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2,042 stories from The Theatre Times

A Son, His Father, and Steampunk: Reliving Days of Future Past by Fu Beimeng

Filmmaker Sun Yang discusses his recent documentary about visual artist Ma Liang, also known as Maleonn, and the creator's attempt to tell a story of family, reconciliation and reclaiming lo…

SOURCE: thetheatretimes.com at 10:27am on December 10, 2020

How Theatre Can Help Young Nigerians Who Are Living With HIV by Taiwo Afolabi

Nasarawa state in the north-central region of Nigeria is known for agriculture, salt mining, and one of the higher waterfalls in Africa. It has also consistently registered one of the highes…

SOURCE: thetheatretimes.com at 4:06am on December 9, 2020

Eight Lights of the Israeli Theater: Isra-Drama Performances that are Worth Seeing Twice " Online and Offline by Emiliia Dementsova

If theater around the world previously sought to destroy the fourth wall, it has recently had to deal with this wall doubling. It is increasingly difficult for the audience and the performan…

SOURCE: thetheatretimes.com at 4:03am on December 9, 2020

"Comfort and Joy" Just When We Need it the Most: A Conversation with Director Aoife Spillane-Hinks by Ashley Steed

Director Aoife Spillane-Hinks has quite the origin story for her entry into theatre. As the story goes, her mother was a theatre critic in New Haven, Connecticut when a babysitter cancelled …

SOURCE: thetheatretimes.com at 5:24pm on December 8, 2020

Leaving Reality with "Dave's Roleplays": An Interview with Actor David French by Michael Schweikardt

At first glance, one might consider portraying someone's older brother, boyfriend, or therapist, an incredibly unusual route for their creative voice. However, twenty-five year old actor Dav…

SOURCE: thetheatretimes.com at 3:32am on December 7, 2020

"Cyprus Avenue": A Shocking Exploration of Trauma and Identity by Emmalynn Mallay

Eric is convinced: His newborn granddaughter is Gerry Adams, the Irish Republican politician. Eric is haunted by the trauma of living through the Troubles, when Northern Ireland was rocked b…

SOURCE: thetheatretimes.com at 10:44am on December 6, 2020

"A Way Forward" For Theatre In The EU by John Brunner

After seven months of dialogue and organization, a group of "more than 150 policymakers, artists, theatre-makers, theatre & performing arts structures" have published 'The Dresden Declar…

SOURCE: thetheatretimes.com at 4:15pm on December 5, 2020

Under the Influence of Dada: Readymade Cabaret 2.0 Breaks Out of Linear Time, Celebrates Chance by Alexander Fatouros

The brilliant performance reaffirms its disregard for conventional attitudes and unjustified inequalities"a nod to the social and political context from which the work sprang. The full versi…

SOURCE: thetheatretimes.com at 4:33pm on December 4, 2020

A.Y.L.A.N at the Oda Theater by Allison Newey

A.Y.L.A.N by Natasha Tripney Oda Theater, Prishtina, 29 October  The audience sits on the stage looking out at a sea of empty seats. From this perspective, they look like waves breaking o…

SOURCE: thetheatretimes.com at 9:09pm on December 3, 2020

The Interplay of Text and Movement in Dance Dramaturgy by Rute Costa

Rute Costa in conversation with Uzma Hameed, dance dramaturg of Woolf Works It was December 2019 when I sat down with dramaturg Uzma Hameed in a Covent Garden cafe. We talked about her work …

SOURCE: thetheatretimes.com at 10:32am on December 3, 2020

What Are The Challenges In Translating Comedy For The Stage: Laughs Sans Frontières by Charlie Gobbett

What are the challenges in translating comedy for the stage? And how do you get your translation performed to a paying audience? Charlie Gobbett explains: 'We've been doing this play in our …

SOURCE: thetheatretimes.com at 5:11pm on December 2, 2020

Shoebox Musicals: A Story of TikTok, The Pandemic, "Ratatouille The Musical", And The Wizard Conquering Them All by Michael Schweikardt

Recently a friend sent me a message that read, "I'm not sure if you have TikTok, but something has been going around. Users are making a Ratatouille musical and I thought you'd appreci…

