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35,735 stories from The Guardian

A shortage of airline pilots? I wonder why | Brief letters by Letters

Ryanair | Kipling | Sunday lunch spots | Getting theatre tickets | Twitter | Dairy intoleranceWe keep hearing that the Ryanair crisis is due to a shortage of trained pilots (Opinion, 30 Sept…

SOURCE: The Guardian at 3:33pm on October 2, 2017

Peter Brook returns to the empty space: an extract from Tip of the Tongue by Peter Brook

In this chapter from his new book, the director writes about shock tactics, how playwrights can counter politicians' lies and why theatre can change livesNot long ago, a distinguished critic…

SOURCE: The Guardian at 2:12pm on October 2, 2017

Peter Brook: 'To give way to despair is the ultimate cop-out' by Michael Billington

At 92, the visionary director refuses to slow down. He talks about how to silence audiences, the trouble with doing Shakespeare in French, the difference between Olivier and Gielgud, and why…

SOURCE: The Guardian at 2:12pm on October 2, 2017

Hijabi Monologues: dating, the weather and Islamophobia in frank, funny tales by Atiha Sen Gupta

The radical international theatre project sharing the voices of hijab-wearers is both serious and playful " but needs to be more fearlessHijab. What's the first thought that comes into your …

SOURCE: The Guardian at 12:04pm on October 2, 2017

Spider-Man: Turn Off the Dark musical is to close on Broadway by Matt Trueman

After a beleaguered three years, in which it has not recouped its $75m costs, producers are to transfer the musical to Las VegasAfter three years, at least six major injuries and several hig…

SOURCE: The Guardian at 9:24am on October 2, 2017

Julie Taymor sues Spider-Man producers over unpaid royalties by Matt Trueman

Sacked director and co-author wants more than $1m in compensation for work on Broadway's blockbuster musicalJulie Taymor, who directed and co-wrote the book for Spider-Man: Turn Off the Dark…

SOURCE: The Guardian at 8:12am on October 2, 2017

Bruce takes Broadway: Springsteen's stage show is a risky business by Jim Farber

As Bruce Springsteen's Broadway production gets under way, he joins the pantheon of rockers who have trod the boards with varying degrees of successBruce Springsteen's much-ballyhooed Broadw…

SOURCE: The Guardian at 8:12am on October 2, 2017

King Lear - review by Michael Billington

Olivier, LondonSimon Russell Beale is magnetic and unorthodox in an exceptional production that mixes the epic and the intimateAnother day, another Lear. But, although this is the third prod…

SOURCE: The Guardian at 6:04pm on October 1, 2017

Kwame Kwei-Armah: 'As a black male you're told you can't do this. I've tried to go: yes we can' by Simon Hattenstone

The new artistic director of the Young Vic in London will break the arts glass ceiling for African-Caribbeans. It's a role he has performed before in Baltimore, making theatre about police v…

SOURCE: The Guardian at 11:54am on October 1, 2017

Letter: Benjamin Whitrow played cricket with style and grace by David Joss Buckley

Benjamin Whitrow was a theatre man from the top of his head to the tips of his toes.Ben was also a great fan of cricket and a member of the National Theatre Cricket Club. His style and grace…

SOURCE: The Guardian at 10:54am on October 1, 2017

King Lear review " Ian McKellen delivers a profound portrait of a soul in torment by Michael Billington

Minerva, ChichesterJonathan Munby's smart, lucid production features plenty of pomp and circumstance, and a superbly detailed performance by McKellenIan McKellen knows his way round Lear. He…

SOURCE: The Guardian at 8:06am on October 1, 2017

On my radar: Marianne Elliott's cultural highlights by Kathryn Bromwich

The award-winning theatre director, best known for War Horse, on mystical landscapes, Paul Morley's vision of the north and the enduring appeal of FriendsBorn in London in 1966 and brought u…

SOURCE: The Guardian at 5:48am on October 1, 2017

Charlotte Spencer: 'We'll be harnessing a more feral part of ourselves' by Luke Jennings

The choreographer on her love of open-air experience, from the Alpine peaks of her childhood to the urban wastelands of her latest dance projectCharlotte Spencer, 35, is a choreographer whos…

