DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
3,495 stories from The Arts Desk

theartsdesk at the Ravenna Festival 2019 - in heaven with Dante's Purgatorio and Estonian rites by David Nice

A dramatic tour from the tomb of Italy's greatest poet and music among the mosaics Two years ago Ermanno Montanari and Marco Martinelli, the visionary partners who have powered Ravenna's rev…

SOURCE: The Arts Desk at 8:24am on July 12, 2019

The Fountainhead, The Lowry, Salford review " marathon in Mancland by Robert Beale

Director of the moment Ivo van Hove explores an age-old conundrum Ivo van Hove's reputation precedes his work as a rumble of thunder goes before a storm.

SOURCE: The Arts Desk at 8:24am on July 12, 2019

Joseph and the Amazing Technicolor Dreamcoat, London Palladium review - bright, brash, largely irresistible by Matt Wolf

A giddy Sheridan Smith is back centre-stage but watch out for newcomer Jac Yarrow, too Cheeky and broad and (for the most part) as entertaining as seems humanly possible, this embryonic entr…

SOURCE: The Arts Desk at 8:24am on July 12, 2019

Jellyfish, National Theatre review - Ben Weatherill's play hits the right notes by Saskia Baron

Four-hander about a young woman falling in love transfers from the Bush Theatre The intense relationship between a single parent and a single child is ramped up to its highest level when it…

SOURCE: The Arts Desk at 8:42am on July 11, 2019

Captain Corelli's Mandolin, Harold Pinter Theatre review - smart stagecraft, skimpy script by Matt Wolf

Melly Still brings her singular theatricality to bestselling novel on stage Better than the 2001 film but likely to disappoint devotees of the book, Captain Corelli's Mandolin onstage works…

SOURCE: The Arts Desk at 8:42am on July 11, 2019

Peter Gynt, National Theatre review - towering protagonist, middle-way production by David Nice

James McArdle's lead, strong ensemble and David Hare's Ibsen adaptation compel Like Hamlet and both parts of Goethe's Faust, with which it shares the highest peak of poetic drama, Ibsen's Pe…

SOURCE: The Arts Desk at 8:42am on July 11, 2019

Jesus Christ Superstar, Barbican review - Andrew Lloyd Webber's musical lives again by Marianka Swain

The Regent's Park revival is just as spectacular indoors Andrew Lloyd Webber and Tim Rice's 1970 musical had a heavenly resurrection at Regent's Park Open Air Theatre three years ago, wit…

SOURCE: The Arts Desk at 9:03pm on July 9, 2019

Seven Methods of Killing Kylie Jenner, Royal Court review - memes, memories and meanings by Aleks.sierz

Bright new two-hander about an internet troll is intelligent, provocative and funny Few theatres have done as much to promote new young talent as the Royal Court; few theatres have done as m…

SOURCE: The Arts Desk at 7:12pm on July 8, 2019

The Secret Diary of Adrian Mole Aged 13-3/4, Ambassadors Theatre review - needs a chill pill by Matt Wolf

2015 musical gets a belated, overly busy West End transfer Time hasn't necessarily been kind to this slow-aborning West End transfer of a show first seen (and lauded) in its 2015 debut in L…

SOURCE: The Arts Desk at 6:48am on July 6, 2019

the end of history ..., Royal Court review - raises more questions than it answers by Matt Wolf

The starry director-writer team behind 'Harry Potter' onstage return to their frequent home at the Royal Court An apocalyptic title proves somewhat of a red herring for a slight if intriguin…

SOURCE: The Arts Desk at 7:42am on July 4, 2019

Dark Sublime, Trafalgar Studios review " sci-fi tribute is less rocket, more Reliant Robin by Rachel Halliburton

Navigating the script is a bit like going in a car with a driver who's just passed their test This lovingly lo-tech visit to galaxies far far away is a curious proposition, which, while neit…

SOURCE: The Arts Desk at 3:48am on July 3, 2019

Noises Off, Lyric Hammersmith review - farce doesn't catch fire by Veronica Lee

Jeremy Herrin's production of modern classic feels leaden Michael Frayn's Noises Off is a modern classic, a backstage sex farce that pokes affectionate fun at a profession he loves. And now …

SOURCE: The Arts Desk at 8:42pm on July 2, 2019

First Person: Damian Cruden on reinvigorating the Bard away from London with Shakespeare's Rose by Damian Cruden

