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1,637 stories from stagevoices.com

TOM STOPPARD INTERVIEW: 'I ASPIRE TO WRITE FOR POSTERITY' by Robert Shuman

(Douglas Murray's article appreared in The Spectator, 1/27.) Tom Stoppard talks about inspiration, growing older and his new play, Leopoldstadt Sir Tom Stoppard is Britain's " perhaps the wo…

SOURCE: stagevoices.com at 4:33pm on January 28, 2020

CONSTANT STANISLAVSKI (68) by Robert Shuman

From the intuition of feelings I passed naturally to the inner image with its peculiarities and details. (MLIA)

SOURCE: stagevoices.com at 8:38pm on January 25, 2020

CURSING CORIOLANUS by Robert Shuman

(Lauren Shook's article appeared in Shakespeare and Beyond, 1/7; via Pam Green.) In 1608, famine plagued England. Preachers responded with sermons begging the gentry to show compassion for t…

SOURCE: stagevoices.com at 9:41pm on January 23, 2020

CONSTANT STANISLAVSKI (67) by Robert Shuman

I sincerely sympathized with Stockman ("The Enemy of the People") and understood his feelings when his eyes saw the rotten souls of the men who had once been his friends. I feared in those m…

SOURCE: stagevoices.com at 7:00pm on January 22, 2020

IN HAMLET AND IN LIFE, RUTH NEGGA DOES NOT HOLD BACK by Robert Shuman

(Robert Ito's article appeared in The New York Times, 1/17; via Pam Green.) The Ethiopian-Irish actress returns to a "completely destroying" stage role. Next: a film adaptation of a 1920s no…

SOURCE: stagevoices.com at 8:00pm on January 19, 2020

'END ZONE' BY BOB SHUMAN"MENTION IN THE RIVERDALE PRESS, 1/9 by Robert Shuman

Staples Scan

SOURCE: stagevoices.com at 10:02pm on January 11, 2020

CONSTANT STANISLAVSKI (66) by Robert Shuman

In those days (1905) "The Enemy of the People" (Ibsen) had not only artistic but social meaning and was to a great extent the expression of the time. It is not remarkable that the play at on…

SOURCE: stagevoices.com at 7:57pm on January 10, 2020

REVIEW: ARTHUR MILLER'S DYING 'SALESMAN' IS REBORN IN LONDON by Robert Shuman

(Ben Brantley's article appeared in The New York Times, 1/ 2; via Pam Green.  Those who like Death of a Salesman may also enjoy End Zone, playing at Dixon Place, 2/25.) An electrifying re…

SOURCE: stagevoices.com at 6:31pm on January 5, 2020

THEATER RESOURCES UNLIMITED JANUARY PANEL DISCUSSION NEW YEAR, NEW RULES:  THE UPDATED EQUITY AGREEMENTS AND CONTRACTS THURSDAY, JANUARY 16, 202 by Robert Shuman

BE A PRODUCER! Theater Resources Unlimited (TRU) presents the January Panel, New Year, New Rules: The Updated Equity Agreements and Contracts, on Thursday, January 16, 2020 at 7:…

SOURCE: stagevoices.com at 8:34pm on January 3, 2020

DIXON PLACE ANNOUNCES 2020 SEASON AND CRIMINAL QUEERNESS FESTIVAL CO-PRODUCTION WITH NATIONAL QUEER THEATER by Robert Shuman

Dixon Place is thrilled to announce our 2020 season, featuring nine commissioned original productions and four puppetry productions, including Concrete Temple Theatre, Sara Juli, Eszter Bali…

SOURCE: stagevoices.com at 5:49pm on January 2, 2020

CONSTANT STANISLAVSKI (65) by Robert Shuman

Naturalism on the stage is only naturalism when it is justified by the inner experience of the actor. Once naturalism is justified, it either becomes necessary (especially in Tolstoy's plays…

SOURCE: stagevoices.com at 5:47pm on January 1, 2020

CONSTANT STANISLAVSKI (64) by Robert Shuman

We studied the buildings, and made plans of them, of the natural geography and topography of the courtyards, barns, outhouses, and main structures of the estate. We studied the customs, the …

SOURCE: stagevoices.com at 5:26pm on December 30, 2019

HOW A JERRY HERMAN SONG LANDED A TRIPLE PUNCH by Robert Shuman

(Jesse Green's article appeared in The New York Times, 12/27; via Pam Green.) A comedy number from the flop "Mack & Mabel" found the unexpected sweet spot between Irving Berlin and Steph…

