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8,108 stories from DC Theatre Scene

Review: Love in Three Scenes at Capital Fringe by Tim Caron

Since the introduction of the Travel Ban, has there been a quantifiable increase in Islamophobia? After being officially pulled out of the Paris Agreement, will present and future Americans …

SOURCE: DC Theatre Scene at 12:42pm on July 15, 2018

Review: Why is Eartha Kitt Trying to Kill Me?: A Love Story by Susan Galbraith

With Why is Eartha Kitt Trying to Kill Me?, UrbanArias has given us an operatic gem, and the talents assembled for the production have encased this most entertaining work in pure gold. Wh…

SOURCE: DC Theatre Scene at 10:32am on July 15, 2018

Review: Phantom Limb at Capital Fringe by Jon Boughtin

There's an old logic puzzle about a farmer trying to get a wolf, a chicken, and a pile of corn across the river, but the farmer can only take two at a time in his boat. Leaving the wrong com…

SOURCE: DC Theatre Scene at 8:18pm on July 14, 2018

Review: 1 2 3 a play about abandonment and ballroom dancing at Capital Fringe by Tim Treanor

Once there was a couple that so loved peace and justice that they would blow up buildings and kill people on its behalf. After that, they would move to another town, changing their identitie…

SOURCE: DC Theatre Scene at 4:54pm on July 14, 2018

Review: Theatre Du Jour's The Accidental Pilgrim for Capital Fringe by John Geoffrion

If any play is a complete 180º polar opposite of the safe suburban outdoor Shakespeare I reviewed most recently, it is certainly B. Stanley and company's inscrutable, frustrating, and nea…

SOURCE: DC Theatre Scene at 4:54pm on July 14, 2018

Review: Lesbians and the Men Who Love Them at Capital Fringe by John Bavoso

Sometimes the identities we construct for ourselves become our prisons. This is the scenario playwright M. Cristina Garcia uses as the central conceit of her play, Lesbians and the Men Who L…

SOURCE: DC Theatre Scene at 12:36pm on July 14, 2018

Review: Deadlie Affairs: Arden of Faversham at Capital Fringe by Michelle Rago

Has our obsession with true crime always been with us? In 1551, Alice Arden and her lover arranged the murder of Alice's husband, Lord Arden of Faversham. In 1592 this true crime sensation w…

SOURCE: DC Theatre Scene at 12:36pm on July 14, 2018

Review: Spook at Capital Fringe Festival by Jon Boughtin

I am not equipped to write this review. That much was apparent from the moment I saw Daryl "Spook" Spokane (Meshaun Labrone) stoically reclining on the day of his execution in Spook, a play …

SOURCE: DC Theatre Scene at 12:36pm on July 14, 2018

Review: Holon! at Capital Fringe by Marshall Bradshaw

A holon, coined by Arthur Koestler in his book The Ghost in the Machine (1967), is philosophical term for something that is simultaneously a whole and a part. For example, Holon! is one whol…

SOURCE: DC Theatre Scene at 11:32am on July 14, 2018

Review: The Body of a Woman as a Battlefield in the Bosnian War at Capital Fringe by John Bavoso

Some of the best theatre presents you with an impossible choice and asks what decision you would make in each character's place. In the case of 2000FeetUp Theatre Company's The Body of a Wom…

SOURCE: DC Theatre Scene at 11:32am on July 14, 2018

Review: F*ck Tinder: a love story at Capital Fringe by Marshall Bradshaw

In two years, David Rodwin went out with 120 women. Evidently, that changes a man. F*ck Tinder, Rodwin's solo show on his dating life, ranges from deep vulnerability to unrestrained boasting…

SOURCE: DC Theatre Scene at 11:32am on July 14, 2018

Review: Tales of the Mysterious and Grotesque: The Works of Edgar Allan Poe at Capital Fringe by Kelly Whealan George

There are numerous themes to Edgar Allan Poe's body of work: Perverse, mysterious, grotesque, and merry. Coincidentally, those are the names of the characters for this compilation of scenes …

