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35,738 stories from The Guardian

Holler if Ya Hear Me review " all eyez on the exit by Alexis Soloski

This Broadway musical inspired by Tupac has some exhilarating dance numbers. If only we could care about the charactersPour one out for Holler if Ya Hear Me, the dead-on-arrival Broadway juk…

SOURCE: The Guardian at 9:33am on May 31, 2017

Holler If Ya Hear Me: why Tupac Shakur will be spinning in his grave by Pete Cashmore

What did the reviewers make of the Broadway musical inspired by the rapper's music?The curtain has gone up on Holler If Ya Hear Me, a Broadway stage musical giving the ever-popular "jukebox …

SOURCE: The Guardian at 8:24am on May 31, 2017

Athene Seyler, the 101 year-old funny lady " archive, 31 May 1990 by Marianne Brace

31 May 1990: Marianne Brace reports on a comic career that spans 50 yearsAthene Seyler is 101 years old today. Edward VII was king when she made her first professional stage appearance " 'qu…

SOURCE: The Guardian at 12:48am on May 31, 2017

Julius Caesar " review by Michael Billington

Royal Shakespeare Theatre, Stratford-upon-AvonThis, of all Shakespeare's plays, badly needs a shot in the arm " and it receives a powerful one in this production by Gregory Doran, the RSC's …

SOURCE: The Guardian at 10:54pm on May 30, 2017

Novosibirsk state ballet school " in pictures by Kirill Kukhmar/tass

Kirill Kukhmar visits Novosibirsk state ballet school. The school was founded in the Soviet era by teachers and former dancers of Leningrad's Kirov ballet and is considered to be one of the …

SOURCE: The Guardian at 8:06am on May 30, 2017

Bolton Octagon at 50: mills, thrills and bellyaches " in pictures by Guardian Staff

The intimate Octagon theatre in Bolton has launched its 50th anniversary season. Take a look at some of its landmark productions from local playwrights Bill Naughton and Jim Cartwright and s…

SOURCE: The Guardian at 10:33am on May 29, 2017

Acting against apartheid: the enduring power of South African protest theatre | Jack Klaff by Jack Klaff

South Africa's theatre of resistance, as penned by the likes of Athol Fugard, roared around the world, bringing pressure to bear on the regime back homeIn dramatic writing, it's good if your…

SOURCE: The Guardian at 7:42am on May 29, 2017

Vanessa Redgrave: She's got issues by Lynn Barber

Vanessa Redgrave, the reigning matriarch of Britain's most famous acting dynasty, veteran of stage and screen and a radical Trotskyist, has always claimed her first love is revolutionary pol…

SOURCE: The Guardian at 6:36am on May 29, 2017

Jam review " tense classroom drama gives lessons in Britain's division by Michael Billington

Finborough, LondonAn Iranian teacher is confronted by one of her former pupils in Matt Parvin's claustrophobic two-hander about social and racial prejudiceMatt Parvin is a young, Dorset-born…

SOURCE: The Guardian at 6:36am on May 29, 2017

Count Strong Arthur, Gilded Balloon, Edinburgh by Brian Logan

Gilded Balloon, EdinburghLast year, he failed to deliver a lecture on "Egyptologics". This year, it's the story of the Bible that Count Arthur Strong is finding frustratingly difficult to te…

SOURCE: The Guardian at 7:54pm on May 28, 2017

Rehearsing resistance: how theater is taking on Trump by Lois Beckett

A range of productions have tasked themselves with reflecting the current political climate in the US, from Alec Baldwin playing Rex Tillerson to a savage re-imagining of Julius CaesarAn act…

SOURCE: The Guardian at 10:36am on May 28, 2017

The Earthworks/Myth review " when particle physics and romance collide by Lyn Gardner

The Other Place, Stratford-upon-AvonA funny encounter in the shadow of the Large Hadron Collider and a fractious dinner party feature in a double bill at the RSC's Mischief festivalThe groun…

SOURCE: The Guardian at 10:36am on May 28, 2017

Count Arthur Strong review " blissfully, brilliantly bewildered by Brian Logan

London PalladiumThe malapropisms and garbled logic, plus a near-fatal encounter with Benedict Cumberbatch's name, make Steve Delaney's comedy character a giddying delightNot the least of the…

