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35,738 stories from The Guardian

Theo Clinkard: This Bright Field review " a poetic fusion of sight and sound by Sanjoy Roy

Brighton DomeWith its unorthodox seating, shape-shifting set and even dancers hatching from eggs, this show makes up for some awkward pacing with a wealth of ideas In the brief prologue to T…

SOURCE: The Guardian at 7:06am on May 26, 2017

A Midsummer Night's Dream " quiz by Florence Goldring

The summer solstice is upon us, and the Royal Shakespeare Company is about to launch its interactive Google performance of the play " so what better way to celebrate than to test your knowle…

SOURCE: The Guardian at 5:48am on May 26, 2017

The 10 best things to do this week: Barber Shop Chronicles and Sundance by The Guide

The role of the hairdresser in African culture is the subject of a new play, while the best new independent cinema is screened in LondonSaloméThe RSC's new, contemporary take on Oscar Wilde…

SOURCE: The Guardian at 5:48am on May 26, 2017

John Boyega webchat " post your questions now by Guardian Staff

The Star Wars actor is now on stage in Woyzeck, and will answer your questions in a live webchat from 1pm BST on Tuesday 30 May " post them in the comments below 5.31pm BST John Boyega insta…

SOURCE: The Guardian at 5:48am on May 26, 2017

Spring Reign review " rough and ready account of the Syrian conflict by Lyn Gardner

Albany, LondonInspired by testimony from refugees, aid workers and journalists, Rob Johnston's drama homes in on the streets of AleppoIt took thousands of years to build Aleppo and only a fe…

SOURCE: The Guardian at 5:48am on May 26, 2017

Othello, Sirens and Desh: this week's best UK theatre and dance by Lyn Gardner and Judith Mackrell

Richard Twyman revives Shakespeare with style, Ontroerend Goed explore feminism and Akram Khan looks at the past through Bangladesh and Britain1 OthelloRichard Twyman's revival is a real cra…

SOURCE: The Guardian at 5:48am on May 26, 2017

Kwame Kwei-Armah: 'I found myself constantly moaning in London' by Tim Adams

When actor and playwright Kwame Kwei-Armah left the UK to become artistic director of Baltimore's Center Stage theatre in 2011 he jumped headfirst into America's racial politics…Kwame Kwei…

SOURCE: The Guardian at 11:33am on May 25, 2017

Twelfth Night review " Emma Rice's Highland fling brings that sinking feeling by Michael Billington

Shakespeare's Globe, London Sailor-suited dancers and a disco soundtrack add a party atmosphere to Shakespeare's comedy but drown out its melancholyThe peremptory treatment of Emma Rice by t…

SOURCE: The Guardian at 11:33am on May 25, 2017

We are Leeds: slam poet Zodwa Nyoni's shout-out to Yorkshire's young voices by Catherine Love

The Zimbabwe-born writer found her passion for words as a teenager in Yorkshire. Her new play, Ode to Leeds, explores its in-your-face poetry sceneHome is a complicated idea. The Yorkshire-b…

SOURCE: The Guardian at 11:33am on May 25, 2017

Julius Caesar review " political thriller chimes with rise of populism by Catherine Love

Crucible, SheffieldRobert Hastie's electric staging, with Jonathan Hyde and Samuel West, offers a resonant take on the manipulative power of rhetoric There's a moment in Robert Hastie's taut…

SOURCE: The Guardian at 7:36am on May 25, 2017

Kwame Kwei-Armah: 'I believe our strength lies in integration' by David Smith In Washington

The British playwright, who works as the artistic director of the Baltimore Center Stage theatre, talks about the role of art in troubled times like theseAs a Briton who has lived in America…

SOURCE: The Guardian at 6:18am on May 25, 2017

Theatre should turn its back on blackface by Mark Lawson

The idea of white actors making themselves up as black is shocking to most of us " and yet a theatre in Germany has seen fit to continue the tradition. Why?Most news stories " government in …

SOURCE: The Guardian at 10:06am on May 24, 2017

Glory on Earth review " spirited portrait of Mary, Queen of Scots and her girl gang by Mark Fisher

Royal Lyceum, EdinburghRona Morison is a smart, vivacious and quick-witted queen in Linda McLean's poetic historical drama, directed by David GreigWe're in the court of Mary, Queen of Scots …