The onetime director of 'The Railway Children' sets out his vision for bringing Shakespeare afresh to the country's 'cultural pageant' How we deliver culture in the modern day is complex. Th…

SOURCE: The Arts Desk at 8:36am on July 2, 2019

Rust, Bush Theatre review - slender yet invigorating by Aleks.sierz

New play about an extramarital affair is short, but emotionally truthful The best kind of two-hander is the play about couples. And the most dramatic way of saying something about relationsh…

SOURCE: The Arts Desk at 7:48pm on July 1, 2019

Summer Rolls, Park Theatre review - racism laid bare to mixed results by Tim Cornwell

Tuyen Do's playwriting debut marks first-ever British Vietnamese play seen in the UK There's a moment in Summer Rolls, at the Nguyen family dinner table, when a veil is briefly pulled back …

SOURCE: The Arts Desk at 7:42am on June 29, 2019

Europe, Donmar Warehouse review - timely, tender, brutal and brilliant by Aleks.sierz

Magnificent revival of David Greig's 1990s visionary classic is both tough and tender In the middle of the current decade, there was a mild vogue for reviving a handful of the great plays o…

SOURCE: The Arts Desk at 1:36am on June 28, 2019

On Your Feet!, London Coliseum review - Gloria Estefan bio-musical hits familiar notes by Marianka Swain

The rhythm is gonna get you " even if the drama doesn't This well-meaning biographical jukebox musical about icons Gloria and Emilio Estefan, which did two years on Broadway and a US tour, i…

SOURCE: The Arts Desk at 1:36am on June 28, 2019

The Hunt, Almeida Theatre review - tense Scandinoirland drama by Aleks.sierz

Striking stage version of Thomas Vinterberg and Tobias Lindholm's 2012 film For a while, child abuse has been banished from our stages. After all, there is a limit, surely, to how much pain …

SOURCE: The Arts Desk at 6:54pm on June 26, 2019

Present Laughter, Old Vic review - Andrew Scott continues his rise and rise by Matt Wolf

The Irish star is sublimely funny - and moving, too - in Noël Coward classic "Will You Still Love Me Tomorrow?" can be heard pulsating through the Old Vic auditorium as the curtain rises…

SOURCE: The Arts Desk at 6:12am on June 26, 2019

Cash Cow, Hampstead Theatre review - timely look at pushy tennis parents by Marianka Swain

Are the family of a flamed-out prodigy at (double) fault? "How much does she owe us?" So ponder the now estranged parents of a former tennis pro, as they calculate the very literal investmen…

SOURCE: The Arts Desk at 7:06pm on June 24, 2019

The Damned, Comédie-Française, Barbican review - slow-burn horrors in devastating images by David Nice

Ivo van Hove reinvents Visconti's fable about a 1930s German House of Atreus Is the terrifying past of Germany in 1933 also our future? Having had nightmares about the brilliant dystopian TV…

SOURCE: The Arts Desk at 8:54am on June 21, 2019

Three Sisters, Maly Drama Theatre, Vaudeville Theatre review - a Chekhov of luminous clarity by Tom Birchenough

Stagecraft skill and company playing meld seamlessly in Petersburg production Lev Dodin has been artistic director of the famed Maly Drama Theatre for some three and a half decades now, ove…

SOURCE: The Arts Desk at 11:48am on June 20, 2019

Bitter Wheat, Garrick Theatre review - Malkovich monologue is more chaff than wheat by Aleks.sierz

The most controversial play of the year is shaping up to be the worst John Malkovich is back in town - and he's starring in the most controversial play of the year. Trouble is, it might well…

SOURCE: The Arts Desk at 9:24pm on June 19, 2019

The Light in the Piazza, RFH review - Broadway musical looks good and sounds even better by Matt Wolf

Renée Fleming and Dove Cameron align in starry London debut for six-time Tony-winner A Broadway show as melodically haunting and sophisticated as it is niche, The Light in the Piazza has t…

SOURCE: The Arts Desk at 6:06am on June 19, 2019

Citysong, Soho Theatre review - big writing, big heart by Aleks.sierz

A poetic journey through time and space in Dublin is beautifully written Irish playwright Dylan Coburn Gray's new play won the Verity Bargate Award in 2017, and his reward is a fine product…

SOURCE: The Arts Desk at 8:42pm on June 18, 2019
« Previous 25   Page 54 of 140   Next 25 »