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35,732 stories from The Guardian

The Judas Tree/Song of the Earth review " from torrid violence to delicate majesty by Judith Mackrell

Royal Opera House, London A five-company tribute to Kenneth MacMillan continues with brave and brilliant stagings of two very different worksThis season's Kenneth MacMillan celebration conti…

SOURCE: The Guardian at 1:04pm on October 25, 2017

Eun-Me Ahn review " eye-scorchingly colourful dance goes K-pop by Sanjoy Roy

The Place, London From a snail's-pace procession to techno-pogoing in hot pink light, the Korean choreographer's relentless routines are hypnotic but emptyThe opening of Eun-Me Ahn's Let Me …

SOURCE: The Guardian at 10:36am on October 25, 2017

Nathan Caton review " a cosy cruise down the middle of the road by Brian Logan

Soho theatre, London The charmingly self-mocking standup is not short of decent gags but appears almost devoid of strong opinions. He may not offend but he certainly exasperatesWhat do you w…

SOURCE: The Guardian at 8:24am on October 25, 2017

Sydney festival 2018: Tree of Codes, Randy Rainbow and 100,000 toys lead lineup by Steph Harmon

Crowd-pleasing program heavy on circus and cabaret " along with breathtaking puppetry and brave Indigenous worksThe choreographer Wayne McGregor, the artist Olafur Eliasson, the musician Jam…

SOURCE: The Guardian at 9:36pm on October 24, 2017

Suzan Farmer obituary by Toby Hadoke

Hammer horror film actor who went on to take a variety of roles in popular television series, including Coronation Street, The Saint and Blake's 7Suzan Farmer, who has died aged 75 of cancer…

SOURCE: The Guardian at 1:24pm on October 24, 2017

'Tear it down and start again': playwright Elinor Cook on sexism in British theatre by Andrew Dickson

Her sharp and funny plays have feted female friendship. As Elinor Cook takes Ibsen to the Caribbean with her version of The Lady from the Sea, she talks about fighting against the industry's…

SOURCE: The Guardian at 1:24pm on October 24, 2017

Flight of the Conchords, Gilded Balloon, Edinburgh by Brian Logan

Gilded Balloon, EdinburghLast year's from-nowhere smash, this Kiwi duo has accrued a cult following that seems to include every other comedian on the fringe. You can see why: their show, Hig…

SOURCE: The Guardian at 10:54am on October 24, 2017

Please save me from 'funny girl' syndrome by Sophie Black

I was once congratulated for performing the feat of making people laugh despite the fact that I am a woman. Why is gender such an issue in comedy?As a female comic, I've always had an aversi…

SOURCE: The Guardian at 9:36am on October 24, 2017

Rhys Darby review " Flight of the Conchords star's psychedelic standup by Brian Logan

Shepherd's Bush Empire, LondonDarby's loser act keeps him and us smiling, but some trimming of his silly storytelling would make this show a winnerOnly a comedian would wear jeans like these…

SOURCE: The Guardian at 8:33am on October 24, 2017

Arj Barker: Flight of the Conchords? We played cartoon versions of ourselves by Paul Fleckney

The standup on making fun of Australians, his school of comedy, and why the Conchords' Bret and Jemaine are his role modelsCalifornia-born Arj Barker arrived at the Edinburgh fringe in 1997 …

SOURCE: The Guardian at 8:33am on October 24, 2017

It's business time as Flight of the Conchords announce UK tour by Chris Wiegand

Musical comedy duo Bret McKenzie and Jemaine Clement reunite for a string of live dates after solo roles in Hollywood and on TVOK, band meeting! The Flight of the Conchords have announced th…

SOURCE: The Guardian at 7:33am on October 24, 2017

Ruined | Theatre review by Michael Billington

Almeida, LondonLynn Nottage's play arrives in London laden with American honours. And rightly so, since it offers a graphic portrait of women as perennial victims of war. More than that, it …

SOURCE: The Guardian at 1:48am on October 24, 2017

Protests and power games: how James Fritz's plays caught fire by Catherine Love

In James Fritz's powerful new drama, Parliament Square, an activist stands up and leaves us wondering how to take action in a broken worldJames Fritz's new play, Parliament Square, was writt…

