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35,738 stories from The Guardian

Laser Beak Man: how an artist with autism created his own superhero by Stephanie Convery

Art was Tim Sharp's way of communicating as a child; now it's inspiration for a joyful 90 minutes of puppetry, live music, animation and dad jokesTim Sharp takes things literally. Consider t…

SOURCE: The Guardian at 1:04am on September 22, 2017

Ben Hur Live | theatre review | by Michael Billington

O2 Arena, LondonThe statistics alone for this show are mind-boggling. It requires 620 tonnes of sand, involves a cast and crew of 400 and a total of 46 horses, donkeys and ponies. But specta…

SOURCE: The Guardian at 10:42pm on September 21, 2017

Child's play: Melbourne Fringe goes gaga over theatre for babies by Chloe Walker

The audience is invited to chew the scenery at this Fringe festival show. But attention spans might be a problemSome theatre-goers dress to the nines; others prefer to keep it casual and com…

SOURCE: The Guardian at 10:42pm on September 21, 2017

Spectacular Fast and Furious car stunt live show is a £25m gamble by Mark Brown Arts Correspondent

Producers of a show based on the film franchise are banking on there being enough petrolheads to fill arenas the world overIt will have a fuel tanker engulfed in flames bouncing across the a…

SOURCE: The Guardian at 8:24pm on September 21, 2017

Katy Brand review " standup goes on an interstellar adventure by Brian Logan

Soho theatre, LondonI Could Have Been an Astronaut is an amusing ramble through Brand's childhood obsessions, fate and the factors that make us who we areSome comics have extraordinary stori…

SOURCE: The Guardian at 9:18am on September 21, 2017

Austen gets lost in Pascoe's Pride and Prejudice: is her novel unadaptable? by Corrie Tan

Standup Sara Pascoe's scattershot production throws into relief how funny Elizabeth Bennet and co already were, without any need of updatingJane Austen gazes out from the £10 notes handed…

SOURCE: The Guardian at 6:24am on September 21, 2017

Wings review " Juliet Stevenson soars in stroke recovery tale by Michael Billington

Young Vic, London Performing 360-degree loops, pummelled by voices and piecing together her shattered speech, Stevenson goes bravely to the limit in this high-concept showJuliet Stevenson mu…

SOURCE: The Guardian at 6:24am on September 21, 2017

Our Last Tango review " passion and pain of the tango stars by Peter Bradshaw

This engaging documentary focuses on a couple who once dazzled audiences with their intimate dance routines but whose off-stage love turned to heartbreak The return of what is now known as S…

SOURCE: The Guardian at 5:12am on September 21, 2017

Black Rider review " Tom Waits, William S Burroughs musical is beautiful but cold by Van Badham

Malthouse theatre, MelbourneMeow Meow steals the show from a diverse " or disparate " cast, but the cult fable resonates regardlessIt's a helluva thing to be born to play the devil … but t…

SOURCE: The Guardian at 4:06am on September 21, 2017

We're Still Here review " a blast of anger, love and grief in Port Talbot by Lyn Gardner

Byass Works, Port TalbotThe community speaks out about the fight to save its steelworks in a kaleidoscopic promenade-style production that is laced with earthy humour'This town is ours. They…

SOURCE: The Guardian at 1:23am on September 21, 2017

Making Wonderland: the Australian Ballet's biggest show " in pictures by Sukie Kirk and Kat Chan

Christopher Wheeldon's Alice's Adventures in Wonderland is the biggest production the Australian Ballet has ever undertaken and it's also one of the most spectacular. Created for the Royal B…

SOURCE: The Guardian at 1:23am on September 21, 2017

Dashes, commas, and judgmental twitchers | Brief letters by Letters

Harry Dean Stanton | Boris Johnson | Dancing about architecture | Fatberg | Ornithology of meetings | Ambridge antidoteYour obituary for Harry Dean Stanton (18 September) mispunctuates the t…

SOURCE: The Guardian at 1:23am on September 21, 2017

Ghosts of partition: a musical odyssey about the desperate train journeys that divided India by Chal Ravens

Railways played a crucial role in partition, as Hindus and Muslims took crammed, dangerous and often deadly journeys to their new homes. Those momentous days have now been turned into a deva…