SOURCE: stagevoices.com at 10:34am on December 29, 2019

IRISH THEATRE IN 2019: A DRAMATIC YEAR THAT LEFT THE FUTURE UNCERTAIN by Robert Shuman

(Peter Crawley's article appeared in the Irish Times, 12/7.) Theatre in Ireland this year was bookended by two crises, a state of play mirrored by the work   It was a dramatic year for th…

SOURCE: stagevoices.com at 10:15pm on December 28, 2019

'END ZONE' FLYER BY MARIT SHUMAN by Robert Shuman

SOURCE: stagevoices.com at 4:07pm on December 27, 2019

LA CAGE AUX FOLLES, HELLO, DOLLY! COMPOSER AND BROADWAY LEGEND JERRY HERMAN DIES AT 88 by Robert Shuman

(Mark Kennedy's article appeared in Time Magazine, 10/27.) Tony Award-winning composer Jerry Herman, who wrote the cheerful, good-natured music and lyrics for such classic shows as Mame,�…

SOURCE: stagevoices.com at 8:44am on December 27, 2019

CONSTANT STANISLAVSKI (63) by Robert Shuman

We exaggerated the outward and external side of manners. . . . . This resulted in naked naturalism. And the nearer it was to reality, the more ethnographical it was"the worse it was for us T…

SOURCE: stagevoices.com at 10:07pm on December 26, 2019

MAKING SHAKESPEARE SING: ON VERDI: CREATING "OTELLO" AND "FALSTAFF""HIGHLIGHTS FROM THE RICORDI ARCHIVE by Robert Shuman

(Matthew Aucoin's article appeared in the New York of Books 12/19.) Verdi: Creating "Otello" and "Falstaff""Highlights from the Ricordi Archive an exhibition at the Morgan Library and Museum…

SOURCE: stagevoices.com at 5:10pm on December 25, 2019

ALAN BENNETT: DIARY by Robert Shuman

(from the London Review of Books, 12/19, where he reads the entries.) 1 January 2019, Yorkshire. The New Inn, the village pub, always lays on a quarter of an hour of fireworks at midnight, w…

SOURCE: stagevoices.com at 4:19pm on December 24, 2019

200 YEARS OF EXPERIENCE, AND STILL LEARNING ONSTAGE by Robert Shuman

(Laura Collins-Hughes's article appeared in The New York Times, 12/18; via Pam Green.) Lois Smith, Estelle Parsons and Vinie Burrows on age, agility, perseverance and steering clear of "self…

SOURCE: stagevoices.com at 9:31am on December 23, 2019

CONSTANT STANISLAVSKI (62) by Robert Shuman

The spectator would not be bored in looking at us and listening to us; he would find it pleasant to believe us all of the time, for the spiritual content of Gorky and of ourselves would just…

SOURCE: stagevoices.com at 8:45pm on December 22, 2019

CONSTANT STANISLAVSKI (61) by Robert Shuman

It was necessary to enter into the spiritual springs of Gorky himself, just as we had done in the case of Chekhov, and find the current of the action in the soul of the writer. Having made o…

SOURCE: stagevoices.com at 10:29pm on December 20, 2019

BOOK: JOAN ACOCELLA ON 'MARIUS PETIPA: THE EMPEROR'S BALLET MASTER' by Robert Shuman

(Acocella's article appeared in The New York Review of Books, 12/19.) Souls in Single File Marius Petipa: The Emperor's Ballet Master by Nadine Meisner Oxford University Press, 497 pp., $34.…

SOURCE: stagevoices.com at 10:26pm on December 19, 2019

LET'S GO: 'THE MIKADO' FROM THE NEW YORK GILBERT & SULLIVAN PLAYERS, AMERICA'S PREEMINENT GILBERT & SULLIVAN REPERTORY ENSEMBLE by Robert Shuman

(via Sean Katz, Katz PR) The New York Gilbert & Sullivan Players, America's Preeminent Gilbert & Sullivan Repertory Ensemble, Presents The Mikado Novel Production of Enduring Classic…

SOURCE: stagevoices.com at 6:22pm on December 18, 2019

CONSTANT STANISLAVSKI (60) by Robert Shuman

The spectator can make his own conclusions, and create his own tendency from what he receives in the theatre. The natural conclusion is reached of itself in the soul and mind of the spectato…

SOURCE: stagevoices.com at 8:25pm on December 17, 2019
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