SOURCE: DC Theatre Scene at 10:24am on July 14, 2018

Review: Tweet Land of Liberty at Capital Fringe by Tim Caron

We Americans now find ourselves deep into the presidency of Donald Trump. Whatever opinions one may have on his policies, it's tough to deny that Donnie's personality is ripe for satire. Fur…

SOURCE: DC Theatre Scene at 10:24am on July 14, 2018

Fringe bingers " best drinks and eats before and after shows on the Wharf by Alison Daniels

If you had told me when I got a job as a hostess/busser at a small local restaurant in high school that 15 years later I would have made a career of working in restaurants, I would have laug…

SOURCE: DC Theatre Scene at 5:54pm on July 13, 2018

Review: Isadora Duncan: Landscapes of the Soul at Capital Fringe by Arielle Ostry

You know when you are watching Isadora Duncan’s work. Her technique, created over a century ago, is easily recognizable. With parading skips, subtle gestures and a wide emotional vocab…

SOURCE: DC Theatre Scene at 2:36pm on July 13, 2018

Review: Damned If You Do. The women of UCB prove there's hope for DC after all. by Kate Colwell

To put on a fresh show every night, Upright Citizens Brigade (UCB) must know its audience down to the core of their prides and insecurities. The New York- and Los Angeles-based improv comedy…

SOURCE: DC Theatre Scene at 1:32pm on July 13, 2018

Review: Flight of the Xenophobe at Capital Fringe by Selma Khenissi

D Mitchell’s Flight of the Xenophobe encases 2013 in amber to examine the issues of race and gentrification. Xenophobia comes from Greek and means a strong fear of what is foreign, so …

SOURCE: DC Theatre Scene at 12:24pm on July 13, 2018

Review: Bartleby the Magical White Coworker at Capital Fringe by Tim Treanor

Bartleby the Scrivener, in Herman Melville’s short story of the same name, was a man of massive silences, who spoke only when his employer asked him to do something. “I would pre…

SOURCE: DC Theatre Scene at 12:24pm on July 13, 2018

Review: Sobriety of Fear at Capital Fringe by Alexandra Kelley

The #MeToo era has been brought to light by unrelentingly brave female voices. Sobriety of Fear, and specifically its playwright and solo performer Shaun Michael Johnson, successfully turns …

SOURCE: DC Theatre Scene at 10:12am on July 13, 2018

Review: Burn Out Blessings at Capital Fringe by Alison Daniels

FREE CAKE!! And now that I've grabbed your attention – Burn Out Blessings has a lot less to do with teaching and a LOT more to do with sex than I expected from its brief Capital Fringe…

SOURCE: DC Theatre Scene at 9:12pm on July 12, 2018

Review: Show Business 201 at Capital Fringe by Alison Daniels

It's the Mr. Darcy/Elizabeth Bennett proposal scene! But – what if Mr. Darcy were directing a play about a butterfly catcher and his prey, and instead of wanting to MARRY Elizabeth, he…

SOURCE: DC Theatre Scene at 8:06pm on July 12, 2018

Review: Guerilla Theatre Works' A New Nation by Kate Colwell

A New Nation has found the right city, the right moment and the right place at the Anacostia Arts Center this month. As national headlines bear down on this administration's Muslim travel ba…

SOURCE: DC Theatre Scene at 8:06pm on July 12, 2018

Review: Barococo at Capital Fringe by Tim Caron

As an amateur history buff, I've long been fascinated by Revolution-era France. Between podcast binges and addictive ancestry research, I want to better understand how the greatest power in …

SOURCE: DC Theatre Scene at 11:18am on July 12, 2018

Review: Painted Ladies: Bosses of the Wild West at Capital Fringe by Kate Gorman

Two charismatic women rule the roost in the engagingly interactive Painted Ladies: Bosses of the Wild West, but their bright lights tend to overshadow the rest of the production. Painted Lad…

SOURCE: DC Theatre Scene at 8:06pm on July 11, 2018

Review: The Tragical Comical Fool's Game (Or, Nun of your Business) at Capital Fringe by Kate Gorman

In The Tragical Comical Fool's Game, the Masters of SHX present a cocktail of Shakespearean characters, blended with philosophical musings, and garnished with fourth wall-breaking asides. It…

SOURCE: DC Theatre Scene at 3:42pm on July 11, 2018
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