SOURCE: The Guardian at 1:48am on October 24, 2017

Harry Potter and the Cursed Child to have Australian premiere in 2019 by Naaman Zhou

Melbourne season announced for stage-based final instalment of Harry Potter series after record-breaking London runHarry Potter and the Cursed Child, the award-winning play and final instalm…

SOURCE: The Guardian at 9:33pm on October 23, 2017

From Grace Jones to Ivo Van Hove: 2018 Adelaide festival offers heady mix by Steph Harmon

Heavy on the theatre greats, the festival will feature an outdoor spectacular from Lost & Found Orchestra, live goats and a man who balances rocksFrom an outdoor extravaganza by the crea…

SOURCE: The Guardian at 9:33pm on October 23, 2017

Eddie Izzard " review by Brian Logan

Brighton CentreEddie Izzard is on the UK leg of what's been billed as the biggest ever world standup tour, and the man himself is telling interviewers: "The key thing is making your stu…

SOURCE: The Guardian at 7:12pm on October 23, 2017

Witness for the Prosecution review " Christie thriller makes judicious use of County Hall by Michael Billington

County Hall, LondonLucy Bailey's production of Agatha Christie's ingenious courtroom drama fits perfectly in this debating chamberWe seem to be going back in time. Oscar Wilde's A Woman of N…

SOURCE: The Guardian at 6:12pm on October 23, 2017

British theatre bosses condemn sexual harassment in industry by Jamie Grierson

Statement by heads of 19 theatres comes after Harvey Weinstein allegations and complaint against Max Stafford-ClarkLeading figures in British theatre have condemned "sexual harassment or abu…

SOURCE: The Guardian at 12:42pm on October 23, 2017

My Brother, My Sister and Me review " quirky sibling comedy is unrivalled by Miriam Gillinson

Polka theatre, LondonA brother and sister contemplate the arrival of a new baby in Sarah Argent's brilliant new show, in which everything is seen through the eyes of a childWe're in a lovely…

SOURCE: The Guardian at 11:33am on October 23, 2017

The Mousetrap at 60: why is this the world's longest-running play? by Stephen Moss

Agatha Christie's whodunnit is 60 years old. What's the secret to its longevity? Stephen Moss goes behind the scenes, into 'the snow room' and off to the pub for a sing-song with the castQue…

SOURCE: The Guardian at 10:18am on October 23, 2017

Of Kith and Kin review " gay parenthood drama packs an emotional punch by Lyn Gardner

The Bush, LondonProceedings turn violent when a mother in law arrives in Chris Thompson's overloaded play about nature, nurture, abuse, parenting and gay history A play can be thoroughly enj…

SOURCE: The Guardian at 1:24am on October 23, 2017

The Second Woman review " stunning endurance theatre takes aim at patriarchy by Stephanie Convery

Carriageworks, SydneyNat Randall suffers through 100 break-ups over 24 hours in an utterly compelling production Nat Randall is about to send away her fourth lover for the evening. In a red …

SOURCE: The Guardian at 1:36pm on October 22, 2017

Rosemary Leach obituary by Michael Coveney

Stage and screen actor who was admired for her roles as Helene Hanff in 84 Charing Cross Road and Mrs Honeychurch in the 1985 film Room With a ViewThe versatile and accomplished actor Rosema…

SOURCE: The Guardian at 9:54am on October 22, 2017

Anything That Flies review " promising debut tackles sins of the past by Michael Billington

Jermyn Street theatre, LondonThe quiet life of an elderly Jewish musician is disrupted by an aristocratic German woman in this exploration of guilt, reparation and rootlessnessWhat does it m…

SOURCE: The Guardian at 7:36am on October 22, 2017

Venus in Fur review " Natalie Dormer mesmerises in timely battle of the sexes by Kathryn Bromwich

Theatre Royal Haymarket, LondonThe Game of Thrones star comes into her own as an actress who toys with a sexist stage director in David Ives's forward-thinking but flawed comedySometimes eve…

SOURCE: The Guardian at 4:06am on October 22, 2017
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