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35,737 stories from The Guardian

Ramona Tells Jim review " hapless romance among the hermit crabs by Michael Billington

Bush theatre, LondonThe Scottish coast is the setting for Sophie Wu's witty play about crustacean-loving Jim, his girlfriend and his kooky exLike many actors who turn to writing, Sophie Wu h…

SOURCE: The Guardian at 9:04am on September 25, 2017

'You leave part of yourself on stage': Royal Ballet dancers on Kenneth MacMillan by Judith Mackrell

For Edward Watson they're terrifying and exhilarating. Sarah Lamb struggles to return to reality after performing them. Twenty-five years after Macmillan's death, his visceral works have mad…

SOURCE: The Guardian at 6:42am on September 25, 2017

TV's Front Row is a pulped and processed version of radio's. Why? by Charlotte Higgins

This low-interest, no-risk reboot of Radio 4's long-running culture strand is yet another reminder of how terminally timid BBC TV always is with the artsFront Row, on Radio 4, is reliable, i…

SOURCE: The Guardian at 5:36am on September 25, 2017

Beautiful review " Carole King musical a hit thanks to star's earth-moving performance by Cassie Tongue

Lyric Theatre, SydneyEsther Hannaford brings gravitas and heart in an inspiring production that shows just what the jukebox musical can accomplishThe standing ovation began before the final …

SOURCE: The Guardian at 2:05am on September 25, 2017

Sybil Christopher obituary by Michael Coveney

Welsh-born actor and Richard Burton's first wife, she moved to the US after their split and co-founded a famous New York discoSybil Christopher, who has died aged 83, was the injured party i…

SOURCE: The Guardian at 12:54am on September 25, 2017

David Cameron risks row by posing with blacked-up morris dancers by Haroon Siddique

Prime minister appears at Banbury's folk festival with the Foxs morris dance troupe, who perform with blackened facesIn a move that many politicians might have avoided, David Cameron posed f…

SOURCE: The Guardian at 7:48pm on September 24, 2017

People's choice? Mixed reviews for Chris Dercon's Volksbühne role by Kate Connolly In Berlin

Berlin's avant-garde theatre, given to lengthy and messy productions, names the Tate Modern director as its new leader amid suspicions that profit-making will edge out experimentationThe ann…

SOURCE: The Guardian at 8:36am on September 24, 2017

Simon Amstell review " perky, pained, anxious, ironic, wise " and funny by Brian Logan

Leicester Square theatre, LondonFrom his long process, after coming out, of self-acceptance to his newfound romantic happiness, this is classic, neurotic, angst-ridden Amstell If there were …

SOURCE: The Guardian at 7:24am on September 24, 2017

Activists occupy Berlin theatre in protest over new artistic director by Agence France-presse In Berlin

Protesters fear Chris Dercon, formerly head of Tate Modern, will make avant garde Volksbühne theatre more commercialBerlin's legendary Volksbühne theatre has been occupied by a group of pr…

SOURCE: The Guardian at 7:24am on September 24, 2017

How Front Row sparked real drama in theatreland | David Mitchell by David Mitchell

Outrage ensued when Amol Rajan, Giles Coren and Nikki Bedi admitted to being less than ardent theatre-goers. But shouldn't we take their honesty onboard?The presenters of the BBC's new TV ve…

SOURCE: The Guardian at 5:36am on September 24, 2017

Nabil Elouahabi: 'Identity is important, but it can also be limiting' by Ursula Kenny

The actor on his role in feted diplomacy drama Oslo, evading typecasting and his other life as a night-time driver for the NHSNabil Elouahabi, a British actor of Moroccan heritage, is curren…

SOURCE: The Guardian at 4:36am on September 24, 2017

DeadClub review " a Lynchian meditation on mortality by Luke Jennings

The Place, London WC1David Rosenberg and Frauke Requardt's latest surreal exploration of our fears and desires entertains as much as it unsettlesDirector David Rosenberg and choreographer Fr…

SOURCE: The Guardian at 3:18am on September 24, 2017

For Love or Money review " a rich whirligig of pleasure by Clare Brennan

Dean Clough Mill, HalifaxA fast-paced adaptation of the 18th-century French satire sees Northern Broadsides director/performer Barrie Rutter bow out in style"He's a guggling midden-daup"; "A…

