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3,986 stories from CurtainUp

<cite>In the Next Room or the vibrator play</cite>, reviewed by Elyse Sommer

Thomas Edison lit up the world. And Sarah Ruhl, whose reputation as a playwright of great imagination has been gilded with the stardust of prestigious awards and productions, has harnessed a…

SOURCE: CurtainUp at 5:58pm on May 25, 2015

Reviewed by Deirdre Donovan

Brian Kulick's The Age of Iron at Classic Stage is not for purists. Blending Thomas Heywood's Iron Age with Shakespeare's satirical Troilus and Cressida, Kulick retells the epic story of the Trojan War with a new twist. Kulick's concept panders its theatrical wares with a sharp-eyed intelligence and some fine acting, though the concept fails on several dramatic levels.

SOURCE: CurtainUp at 5:58pm on May 25, 2015

Reviewed by Simon Saltzman

Zero Hour is an informed, absorbing, highly entertaining one-person play written by and also starring Jim Brochu. It happily serves not only as a showcase for the actor but also as a delectably insightful homage to the great comic/dramatic actor Zero Mostel.

SOURCE: CurtainUp at 5:58pm on May 25, 2015

Three Mo' Divas

It is a grand and glorious concert that should satisfy everyone who loves terrific singing and is able to feel the excitement that is stirred by this grand company.

SOURCE: CurtainUp at 5:58pm on May 25, 2015

Love's Labour's Lost

In botched hands, Shakespeare's Love's Labour's Lost can be a labor indeed. Leave it to a proven company to make something very difficult look very easy

SOURCE: CurtainUp at 5:58pm on May 25, 2015

The Age of Iron

Brian Kulick merges Shakespeare with Heywood at Classic Stage

SOURCE: CurtainUp at 5:58pm on May 25, 2015

My Wonderful Day

My Wonderful Day is a wonderful play about a less than wonderful day for one very unique character and a group of typical Ayckbournians.

SOURCE: CurtainUp at 5:58pm on May 25, 2015

Post No Bills

The title of Mando Alvarado's new play is a location, a performance space, and a way of life - a delicately balanced hub of creativity

SOURCE: CurtainUp at 5:58pm on May 25, 2015

Sholom Aleichem: Laughter Through Tears

Theodore Bikel's loving tribute at the Folksbiene

SOURCE: CurtainUp at 5:58pm on May 25, 2015

What We Once Felt - Review by Simon Saltzman

With tickets at $20, this is a great way to not only discover a new and talented writer but also a play that covers new and uncharted territory

SOURCE: CurtainUp at 5:58pm on May 25, 2015

Show Boat

Can't help lovin' those songs in the Signature Theatre's revival.

SOURCE: CurtainUp at 5:58pm on May 25, 2015

Elyse Sommer on Ragtime

The restaged musical adaptation of E. L. Doctorow's novel is better than ever!

SOURCE: CurtainUp at 5:58pm on May 25, 2015

Elyse Sommer on The Brother/Sister Plays

Tarell Alvin McCraney's unique style affords a director ample opportunity to create powerful stage images and for the actors to shine in multiple roles

SOURCE: CurtainUp at 5:58pm on May 25, 2015

On The Town - Review by Simon Saltzman

For the sheer number of belly laughs and for simply having a helluva good time, you can't beat the jovial and rambunctious carrying on by the three sailors on a 24-hour shore leave

SOURCE: CurtainUp at 5:58pm on May 25, 2015

Twelfth Night

Compliments to the Czechoslovak-American Marionette Theatre (CAMT) for demonstrating that puppets can deliver Shakespeare's work with charming inventiveness.

SOURCE: CurtainUp at 5:58pm on May 25, 2015

Wintuk

Until snow falls on New York there is a veritable storm of the fake variety ready to fall from the rafters upon the audience at the WaMu Theater at Madison Square Garden

SOURCE: CurtainUp at 5:58pm on May 25, 2015

or, - Review By Deborah Blumenthal

The stuffy English seminars where I first heard about Aphra Behn should have been as much fun as this sexy, witty and irreverent take on history.

SOURCE: CurtainUp at 5:58pm on May 25, 2015

The Late Christopher Bean

The Actors Company Theater is to be commended for taking Sidney Howard's 1932 comedy out of mothballs and give it a well-acted and handsomely staged production.

SOURCE: CurtainUp at 5:58pm on May 25, 2015

Elyse Sommer on The Understudy

The message Theresa Rebeck has squeezed in between the chuckles of her backstage comedy is that life in the theater and the big bucks movie world can be more than a little Kafkaesque.

SOURCE: CurtainUp at 5:58pm on May 25, 2015

Eclipsed

Danai Gurira's work is an interesting exploration of the victims of Liberia's war

SOURCE: CurtainUp at 5:58pm on May 25, 2015

Mistakes Were Made

Craig Wright's comedy about a zany producer

SOURCE: CurtainUp at 5:58pm on May 25, 2015

Blood - A Comedy: Review by Simon Saltzman

David Lee White has concocted a raucously philosophical farce, one that I concede, must be seen to be believed

SOURCE: CurtainUp at 5:58pm on May 25, 2015

Our Town Revisited

A look at Jason Harner Butler as Our Town's Stage Manager

SOURCE: CurtainUp at 5:58pm on May 25, 2015

Les Gutman reviews Idiot Savant

Richard Foreman has said (though not for the first time) that this is his final play. Do yourself a favor and get some of that apparent babble in your noggin.

SOURCE: CurtainUp at 5:58pm on May 25, 2015

Mrs Klein - London Review by Lizzie Loveridge

Thea Sharrock's tense production is excellent at bringing out the volatility of the cross-over professional-personal relationships.

SOURCE: CurtainUp at 5:58pm on May 25, 2015
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