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35,738 stories from The Guardian

Angels and demons: the unmissable theatre, comedy and dance of autumn 2017 by Michael Billington, Lyn Gardner, Judith Mackrell and Brian Logan

Hamilton hits London, Bryan Cranston's news anchor goes berserk, Wayne McGregor turns his DNA into dance, Mae Martin revisits her teen addictions and Toyah Willcox is a time-travelling queen…

SOURCE: The Guardian at 2:12am on September 12, 2017

Not so loverly: early Mackintosh My Fair Lady 'tasteless and vulgar' by Dalya Alberge

Previously unpublished letters reveal tension between legendary lyricist Alan Jay Lerner and producer over staging of musicalHe is the most powerful musicals producer of all time, but in his…

SOURCE: The Guardian at 9:18pm on September 11, 2017

The Knowledge review " Maureen Lipman steers witty cabbie comedy by Michael Billington

Charing Cross theatre, LondonThis adaptation of Jack Rosenthal's TV film brings back the desperate drivers and their sadistic examiner " but does the story belong on stage?Any adaptation has…

SOURCE: The Guardian at 6:42pm on September 11, 2017

The second coming of Kanye: rapper is reborn as a woman in new play by Hannah Ellis-petersen

Sam Steiner's Kanye the First, which opens at the HighTide festival, imagines West's reincarnation as a middle-class BritWhat would you do if one day you woke up and you were Kanye West? To …

SOURCE: The Guardian at 12:06pm on September 11, 2017

'Angry boredom': early responses to Waiting for Godot showcased online by Alison Flood

The British Library's digital archive reveals early objections to Samuel Beckett's play alongside other records of classic works' early livesToday, Waiting for Godot is the most celebrated o…

SOURCE: The Guardian at 5:54am on September 11, 2017

The conscience of the culture: theatre is still catching up with Max Stafford-Clark by Barney Norris

As the director tours Rita, Sue and Bob Too for his company Out of Joint, his one-time assistant celebrates a career spent speaking up for the nation " and nurturing talents such as Andrea D…

SOURCE: The Guardian at 2:18am on September 11, 2017

Chef: Come Dine With Us review " hilarious and utterly meaningless culinary showdown by Stephanie Convery

Audience involvement is required to stage everything from first dates to a noodle-dough-pillow assault in this ludicrous showFrom the opening minutes of Chef: Come Dine With Us, the audience…

SOURCE: The Guardian at 3:12pm on September 10, 2017

Eddie Izzard: 'Everything I do in life is trying to get my mother back' by Tim Adams

Eddie Izzard relishes a challenge. The transgender hero has done standup in French and German, run dozens of marathons, and is now in a period drama with Judi Dench. But, he reveals, hi…

SOURCE: The Guardian at 5:36am on September 10, 2017

Xander Parish: 'I feel adopted by the Russians " if I met the right girl I might settle there' by Interview By Luke Jennings

The Yorkshire-born principal dancer at St Petersburg's Mariinsky Ballet on cricket, homesickness, his new life abroad " and performing back in HullXander Parish, 31, is a principal dancer wi…

SOURCE: The Guardian at 5:36am on September 10, 2017

One Day, Maybe review " time travel in a car park by Kate Kellaway

King William House, HullRevolt meets retail in 80s South Korea in this dazzling, thought-provoking production from dreamthinkspeakOne Day, Maybe is an unusual, intimidating and thought-provo…

SOURCE: The Guardian at 3:33am on September 10, 2017

Follies review " a stupendous Sondheim revival by Kate Kellaway

Olivier, LondonImelda Staunton leads an evening of star turns in this glittering, bittersweet dissection of midlife regret, brilliantly directed by Dominic CookeFollies is like a distinctive…

SOURCE: The Guardian at 3:33am on September 10, 2017

The Boy in the Striped Pyjamas review " pirouetting SS officers? by Luke Jennings

West Yorkshire Playhouse, LeedsNorthern Ballet's adaptation of John Boyne's Holocaust novel is strongly performed but profoundly misconceivedA ballet that takes the Holocaust as its subject …

SOURCE: The Guardian at 3:33am on September 10, 2017

The Suitcase review " despair and discrimination in 50s South Africa by Clare Brennan

