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4,023 stories from http://www.theaterscene.net

The Merchant of Venice (Theater for a New Audience) by Victor Gluck, Editor-in-chief

Arin Arbus, resident director at Theatre for a New Audience, staging her tenth classic for them took a great risk with her new production of Shakespeare's The Merchant of Venice: not only pu…

SOURCE: www.theaterscene.net at 4:51pm on February 16, 2022

Why Robert De Niro's New Film Studio Matters by Chip Deffaa, Editor-at-large

De Niro's goal is to lure more film and television production from Hollywood to New York, and that can only be a plus for New York-based actors. A brand new studio, created for the needs of …

SOURCE: www.theaterscene.net at 10:08pm on February 15, 2022

Wolf Play by Victor Gluck, Editor-in-chief

Hansol Jung's "Wolf Play" is a fantasy on several levels but it is also rather confusing in its details. Inspired by the true case of an Asian adoptee who was "re-homed" on the Internet when…

SOURCE: www.theaterscene.net at 1:55pm on February 15, 2022

Barococo by Christopher Caz

Mandell's costume and wig design are exquisite, perfectly defining each character in their own distinct look and style with numerous fabrics and colors and without overlap. Each of the actor…

SOURCE: www.theaterscene.net at 11:55am on February 14, 2022

Four Quartets by Joel Benjamin

In her selection of the movements and structure of "Four Quartets," Tamowitz chose to ignore the depth and imagery of the poems, producing a cool Merce Cunningham-like ballet that glided alo…

SOURCE: www.theaterscene.net at 10:27am on February 14, 2022

Intimate Apparel by Victor Gluck, Editor-in-chief

The new opera, "Intimate Apparel" is a very impressive, accessible work. If it has a fault, it is completely humorless but then the original play did not include comic relief either. Unlike …

SOURCE: www.theaterscene.net at 4:17pm on February 11, 2022

MJ by Joel Benjamin

Wheeldon and Pulitzer Award-winning playwright Lynn Nottage make every effort to hide the fact that MJ is a jukebox musical, despite the fact that the first notes of every song elicited loud…

SOURCE: www.theaterscene.net at 3:59pm on February 10, 2022

Specially Processed American Me by Joel Benjamin

Who knew that SPAM has figured so importantly in Korean and Korean-American cuisines?  Jaime Sunwoo's "Specially Processed American Me" tells that story and much more. "Specially Processe…

SOURCE: www.theaterscene.net at 12:55am on February 9, 2022

Tambo and Bones by Darryl Reilly

The dynamic W. Tré Davis and Tyler Fauntleroy deliver rousing performances as Tambo and Bones. Each is possessed of a limber physicality, superior comic timing and dramatic depth. Their imm…

SOURCE: www.theaterscene.net at 6:56pm on February 8, 2022

Prayer for the French Republic by Victor Gluck, Editor-in-chief

Joshua Harmon's latest play, the dense, untidy, brilliant and timely Prayer for the French Republic, is his most ambitious, epical play covering five generations of one French Jewish family …

SOURCE: www.theaterscene.net at 1:12pm on February 8, 2022

Long Day's Journey into Night by Joseph Pisano

But, again, O'Hara does these actors no favors, forcing them to contend with incongruous historical information while also depriving them of the greatest acting benefit O'Neill's four-act pl…

SOURCE: www.theaterscene.net at 4:27pm on February 7, 2022

Shhhh by Victor Gluck, Editor-in-chief

Warning: "Shhhh," a world premiere commissioned by Atlantic Theater Company from Clare Barron, Susan Smith Blackburn Prize-winner for "Dance Nation," may just be the most visceral play you w…

SOURCE: www.theaterscene.net at 4:44pm on February 6, 2022

The Tap Dance Kid by Joel Benjamin

Let's start with the best:  The great Joshua Henry's 11 o'clock number, "William's Song," a gut-wrenching revelatory song sung by the title character's emotionally distant father.  Hen…

SOURCE: www.theaterscene.net at 4:31pm on February 4, 2022

The Garden of the Finzi-Continis by Victor Gluck, Editor-in-chief

While Gordon has said in interviews that his model for the music was Puccini, in fact, the atonal orchestral score sounds more like operas by Gian Carlo Menotti, Carlisle Floyd and Dominick …

SOURCE: www.theaterscene.net at 6:14pm on January 31, 2022

The Collision / The Martyrdom by Christopher Caz

Throughout these plays there resonates an overarching message of female empowerment, a message that provides depth to the otherwise light comedy being served up. Nuns are habit forming, that…

SOURCE: www.theaterscene.net at 8:00pm on January 30, 2022

Skeleton Crew by Darryl Reilly

Set in the breakroom of a stamping plant in 2008, Ms. Morisseau achieves a high level of dramatic writing with this well observed exploration of Black working-class life. Each of the short s…

SOURCE: www.theaterscene.net at 10:29pm on January 29, 2022

The Hang by Darryl Reilly

After a grand Pippin-style introductory opening, one exhilarating number follows another in acclaimed theater maker Taylor Mac's "The Hang." Derived from jazz and opera, this vibrant musical…

SOURCE: www.theaterscene.net at 2:58pm on January 25, 2022

Di Froyen (The Women) by Joel Benjamin

The New Yiddish Rep's (David Mandelbaum, artistic director) production of the Yiddish language "Di Froyen (The Women)" is a bittersweet, anger-inducing portrait of modern day Chasid women ca…

SOURCE: www.theaterscene.net at 8:23pm on January 24, 2022

Whisper House by Victor Gluck, Editor-in-chief

The songs which are mainly sung by Alex Boniello (usually with a guitar) and Molly Hager as the ghostly narrators are folk ballads which though lovely sound like a continuation of the same s…

SOURCE: www.theaterscene.net at 1:51pm on January 22, 2022

Addressless: A Walk in Our Shoes by Joel Benjamin

Turning the plight of New York City's homeless into a game is an iffy proposition to say the least.  At best, the audience for the theatrical effort, "Addressless: A Walk in Our Shoes," l…

SOURCE: www.theaterscene.net at 10:18am on January 21, 2022

Ectoplasm by Victor Gluck, Editor-in-chief

"Ectoplasm" counts among its themes and topics: poetry, women's rights, prostitution, women's suffrage, love, death, the paranormal, the supernatural, fraudulent mediums " and the love that …

SOURCE: www.theaterscene.net at 10:40am on January 18, 2022

This Beautiful Future by Darryl Reilly

First presented in London in 2017, this shimmering U.S. premiere affirms its acclaim. The Australian-born Ms. Kalnejais' writing is highly crafted, imaginative and affective. Kalnejais was i…

SOURCE: www.theaterscene.net at 12:16am on January 17, 2022

The Search for Signs of Intelligent Life in the Universe by Victor Gluck, Editor-in-chief

Her nine years on SNL would seem excellent preparation for "Search" which requires her to portray ten different characters alternately. However, although Strong has tremendous stage presence…

SOURCE: www.theaterscene.net at 3:18pm on January 13, 2022

I Just Want to Tell Somebody by Joel Benjamin

He used the gimmick of preparing to perform the very show he was performing for his audience in the Cabaret Theater of the Theater for the New City; but by the end of his fascinating and gru…

SOURCE: www.theaterscene.net at 1:45pm on January 11, 2022

Sugar Ray by Darryl Reilly

For 80 minutes, Mr. Wilson commands the stage with his expressive voice and charismatic physical presence. Wilson portrays Robinson from robust youth to early middle-age beset by early Alzhe…

SOURCE: www.theaterscene.net at 12:45pm on January 10, 2022
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