SOURCE: The Guardian at 3:33am on October 1, 2017

Flood review " a sadly submerged parable by Clare Brennan

Victoria Dock, HullSlung Low's four-part floating spectacle is not as immersive as it thinks it isBack in the early 20th century, when a theatre wanted spectacle, it would flood an auditori…

SOURCE: The Guardian at 3:33am on October 1, 2017

Natalie Dormer: 'The British get very kinky under the collar' by Kathryn Bromwich

The outspoken Game of Thrones actor on starring in S&M comedy Venus in Fur, the ongoing battles of feminism and society's search for a panaceaIf the acting thing hadn't worked out for Na…

SOURCE: The Guardian at 3:33am on October 1, 2017

The Unknown Island; After the Rehearsal/Persona review " a voyage of discovery by Susannah Clapp

Gate; Barbican, LondonAn exciting rising star and imaginative production make for an enthralling trip to The Unknown Island, and a take on Bergman is stylish but slow-movingIf I were a casti…

SOURCE: The Guardian at 3:33am on October 1, 2017

Acosta Danza: Debut review " Carlos Acosta is still keeping good company by Luke Jennings

Sadler's Wells, LondonTeam skills, not star turns, are to the fore on the first UK tour by the dancer's new Cuban troupeAcosta Danza is the creation of Carlos Acosta, the Cuban-born dancer w…

SOURCE: The Guardian at 3:33am on October 1, 2017

Jessie Buckley on playing outcasts " and hitting the big time by Sarah Hughes

The star of new BBC1 drama The Last Post talks about luck, love and landing roles in a series of notable film and TV projectsShe first came to public attention as an effervescent 17-year-old…

SOURCE: The Guardian at 7:54pm on September 30, 2017

Candy Bowers: 'The door was slammed on me for being a black woman' by Jane Howard

Woman behind Hot Brown Honey talks about building a career despite 'apartheid' experience of Australian performing artsCandy Bowers has a simple plan to improve Australian theatre culture: "…

SOURCE: The Guardian at 6:42pm on September 30, 2017

Top billings: the poster art of the National Theatre " in pictures by Imogen Carter

After 54 years of enticing audiences into the stalls, the National Theatre's posters are getting their own moment in the spotlight with an exhibition curated by Rick Poynor in the NT's Wolfs…

SOURCE: The Guardian at 12:33pm on September 30, 2017

Benjamin Whitrow obituary by Michael Coveney

Expert supporting actor equally at home on stage and screen'Benjamin Whitrow has never given a bad performance," said Laurence Olivier, who employed the actor in his National Theatre company…

SOURCE: The Guardian at 1:33pm on September 29, 2017

Acosta Danza review " Carlos steps out with his formidable Cuban movers by Judith Mackrell

Sadler's Wells, London The dancer's debut as a director is a potent, at times mesmerising show performed by a versatile company " with an appearance by the great man himselfIt's a remarkable…

SOURCE: The Guardian at 10:06am on September 29, 2017

Kerry Godliman: 'The funniest heckle I had was a man lifting up his kilt' by Harriet Gibsone

The standup and actor on the things that make her laugh the most, from animals wearing clothes to the League of Gentlemen in a loftBefore I did standup myself " before I fully understood how…

SOURCE: The Guardian at 8:54am on September 29, 2017

The Macbeths " Shakespeare's schemers canoodle and conspire in bedroom thriller by Mark Fisher

Citizens, GlasgowFrances Poet and Dominic Hill turn the tragedy into a relentlessly intense two-hander starring Keith Fleming and Charlene BoydThe bed could have been designed by Tracey Emin…

SOURCE: The Guardian at 7:33am on September 29, 2017

Things I Know to Be True and Wayne McGregor: this week's best UK theatre and dance by Lyn Gardner and Judith Mackrell

Two companies collaborate to take a delicate look at family dynamics, while the esteemed choreographer brings a deeply personal show to Sadler's Wells1 Things I Know to Be TrueThis collabora…

SOURCE: The Guardian at 6:24am on September 29, 2017
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