SOURCE: The Guardian at 9:12am on May 28, 2017

Woyzeck review " John Boyega is a powerful tragic hero by Tim Adams

Old Vic, LondonThe Star Wars actor is impressive in Jack Thorne's reworking of George Büchner's unfinished playGeorge Büchner's Woyzeck was left unfinished at the playwright's death (at 23…

SOURCE: The Guardian at 3:54am on May 28, 2017

La traviata review " Kristina Mkhitaryan's Violetta soars by Stephen Pritchard

Glyndebourne, LewesThe Russian soprano makes a remarkable festival debut in this fine revival of Tom Cairns's 2014 productionPity lies at the core of Tom Cairns's brilliantly conceived 2014 …

SOURCE: The Guardian at 3:54am on May 28, 2017

Twelfth Night review " Emma Rice brings lights, music and the food of life by Tim Adams

Shakespeare's Globe, LondonThe outgoing artistic director's farewell season hits a glorious high as Shakespeare meets Studio 54Twelfth Night reserves its sharpest barbs for purists and purit…

SOURCE: The Guardian at 3:54am on May 28, 2017

Mark Morris: Pepperland review " Beatles with a touch of Broadway shuffle by Luke Jennings

Royal Court, LiverpoolThe celebrated American choreographer swings into town for Sgt Pepper's 50th birthday partyIn May 1967, 50 years ago last Friday, the Beatles released their eighth stud…

SOURCE: The Guardian at 3:54am on May 28, 2017

A critic's life for me: Susannah Clapp on 20 years in the stalls by Susannah Clapp

Two decades ago, Susannah Clapp filed her first theatre review for the Observer. Here, she reflects on the quirks of the job, the joy of spotting new stars " and how the role of the critic h…

SOURCE: The Guardian at 2:18am on May 28, 2017

Emilia Fox: 'I am weirdly obsessed with cleaning products' by Mark Bailey

The actor, 42, on being part of an acting dynasty, what makes her angry and why she finds painting garden furniture so satisfyingI've played Dr Nikki Alexander in Silent Witness for so long …

SOURCE: The Guardian at 9:42am on May 27, 2017

Choreographer Mark Morris: 'I can be very scary' by Judith Mackrell

He may be nearing 60 but Mark Morris has no time for looking back. The great choreographer is too busy swearing, feuding " and creating dazzling dance. Judith Mackrell sees him in actionWith…

SOURCE: The Guardian at 11:24am on May 26, 2017

An Octoroon review " blackface meets whiteface in quicksilver drama by Michael Billington

Orange Tree, RichmondBranden Jacobs-Jenkins's extraordinary play is both an adaptation of a 19th-century melodrama and a dazzling postmodernist critique of itIf I say that this bizarrely bri…

SOURCE: The Guardian at 11:24am on May 26, 2017

Miranda Hart: 'I used to think fame would justify my whole existence' by Hannah Ellis-petersen

The much-loved actor has conquered radio and TV, comedy and drama. Now she is heading to the West End stage " the realisation of a childhood dream The name Miranda Hart has become synonymous…

SOURCE: The Guardian at 11:24am on May 26, 2017

Joe Lycett: 'Will & Grace was my favourite show growing up' by Rachel Aroesti

The comedian and Radio 4 host on the things that make him laugh the most, from Smack the Pony to his barberI remember thinking I'd snapped a rib laughing at Tom Stade at Birmingham's Glee Cl…

SOURCE: The Guardian at 9:12am on May 26, 2017

Pepperland review " Mark Morris's Lonely Hearts Club dancers are a dream by Judith Mackrell

Royal Court, LiverpoolUsing a bold new score from Ethan Iverson, the choreographer has created a gorgeously entertaining and witty tribute to the classic Beatles albumWith Mark Morris it alw…

SOURCE: The Guardian at 9:12am on May 26, 2017

Cotton Panic! First look at Jane Horrocks' Manchester music drama " video by Guardian Staff

This year's Manchester international festival features a new gig-theatre show exploring how the US civil war created a cotton famine which caused catastrophe for Lancashire's mills. It's the…

SOURCE: The Guardian at 8:05am on May 26, 2017
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