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1,637 stories from stagevoices.com

LET'S GO: 'END ZONE' AT DIXON PLACE by Robert Shuman

PRESS RELEASE: FOR IMMEDIATE RELEASE Contact: Bob Shuman, [email protected] Dixon Place Presents End Zone by Bob Shuman,  starring Roger Hendricks Simon, the Simon Studio; Michae…

SOURCE: stagevoices.com at 3:39pm on December 16, 2019

THEATERS IN HUNGARY FEEL THE CHILL OF VIKTOR ORBAN'S CULTURE WAR by Robert Shuman

(Palko Karasz's article appeared in The New York Times, 12/13; via Pam Green.) With new rules on funding, the government has taken a further step in controlling arts in the country, promptin…

SOURCE: stagevoices.com at 12:29pm on December 15, 2019

CONSTANT STANISLAVSKI (59) by Robert Shuman

True art fades whenever it approaches tendential, utilitarian, unartistic paths. In art tendency must change into its own ideas, pass into emotion, become a sincere effort and the second nat…

SOURCE: stagevoices.com at 8:48pm on December 14, 2019

SHAKESPEARE COOKIES FOR THE HOLIDAYS by Robert Shuman

(Marissa Nicosia's article appeared in Folger's Shakespeare Library's Shakespeare Plus, 12/3.) Knots, cookies, and women's skill A plate of beautifully baked cookies is a wonderful thing. It…

SOURCE: stagevoices.com at 3:42pm on December 13, 2019

CONSTANT STANISLAVSKI (58) by Robert Shuman

Artistic truth, hinted to us by nature, is incomparably more aesthetic and more beautiful, and what is even more important, more scenic than relative truth and theatrical conventionality wit…

SOURCE: stagevoices.com at 9:21pm on December 12, 2019

FRANK GAGLIANO:  ON  RENÈ AUBERJONOIS by Robert Shuman

By Frank Gagliano, 12/10 The death of actor Renè Auberjonois (at age 79) is another sad RIP instance of a recent extraordinary theatre personality who once touched my life.  In 1968, Joh…

SOURCE: stagevoices.com at 8:41pm on December 11, 2019

FOR ENTERTAINING MUSICALS, LOOK NO FURTHER THAN … PARIS by Robert Shuman

(Laura Cappelle's article appeared in The New York Times, 12/5; via Pam Green.) The genre has long been seen as minor in the French capital, but a string of English-language productions is c…

SOURCE: stagevoices.com at 8:48pm on December 10, 2019

CONSTANT STANISLAVSKI (57) by Robert Shuman

On that occasion so important for me, at that performance in the dawn . . . the trees, the air, the sun hinted to us of such real, beautiful and artistic truth which cannot, because of its a…

SOURCE: stagevoices.com at 10:31pm on December 9, 2019

CONSTANT STANISLAVSKI (56) by Robert Shuman

How conventional we saw to be what we had become used to do on the stage, considering our scenic truth to be real truth. Theorists will say, "This is as it must be," and they will develop a …

SOURCE: stagevoices.com at 11:26am on December 8, 2019

JONATHAN MILLER, BOLD DIRECTOR OF THEATER AND OPERA, IS DEAD AT 85 by Robert Shuman

(Benedict Nightingale's article appeared in The New York Times, 11/27; via Pam Green.  Listen to a BBC interview with Jonathan Miller.) Known for his radical restagings of classic works, …

SOURCE: stagevoices.com at 9:03pm on December 4, 2019

CONSTANT STANISLAVSKI (55) by Robert Shuman

I could not continue my false and theatrical pose. All that I had done seemed untrue to nature, to reality. And it had been said of us that we had developed simplicity to a point of naturali…

SOURCE: stagevoices.com at 9:44am on December 3, 2019

'MACBETH' AT CLASSIC STAGE COMPANY"ONLY THROUGH DEC. 15 (REVIEW FROM NEW YORK) by Robert Shuman

By Bob Shuman John Doyle's production of Macbeth, playing through December 15 at Classic Stage Company (CSC), should fit into the current zeitgeist exactly.  In a world of 280-characte…

SOURCE: stagevoices.com at 5:48pm on December 1, 2019

JOHN SIMON, WIDE-RANGING CRITIC WITH A CUTTING PEN, DIES AT 94 by Robert Shuman

(Robert D. McFadden's article appeared in The New York Times, 11/25; via Pam Green.)   Prolific, erudite and caustic in his wit, he surveyed the entire cultural landscape John Simon, one …