SOURCE: thetheatretimes.com at 6:58am on December 1, 2020

All You Need to Know About the 5th Sharm El-Sheikh Int'l Theatre Festival for Youth by Ati Metwaly

The management of the Sharm El-Sheikh International Theatre Festival for Youth (SITFY) revealed details about its 5th edition during the press conference that took place on 9 November at the…

SOURCE: thetheatretimes.com at 4:20pm on November 30, 2020

21st Century Dreamin': Theater " a Major Job Sector by Heather Waters

Once the COVID-19 pandemic finally relinquishes its control of the world economy, the impact of artificial intelligence on the job market will no doubt earn its way into news headlines as a …

SOURCE: thetheatretimes.com at 2:16am on November 28, 2020

Theater in Translation at the Institute of Translating and Interpreting by Charlie Gobbett

The annual International Literary Translation & Creative Writing Summer School is delivered in Norwich, UK by the British Centre for Literary Translation in partnership with the National…

SOURCE: thetheatretimes.com at 2:00am on November 28, 2020

"Break" by Monia Sander Haj-Mohamed by Af Anika Marschall

Hvor kommer du fra? Hvor kommer du fra? Hvor kommer du fra? Hvor kommer du fra? I have probably asked and practiced to ask this question about a zillion times over the last fe…

SOURCE: thetheatretimes.com at 3:36pm on November 27, 2020

It's Okay Not To Be Okay: A Conversation with Irish Playwright Lee Coffey by Ashley Steed

It's been six years since Leper and Chip played to sold-out Dublin audiences with critical success. Not bad for first-time playwright and Dublin native Lee Coffey. His next two plays,�…

SOURCE: thetheatretimes.com at 4:47pm on November 25, 2020

Audience Development " Empowering Youth Through Theatre: Theatre Not Only For, But With the Youth by Lasse Scheiba

Youth Theatre " Audience Development A Conversation with the Youth Council of the Deutsches Theater Berlin Productions and theatre projects with young people are staged every season at the D…

SOURCE: thetheatretimes.com at 4:40pm on November 25, 2020

About "A Coin In Someone Else's Pocket" by Aleks Sierz

Today, I watched the first episode in the Tools for Change trilogy, digital reimaginings of three plays exploring racism, censorship, power and identity from the Theatre Uncut archive, in a …

SOURCE: thetheatretimes.com at 1:03am on November 25, 2020

A Big Small Story by Katarzyna Lemańska

Subdued browns, grays and black dominate the stage. The impression of a vast empty space is amplified by the clocks dotted around the stage. They stand on the floor, creep into the scenery a…

SOURCE: thetheatretimes.com at 11:02pm on November 24, 2020

"The Prom": The Challenges of Adapting The Stage to The Screen by Christopher Wiley

There is growing excitement for the star-studded release of the Netflix film adaptation of the award-winning musical, The Prom. Inspired by a true story, the musical comedy follows a g…

SOURCE: thetheatretimes.com at 11:50pm on November 23, 2020

Audience Development " Empowering Youth Through Theatre: "Democrisis" by Jules Buchholtz

Why democracies are not about doing the right thing, but about how the right thing is always being done in the right way. Politics as a Narrative and the Problems Therein The starting point …

SOURCE: thetheatretimes.com at 11:53pm on November 22, 2020

Vsevolod Meyerhold: The Revolutionary Communist Director Executed By Stalin by Valeria Paikova

Vsevolod Meyerhold was a personality of great contradictions, and one of the movers and shakers in the 20th-century theatre. It's not an exaggeration to say that he influenced the art of per…

SOURCE: thetheatretimes.com at 5:57pm on November 22, 2020

Transnational Chinese Theatres in Pandemic Times by Rossella Ferrari

I have hesitated for a while to engage with the increasingly ubiquitous "[insert own subject field] in times of Covid-19" catchphrase, or variations thereof. This is because of some personal…

SOURCE: thetheatretimes.com at 5:45pm on November 22, 2020

Philip Ridley's "The Poltergeist" at the Southwark Playhouse: High-Powered Tour de Force by Aleks Sierz

Playwright Philip Ridley has had a very productive lockdown. Despite the constraints of the pandemic he has been exceptionally creative. In March, when all theatres in Britain were closed, h…

SOURCE: thetheatretimes.com at 1:39pm on November 21, 2020
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