DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
3,495 stories from The Arts Desk

Napoli, Brooklyn, Park Theatre review - lacking substance by Katherine Waters

Actors battle with accents and a wooden script in 1960s drama set in a New York Italian immigrant neighbourhood According to their mother, Luda (played by Madeleine Worrall, pictured below),…

SOURCE: The Arts Desk at 5:33am on June 18, 2019

Franco Zeffirelli: 'I had this feeling that I was special' by Jasper Rees

Recalling a two-day audience at the home of the great maestro, who has died aged 96 "I am amazed to be still alive. Two hours of medieval torment." Franco Zeffirelli - who has died at the ag…

SOURCE: The Arts Desk at 1:18pm on June 15, 2019

Sweat, Gielgud Theatre review - searing drama of working life by Tom Birchenough

The indelible power of Lynn Nottage's new play confirmed in Donmar transfer There's a joke early on in Sweat, Lynn Nottage's superlative drama about American working lives, in which a lively…

SOURCE: The Arts Desk at 10:18am on June 13, 2019

While the Sun Shines, Orange Tree Theatre review - frothy, yes, up to a point by Matt Wolf

Slice of Rattigan esoterica is useful to see even as it shows its age Terence Rattigan completists, and count myself among them, will leap at the chance to see a rare production courtesy th…

SOURCE: The Arts Desk at 5:18am on June 13, 2019

A Midsummer Night's Dream, Bridge Theatre review " gender-juggling romp by Rachel Halliburton

Nicholas Hytner's vivacious 21st-century take shines like a disco glitterball Nicholas Hytner's A Midsummer Night's Dream at the Bridge Theatre is a feat of exuberant brilliance, a gender-ju…

SOURCE: The Arts Desk at 5:36am on June 12, 2019

First Person: Matt Henry on fulfilling 'a dream come true' to play the legendary singer Sam Cooke by Matt Henry

The Olivier Award-winning alumnus of 'Kinky Boots' shifts gears to tell a vibrant story of 1960s America When I first read One Night in Miami, I instantly felt a strong connection t…

SOURCE: The Arts Desk at 7:24am on June 11, 2019

Bronx Gothic, Young Vic review - fervid intensity by Tom Birchenough

Okwui Okpokwasili's solo performance piece is an astounding piece of theatre It's hard, and finally fruitless to attempt to describe Okwui Okpokwasili's Bronx Gothic in conventional terms of…

SOURCE: The Arts Desk at 8:03am on June 10, 2019

The Knight of the Burning Pestle, Cheek by Jowl/Pushkin Theatre, Barbican review - theatre satire updated by Tom Birchenough

Declan Donnellan riffs on Beaumont's meta-comedy in flavoursome Russian Declan Donnellan has a rich record of working with Russian actors: his previous walk on the Slavic side, the darkly po…

SOURCE: The Arts Desk at 8:48am on June 6, 2019

Education, Education, Education, Trafalgar Studios review - politics and pupils, mayhem and music by Katherine Waters

The future of education seen from 1997 and 2019 It's the 2nd May 1997, the morning after the night that swept New Labour into power. We're in the staffroom of a school somewhere in Britain a…

SOURCE: The Arts Desk at 4:33am on June 6, 2019

Wife, Kiln Theatre review - queer epic is joyful and intense by Aleks.sierz

Decade-hopping story about sexual identity also celebrates the art of theatre In one lifetime, the many loves that once dare not speak their names have become part of everyday chatter. But i…

SOURCE: The Arts Desk at 7:06pm on June 4, 2019

King Hedley II, Theatre Royal Stratford East review - concentrated, enveloping drama by Tom Birchenough

Lenny Henry leads a strong cast in August Wilson's 1999 play of African American identity The huge achievement of the last two decades or so of August Wilson's life, right up to his death in…

SOURCE: The Arts Desk at 6:06am on June 3, 2019

The Starry Messenger, Wyndham's Theatre review - Matthew Broderick gets all cosmic by Matt Wolf

Kenneth Lonergan's Off Broadway play trades heavily on deadpan as it crosses the pond A small-scale Off Broadway venture late in 2009, The Starry Messenger has arrived in London to mark the…

SOURCE: The Arts Desk at 6:24am on May 30, 2019

The Merry Wives of Windsor, Shakespeare's Globe review - a gallimaufry of acting styles by David Nice

