3,986 stories from CurtainUp
A fresh look at Chekhov's wonderful play
Terrence McNally's third opera-related play premiered at the Suzanne Roberts Theatre in Philadelphia
When you think about it, this was really a match made in mashed-up paradise: Robert Rauschenberg, the American collageist as seen through the eyes of Charles L. Mee, a playwright who borrows…
This production's set, a cross between the Radio City Edison Hotel art deco lobbies at Radio City and the Edison Hotel, is like an inanimate diva upstaging even the charming Victor Garber.
A re-play of a 1998 essay as the curtain has gone down on The Catcher in the Rye creator's long run as America's most elusive and reclusive literary celebrity.
While Shepard has written better plays, Ages of the Moon does give its actors a great opportunity to display their versatility.
Even sex can be a bore. So why not up the ante with sado-masochism?
The Bridge Project's double Shakespeare bill gets off to a fine start
The final installment of Horace Robineaux's odyssey is wonderful, right from its breathtakingly theatrical rainy cemetery opening
You know almost from the beginning that this is indeed a Greek tragedy. But watching how that inevitable climax is reached with these actors, and especially Liev Schreiber, is all the suspen…
John Guare's play still entertains 20 years later
A return engagement of a fun night out for the girls only.
Douglas Carter Beane's Hollywood comedy at the Garrick.
Joanathan Pryce the latest to play the tramp in Pinter's first play
Craig Alan Edwards' attempt to pay tribute to the memory of an American icon and give us a glimpse of the man behind the myth lacks factual backup.
Director David Lee's thrifty and streamlined adaptation of Lerner and Loewe's musical goes a long way toward taming an unwieldy beast
Shawn Nacol's play about two rival animators may strike some as a bit too rough and sketchy
American premiere of six Ayckbourn playlets at The Lost Studio
A world premiere by Frank McGinnis.
Elevator Repair Service's 6 1/2 hour epic reading F. Scott Fitzgerald's Great Gatsby
Inspired by but not much concerned with Shakespeare's King, the dialogue is peppered with modern language, profanity and sexual images
Darci Picoult's world premiere at Long Wharf Theater starts out great, but slips just short of intermission