Hull Truck theatre, HullJohannesburg company Market Theatre delivers a universal message about prejudice from the story of a couple fleeing their village for the cityIt's appropriate that Jo…

SOURCE: The Guardian at 2:18am on September 10, 2017

Mermaid review " muddled Hans Christian Andersen reimagining by Lyn Gardner

Richmond theatre, LondonShared Experience's modern update of the Little Mermaid has a seductive dreaminess, but there's far too much going on to successfully re-empower the characterThere is…

SOURCE: The Guardian at 12:06am on September 10, 2017

Art v government at Singapore festival: 'I fear once I leave, they will punish me' by Steph Harmon

Ong Keng Sen's experience as director of the national festival has shed light on overt and covert censorship of the arts in SingaporeIn many ways, theatremaker Ong Keng Sen was a natural fit…

SOURCE: The Guardian at 7:54pm on September 8, 2017

Hamilton's London premiere delayed " leaving ticket holders in limbo by Robert Booth

Overrunning building work means 16,000 people who had booked to see musical in first two weeks face wait for new datesThe London opening of smash US stage musical Hamilton has been delayed b…

SOURCE: The Guardian at 2:12pm on September 8, 2017

The food Network: play starring Bryan Cranston becomes immersive dining experience by Chris Wiegand

A limited number of tickets at the National Theatre's production will allow audiences to watch the play from onstage restaurantIts intense plot may be enough to give anyone indigestion, but …

SOURCE: The Guardian at 12:48pm on September 8, 2017

Cariad Lloyd on Julie Walters " a heroic talent, much more than just loveliness by Cariad Lloyd

From Mrs Overall to Mrs Weasley, Walters' niceness is in danger of overtaking her immense stagecraft " if I could only be as real as she is The restaurant kitchen door opens. A spindly arm s…

SOURCE: The Guardian at 9:12am on September 8, 2017

Cariad Lloyd: 'The funniest heckle I've had came from Nancy Dell'Olio' by Rachel Aroesti

The actor, podcaster and improv star on the things that make her laugh the mostBroad City. It was the first time I saw female characters allowed to be just funny: not having to facilitate pl…

SOURCE: The Guardian at 9:12am on September 8, 2017

Absurdist comedians Tim and Eric: 'Our show is a trainwreck of a live experience' by Jake Nevins

The comedy duo recently celebrated the ten-year anniversary of their cult show and talk about finding the funny in the mundane and how they metFor almost two decades now, comedy duo Tim (Hei…

SOURCE: The Guardian at 9:12am on September 8, 2017

Manchester bombing victim Martyn Hett to be celebrated in new play by Josh Halliday North Of England Correspondent

Production called #BeMoreMartyn will be based on friends' memories of 29-year-old Coronation Street superfanThere will be divas, glamour and, almost certainly, a flamboyant take on some of C…

SOURCE: The Guardian at 7:42am on September 8, 2017

War Horse and Grand Finale: this week's best UK theatre and dance by Lyn Gardner and Judith Mackrell

Marianne Elliott and Tom Morris's staging of the children's novel returns, while Hofesh Shechter's new show imagines an anarchic apocalypse1 War HorseWith it becoming such a huge and deserve…

SOURCE: The Guardian at 6:36am on September 8, 2017

One Day, Maybe review " secret shoppers on a hi-tech trip to South Korea by Lyn Gardner

Secret location, HullIn dreamthinkspeak's new show, audiences explore the spaces of a mystery multi-storey venue to delve into South Korea's past, present and futureFor their latest show, dr…

SOURCE: The Guardian at 5:33am on September 8, 2017

Beyond the Fence review " computer-created show is sweetly bland by Lyn Gardner

Arts theatre, LondonThis software-generated Greenham Common musical is risibly stereotypical but pleasant as a milky drinkPlenty of musicals written by humans sound as if they have been comp…

SOURCE: The Guardian at 2:42am on September 8, 2017

On the Shore of the Wide World, Royal Exchange, Manchester by Michael Billington

Royal Exchange, ManchesterFamilies lie at the heart of drama. And Simon Stephens' new play, co-commissioned by the National Theatre and the Royal Exchange, offers a sensitive study of three …

SOURCE: The Guardian at 12:18am on September 8, 2017
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