1930s setting for Falstaff's escapades wins out only in song and dance Need Shakespeare's Falstaff charm to be funny? Those warm, indulgent feelings won by Mrisho Mpoto in the amazing Glo…

SOURCE: The Arts Desk at 2:06pm on May 29, 2019

Rutherford and Son, National Theatre review - authentic northern tale by Aleks.sierz

Revival of Githa Sowerby's 1912 classic of industrial patriarchy is worthy but inaccessible Githa Sowerby is the go-to playwright if you want a feminist slant on patriarchy in the industrial…

SOURCE: The Arts Desk at 8:33pm on May 28, 2019

User Not Found, The CoffeeWorks Project review - solo play set in a café offers food for thought by Matt Wolf

Dante or Die's latest is mirthful and mournful in turn Who is that slithering on the floor by your foot, or coming to rest by or upon your knee? Audiences lucky enough to find themselves at…

SOURCE: The Arts Desk at 10:33pm on May 27, 2019

Berlin: True Copy, Brighton Festival 2019 review - tricksy forgery masterclass by Thomas H. Green

Superbly conceived and crafted multimedia theatre piece about art forgery This brilliantly conceived and executed show is about provenance in art. It's also about our perceptions of the trut…

SOURCE: The Arts Desk at 9:33pm on May 27, 2019

Our Town, Regent's Park Open Air Theatre review " small-town tale that raises profound existential questions by Rachel Halliburton

A moving antidote to fast-paced narratives and rampant individualism Our Town was written shortly before World War Two about a small town in America in the years leading up to World War One,…

SOURCE: The Arts Desk at 9:36pm on May 26, 2019

The Lehman Trilogy, Piccadilly Theatre review - stunning chronicle of determination and dollars by Rachel Halliburton

A simultaneously sweeping and intimately human production Mammon and Yahweh are the presiding deities over an epic enterprise that tells the story not just of three brothers who founded a ba…

SOURCE: The Arts Desk at 4:24am on May 23, 2019

Superhoe, Brighton Festival 2019 review - a darkly vital one-woman show by Thomas H. Green

Nicôle Lecky's raw, persuasive play about sex work, social media and female empowerment Tonight comes with a caveat, delivered before proceedings begin by the one-woman show's writer and …

SOURCE: The Arts Desk at 9:48am on May 22, 2019

ANNA, National Theatre review - great thriller, shame about the tone by Aleks.sierz

Intriguing Cold War thriller is thoroughly immersive, but lacks a convincing sense of history Stasiland is a fascinating mental space. As a historical location, the former East Germany, or G…

SOURCE: The Arts Desk at 7:32pm on May 21, 2019

First Person: Ellen McDougall on finding the commonality in the American classic 'Our Town' by Ellen McDougall

The director explains what drew her to the season-opener this summer at the Open Air Theatre, Regent's Park I've wanted to direct Thornton Wilder's Our Town for a long time. The play is…

SOURCE: The Arts Desk at 10:24am on May 19, 2019

Gravity & Other Myths: Backbone, Brighton Festival 2019 review - eyeboggling and very human circus show by Thomas H. Green

Australian troupe dazzle with balletic acrobatics, stunning precision and teamwork Shows by Gravity & Other Myths fall into the realm of "contemporary circus". It's an off-putting monike…

SOURCE: The Arts Desk at 8:06pm on May 18, 2019

salt., Royal Court review - revisiting the Atlantic slave trade by Aleks.sierz

One woman's journey to explore the slave trade is both personal and provocative Most of the facts about the Atlantic slave trade are well known; what is less easily understood is how history…

SOURCE: The Arts Desk at 7:03pm on May 17, 2019

White Pearl, Royal Court review - comic racial stereotypes by Aleks.sierz

New satire about the cosmetics industry and race is only mildly funny Artistic Director Vicky Featherstone's commitment to staging a diversity of new voices is very laudable, and with White …

SOURCE: The Arts Desk at 7:03pm on May 16, 2019

Henry IV Parts 1 & 2/Henry V, Shakespeare's Globe review - helter-skelter ensemble history trilogy by Heather Neill and David Nice

Doubling, humour and an outstanding female Henry V Henry IV Part One (***)

SOURCE: The Arts Desk at 5:48am on May 16, 2019
« Previous 25   Page 55 of 140   Next 25 »