SOURCE: The Guardian at 8:54am on September 20, 2017

For Love or Money review " Northern Broadsides strike comedy gold by Michael Billington

Viaduct, Halifax Blake Morrison transposes a corrupt, covetous 18th-century Paris to 1920s Yorkshire in a lively satire directed by and starring Barrie RutterNorthern Broadsides have made a …

SOURCE: The Guardian at 8:54am on September 20, 2017

John Kearns: a supreme standup hidden behind bad teeth and a tonsure by Brian Logan

The wig-wearing comic's new show about humdrum heroism is his best yet. But as his act strives for knockout poignancy, does the goofy get-up help or hinder?When John Kearns corpses, is he co…

SOURCE: The Guardian at 8:54am on September 20, 2017

Jerry Seinfeld " review by Stuart Jeffries

National Indoor Arena, Birmingham"Oh my God, Birmingham, England!" yelled Jerry Seinfeld as he came on stage suited and shouting as though he sought to sell us something disreputable. "Do yo…

SOURCE: The Guardian at 7:48am on September 20, 2017

What Rhymes with Cars and Girls: Tim Rogers album becomes a musical by Tim Rogers and Aidan Fennessy

As his first solo album hits the stage, the You Am I singer asks playwright Aidan Fennessy the all important question: 'what the hell were you thinking?'There's something poetic about the fa…

SOURCE: The Guardian at 12:42am on September 20, 2017

Dylan Moran: 'Panel shows… I have an absolute horror of those' by Alex Clark

As his new tour kicks off, the Irish stand-up reveals his loathing of cosy British comedy, and why he's still laughing at those who threaten our freedom of speechDylan Moran is an energetic …

SOURCE: The Guardian at 11:36pm on September 19, 2017

Love Never Dies | Theatre review by Michael Billington

Adelphi, LondonThere is much to enjoy in Andrew Lloyd Webber's new musical. The score is one of the composer's most seductive. Bob Crowley's design and Jack O'Brien's direction have a beauti…

SOURCE: The Guardian at 10:12pm on September 19, 2017

Chewing Gum's Susan Wokoma: 'The door shuts firmly on us a lot quicker' by Rebecca Nicholson

She was a demon hunter, stole scenes as Michaela Coel's sister and is in a farce about Labour's identity crisis. But Susan Wokoma is turning to her own family to write her next roles'You're …

SOURCE: The Guardian at 1:48pm on September 19, 2017

The Unknown Island review " Saramago odyssey asks the audience to dream by Lyn Gardner

Gate, LondonAdapted from José Saramago's short story, Ellen McDougall's grownup fairytale draws spectators into a circle of bread, wine and storytellingThe Gate's new artistic director, Ell…

SOURCE: The Guardian at 11:36am on September 19, 2017

Bullish review " gold horns and glitter beards in minotaur cabaret by Lyn Gardner

Camden People's theatre, LondonA crack cast of trans and gender-fluid actors deliver a playful and often moving version of the Greek mythGender fluidity and the trans experience were highly …

SOURCE: The Guardian at 10:18am on September 19, 2017

Letter: Shouts of 'Rubbish!' greeted Ann Jellicoe's The Sport of My Mad Mother by Paul Bailey

The first night of Ann Jellicoe's The Sport of My Mad Mother at the Royal Court in the spring of 1958 was a truly riotous affair. I was one of the original cast, alongside Wendy Craig, Phili…

SOURCE: The Guardian at 6:48am on September 19, 2017

Rules for Living review " ingenious take on a family's Christmas crisis by Lyn Gardner

Royal & Derngate, NorthamptonSam Holcroft's comedy, which debuted at the National and is now directed by Simon Godwin on a UK tour, begins in Ayckbourn mode then turns vicious'Too much, …

SOURCE: The Guardian at 5:36am on September 19, 2017

Henry Arthur Jones' new play " archive, 19 September 1913 by Pc

19 September 1913 The subject of the play is the battle of social advancement, the atmosphere is "provincial" and the ambitions are pettyLONDON, THURSDAY NIGHTMr. Henry Arthur Jones's ingenu…

SOURCE: The Guardian at 12:48am on September 19, 2017
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