Puppets: The hip new stars of showbiz
Levy believes music fans should grow up on this issue.
"All entertainment involves some kind of enhancement."
Hmm...
Just in time for Halloween, Broadway cleans out its closets and holds a tag sale
Robert Wilson's "The Temptation of St. Anthony" is based on Gustave Flaubert's virtually unreadable novel about a third-century hermit battling against sensuality.
What Flaubert needed was Bernice Johnson Reagon.
Playwright Michelle Kholos' first work is an autobiographical comedy-drama about marriage and crazy extended families.
But while Kholos recently married into a colorful showbiz clan, don't expect to see any characters based on her famous in-laws.
Richard Dreyfuss; TDF; Jeremy Piven.
Most Broadway designers would cringe if people said their creations look like junk.
But Ray Klausen and Tobin Ost smile when they hear that about what they did for "Brooklyn," opening tomorrow at the Plymouth.
The first Tribeca Theater Festival opens tonight.
Is Brooke Shields nuts? If so, it's a good thing, because nuts is what musical comedy needs.
A night on the town with the cast of 'The Awesome '80s Prom'
Ch. 2 has taken a different approach with a series of promos produced with the team behind the Tony-winning Broadway musical "Avenue Q" that has puppets playing Shon Gables, Mario Bosquez an…
Manhattan Theater Club has joined forces with Second Stage to present this well-directed, beautifully mounted revival of a worthless play.
Among the virtues of plays about crusty old men developing nonsexual friendships with much younger women is that they allow great older actors to strut their stuff. "Trying" does that for Fr…
We looked at posters for six upcoming plays to see which ones create ballyhoo — and which ones go belly up.
The New York Shakespeare Festival Public Theater, from early on, has followed the advice of Stephen Sondheim, who wrote the momentous words "You Gotta Get a Gimmick."
4-foot-6 Peter Dinklage takes on a giant role: Richard III
Give your regards to B'way in a museum
It's not as clever, or as consistently funny, or as well-cast as "Shakespeare in Love," but Richard Eyre's "Stage Beauty" is the most fun I've had with the Bard since that 1998 Oscar winner.
If you had to find a word to describe the style of writing found Off-Broadway these days, it might be "strained."
That certainly applies to two plays that have just opened.
"White Chocolate" and "Last Easter."