SOURCE: stagevoices.com at 1:48pm on November 26, 2019

MY FIRST PRODUCED PLAY? AH, I REMEMBER IT WELL by Robert Shuman

(Laura Collins-Hughes's article appeared in The New York Times, 11/11; via Pam Green.) The return of Tony Kushner's "A Bright Room Called Day" prompted us to ask leading writers: How did …

SOURCE: stagevoices.com at 8:01pm on November 24, 2019

DRUIDSHAKESPEARE: 'RICHARD III' (REVIEW FROM NEW YORK) by Robert Shuman

By Bob Shuman Aaron Monaghan, as Richard III, in Ireland's Druid Theatre U.S. production premiere of Shakespeare's history"it plays until November 23 as part of Lincoln Center's White Light …

SOURCE: stagevoices.com at 11:27pm on November 22, 2019

CONSTANT STANISLAVSKI (54) by Robert Shuman

We, who knew the true nature of the Theatre, understood that the boards of our stage could never become a platform for the spread of propaganda, for the simple reason that the very least uti…

SOURCE: stagevoices.com at 9:13am on November 17, 2019

BACK ON CATFISH ROW by Robert Shuman

(Geoffrey O'Brien's article appeared in the New York Review of Books, 11/21.)   Porgy and Bess an opera by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin, at the Metropolit…

SOURCE: stagevoices.com at 7:26pm on November 15, 2019

ÉDOUARD LOUIS WOULD LIKE TO TALK ABOUT THEATER NOW by Robert Shuman

(Joshua Barone's article appeared in The New York Times,  11/6; via Pam Green.) The French wunderkind's books have quickly become magnets for the stage. Adaptations of "History of Violenc…

SOURCE: stagevoices.com at 6:04pm on November 12, 2019

LET'S GO"DRUIDSHAKESPEARE: RICHARD III, DIRECTED BY GARRY HYNES (ONLY UNTIL 11/23) by Robert Shuman

The darker side of human nature is on display in DruidShakespeare: Richard III, a chilling story of power and ambition in a wickedly comic production from Ireland's Druid thea…

SOURCE: stagevoices.com at 9:43pm on November 10, 2019

NEW BROADWAY "WEST SIDE STORY" TO KICK UP A FUSS: NO INTERMISSION, FAMOUS SONG AND BALLET CUT, VIDEO PROJECTIONS FOR SETS by Robert Shuman

(Roger Friedman's article appeared on Show Biz 411, 11/10; via the Drudge Report.) Last year, director Ivo von Hove brought his hit London production of "Network" to New York and caused a lo…

SOURCE: stagevoices.com at 10:04am on November 10, 2019

TANIA FISHER INTERVIEW BY LORI BEEDSLER by Robert Shuman

Interview with Tania Fisher, Author of Children's Book, "Grandma's Garden" By Lori Beedsler   Briefly, what's the book about? To a grown up all that happens in this book is that a child t…

SOURCE: stagevoices.com at 7:14pm on November 8, 2019

CONSTANT STANISLAVSKI (53) by Robert Shuman

Doctor Stockman became popular at once in Moscow, and especially so in Petrograd. "The Enemy of the People" became the favorite play of the revolutionists, notwithstanding the fact that Stoc…

SOURCE: stagevoices.com at 9:10pm on November 7, 2019

MARTIN SCORSESE: I SAID MARVEL MOVIES AREN'T CINEMA. LET ME EXPLAIN. by Robert Shuman

(Martin Scorsese's article appeared in The New York Times, 11/6.) When I was in England in early October, I gave an interview to Empire magazine. I was asked a question about Marvel movie…

SOURCE: stagevoices.com at 7:56pm on November 7, 2019

LORI BEEDSLER, CHILDREN'S BOOK REVIEW: "GRANDMA'S GARDEN""AUTHOR TANIA FISHER, ILLUSTRATOR RILEY HAGAN by Robert Shuman

Children's Book:  "Grandma's Garden" Author Tania Fisher, Illustrator Riley Hagan Review by Lori Beedsler A simple and inviting title, once you enter "Grandma's Garden", you will discover…

SOURCE: stagevoices.com at 8:13pm on November 6, 2019

POWER PLAYS: THEATRE AND EAST GERMANY, 1989 (BBC RADIO 3) by Robert Shuman

POWER PLAYS Listen As East Germany crumbled in 1989, actors were centre stage. Andrew Dickson discovers how had theatre had survived under communist rule, with its censors and secret police …

SOURCE: stagevoices.com at 8:20pm on November 4, 2019
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