SOURCE: The Guardian at 8:48am on May 24, 2017

Catch Me review " high-flying friends reunite for cartoonish circus tricks by Lyn Gardner

Underbelly festival, London Flip FabriQue's circus skills dazzle as they deliver 75 minutes of pleasure but the show's sole female performer is reduced to playing a stereotypical roleCirque …

SOURCE: The Guardian at 7:24am on May 24, 2017

A lover and a fighter: Cush Jumbo on The Good Wife's spinoff and her raucous new play by Rebecca Nicholson

Cush Jumbo is back home in Britain to star in Common, a wild drama about sex and murder in 1800s London. She talks about filming a Josephine Baker biopic " and her new friend 'Mezza' StreepL…

SOURCE: The Guardian at 2:33am on May 24, 2017

Woyzeck review: John Boyega shines but Thorne's version proves overbearing by Michael Billington

Old Vic, LondonWhereas Georg Büchner's original masterpiece allows audience to fill in the blanks, Thorne's adaptation piles the pressure on the title characterThis production has a lot goi…

SOURCE: The Guardian at 8:12pm on May 23, 2017

Deposit review " young couples pay the price in moving drama about generation rent by Lyn Gardner

Hampstead Downstairs, LondonMatt Hartley's play about friends caught up in the London housing crisis laces comedy with some tough philosophisingThe streets of London are supposedly paved wit…

SOURCE: The Guardian at 8:12am on May 23, 2017

No Dogs, No Indians review " colonial ghosts haunt tale of India's independence by Lyn Gardner

Southbank Centre, LondonSiddhartha Bose's multi-generational epic has grand ambitions and a laudable cast but is hamstrung by a meandering plotAfter 70 years of independence, how far has Ind…

SOURCE: The Guardian at 7:12am on May 23, 2017

Mr Burns: The Simpsons meets a post-apocalyptic world in a dizzyingly clever production by Cassie Tongue

In the aftermath of some future disaster, a group of strangers reach for a shared language. The result is comic, melancholy and deeply unsettlingIn the first line of Joan Didion's 1979 essay…

SOURCE: The Guardian at 1:36am on May 23, 2017

How Leah Purcell went from C-average student to $140,000 prize-winning playwright by Steph Harmon

With a book, a film and a TV series on the horizon, the playwright and actor has reached a career tipping point " and has a teacher she'd like to thankWhen Leah Purcell was in grade seven, h…

SOURCE: The Guardian at 11:06pm on May 22, 2017

Diversity on stage: who's afraid of color-blind casting? by Alexis Soloski

The decision of Edward Albee's estate to deny production rights over the casting choice of a black actor has reignited a debate over theater's relationship with raceLast week, a casting dire…

SOURCE: The Guardian at 1:33pm on May 22, 2017

Music Is Torture review " gig-theatre show unleashes devilish dilemmas by Mark Fisher

Tron, GlasgowMoral questions about our complicity in war are muddied in this Faustian tale of a musician selling his soul for a shot at successThings were going well for Jake Rae in 1998. Hi…

SOURCE: The Guardian at 9:48am on May 22, 2017

'Sanctuary of joy': performers and crowds bid farewell to Ringling Bros circus by Bryan Armen Graham In Uniondale, New York

The last performance of the Ringling Bros and Barnum & Bailey Circus spurs its ringmaster to reflect on 'the bedrock of American pop culture' after 146 yearsThe clowns and acrobats delig…

SOURCE: The Guardian at 8:36am on May 22, 2017

'Brave, ruthless and utterly compelling': Leah Purcell wins big at NSW premier's literary awards by Steph Harmon

The playwright's adaptation of The Drover's Wife will soon tour nationally and abroad, and may become a TV series " with a film already in the works The Indigenous Australian playwright, ac…

SOURCE: The Guardian at 7:18am on May 22, 2017

Colm Tóibín: how I rewrote a Greek tragedy by Colm Tóibín

Drawing on his memories of Northern Ireland, and images of violence from the Middle East, the author returns to the violent story of Clytemnestra and her childrenIn September 1986 I sat on a…

SOURCE: The Guardian at 6:18am on May 22, 2017
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