgh " have joined a video campaign cal…

SOURCE: The Guardian at 1:06am on May 8, 2017
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