SOURCE: The Guardian at 3:18am on September 24, 2017

We're Still Here review " Port Talbot's men of steel by Jude Rogers

A powerful production about the Tata steel plant crisis resonates with the strength of real people's livesSix years after Jesus took his cross through the streets of Port Talbot, National Th…

SOURCE: The Guardian at 3:18am on September 24, 2017

Wings review " Juliet Stevenson soars above a spectacle by Susannah Clapp

Young Vic, LondonThe actor gives an extraordinary performance, but even she cannot quite convey the turmoil of a woman who has suffered a strokeSometimes Juliet Stevenson looks like a parach…

SOURCE: The Guardian at 3:18am on September 24, 2017

Oslo review " high drama in the back channels by Susannah Clapp

National Theatre, LondonA riveting reimagining of the secret talks that set up the historic Oslo peace accordsI went into Oslo expecting to be informed, and fairly confident of being interes…

SOURCE: The Guardian at 3:18am on September 24, 2017

Prism review " life through the lens of a celebrated cameraman by Susannah Clapp

Hampstead theatre, LondonRobert Lindsay plays the role of the late cinematographer Jack Cardiff with astonishing skill, but the play lacks focusTerry Johnson has given himself a hard task wi…

SOURCE: The Guardian at 3:18am on September 24, 2017

Watch a clip from the Olivier-winning Ghosts starring Lesley Manville and Jack Lowden " video by Guardian Staff

Watch a scene from Richard Eyre's revival of Ibsen's Ghosts for the Almeida theatre which won Oliviers for best actress (Lesley Manville) and best actor in a supporting role (Jack Lowden). A…

SOURCE: The Guardian at 10:18am on September 23, 2017

Coriolanus/Dido, Queen of Carthage review " Shakespeare and Marlowe do battle by Michael Billington

Royal Shakespeare theatre/The Swan, Stratford-upon-Avon This well-matched pair of tragedies in the RSC's Rome season give us strong images, unforgettable lines, probing psychology " and a lo…

SOURCE: The Guardian at 6:54am on September 23, 2017

Nureyev ballet to open in Moscow, despite director's house arrest by Shaun Walker In Moscow

After last-minute cancellation in July, Bolshoi to bring life story of gay dancer who defected to stage in DecemberA controversial ballet about the Russian dancer Rudolf Nureyev will premier…

SOURCE: The Guardian at 12:33pm on September 22, 2017

Politicians v the people: what our leaders could learn from Coriolanus by Natalie Haynes

Shakespeare plucked an obscure Roman general from Plutarch and made him a principled but uncompromising hero. As the RSC brings the play back, its brutal statement on class divide and convic…

SOURCE: The Guardian at 8:18am on September 22, 2017

Our Town review " Wilder's hymn to ordinary lives is remade for Manchester by Lyn Gardner

Royal Exchange, Manchester Sarah Frankcom stages Thornton Wilder's 1938 drama with tenderness, bleak honesty and a community choirEdward Albee loved Thornton Wilder's 1938 paean to ordinary …

SOURCE: The Guardian at 8:18am on September 22, 2017

Mae Martin: 'Waiting for Guffman is the funniest film I've ever seen' by Rachel Aroesti

The Canadian standup and actor on the things that make her laugh the most, from suede waistcoats to PG WodehouseThis is so hard. I feel sick. OK, I'm going to say Tom Allen taking out a drun…

SOURCE: The Guardian at 8:18am on September 22, 2017

Follies and Acosta Danza: this week's best UK theatre and dance by Lyn Gardner and Judith Mackrell

Dominic Cooke's revival of Stephen Sondheim's beautiful musical continues its run at the National, while the celebrated choreographer returns to London1 FolliesStephen Sondheim's flawed but …

SOURCE: The Guardian at 5:48am on September 22, 2017

Laser Beak Man: how an artist with autism created his own superhero by Stephanie Convery

Art was Tim Sharp's way of communicating as a child; now it's inspiration for a joyful 90 minutes of puppetry, live music, animation and dad jokesTim Sharp takes things literally. Consider t…

SOURCE: The Guardian at 1:04am on September 22, 2017
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