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2,042 stories from The Theatre Times

Our Experiments: Upcycling in Theatre " An Interview with "Upcycling" Costume and Set Designer Reet Aus from Estonia by Christy Romer

Reet Aus has spent her career in fashion and theatre committed to sustainability, where she's learned from the world's most efficient designer: nature. Everything began at the Von Krah…

SOURCE: thetheatretimes.com at 2:24am on February 11, 2021

Exploring and Humanizing the Nuances of Black American History Through Theatre: Conversation With Playwright and Actor Stephen Sampson. by Irina Yakubovskaya

Driven by his appreciation for  authenticity and history, Stephen Sampson created his theatre company Greater Joy Productions to explore the power of original storytelling. In his play Th…

SOURCE: thetheatretimes.com at 2:07am on February 11, 2021

About "Living Newspaper": A Counter Narrative by Aleks Sierz

Read all about it! Well, maybe not. Maybe more like: live the news and then watch it streamed. Inspired by the radical theatre of the Federal Theatre Project in 1930s New Deal America, which…

SOURCE: thetheatretimes.com at 1:14am on February 10, 2021

Rangbhoomi Spaces Is Hyderabad's New Cultural Space by Neeraja Murthy

Theatre actor, director, and founder of KissaGo Theatre Group Jay Jha speaks on the hardships faced to make the dream come true. It had been the theatre actor-director's dream to open an ind…

SOURCE: thetheatretimes.com at 1:10am on February 9, 2021

Mobile Theatres Begin Their Tours with Cairo's Al-Asmarat District by Ahram Online

The Egyptian Ministry of Culture has announced that its mobile theatre tours began this week, with the first stop being in Cairo's Al-Asmarat District. The performance staged in the underpri…

SOURCE: thetheatretimes.com at 12:43am on February 9, 2021

Mikhail Baryshnikov: A Dancer Whose Flight to Freedom Brought Him Cult Status by Valeria Paikova

Mikhail Baryshnikov is not one to go unnoticed. A true living legend of ballet, he is one of the greatest dancers in modern history. Die-hard fans of classical Russian ballet praise Baryshni…

SOURCE: thetheatretimes.com at 12:38am on February 8, 2021

Kalidasa's "Vikramorvaseeyam" on Koodiyattam Stage by Gs Paul

Venu brought alive the nuances of Kalidasa's Vikramorvaseeyam at the recent Koodiyattam mahotsavam. Kalidasa's Vikramorvaseeyam marked the finale of the 34th annual Koodiyattam mahotsavam, h…

SOURCE: thetheatretimes.com at 3:02pm on February 7, 2021

Our Experiments: How Dakh Theatre Went Digital by Christy Romer

An interview with Andrii Palatnyi, Dakh Theatre / Gogolfest in Ukraine This year, Dakh Theatre and its festival counterpart, Gogolfest (ETC members since 2015), have become digital pioneers.…

SOURCE: thetheatretimes.com at 2:13am on February 6, 2021

Expect Revivals and VR from the Stage as Theater Continues to Deal with the Coronavirus by Nobuko Tanaka

In his 1964 anthem, "The Times They Are A-Changin'," Bob Dylan sings: "As the present now / Will later be past / The order is rapidly fadin'…" At the time, he may have had social turmoil i…

SOURCE: thetheatretimes.com at 1:24am on February 6, 2021

Music Live Streaming from the Conservatory San Pietro a Majella in Naples by Maria Pia Pagani

The Conservatory San Pietro a Majella is one of the most important and prestigious musical institutions in Italy. Founded in 1808 in Naples, it inherited four historical Neapolitan conservat…

SOURCE: thetheatretimes.com at 1:22am on February 6, 2021

Cinematic Opera Unveiled: Phillip Glass and Edgar Allen Poe's "The Fall of the House of Usher" by Katrina Holden-buckley

Speaking to a class in Rome years ago, I heard Tito Schipa Jr. speak about how opera is simply too big an art form to be reigned into just the stage. He said the first route into truly under…

SOURCE: thetheatretimes.com at 11:19pm on February 4, 2021

"I Imagine "Future" as a Hologram Rather Than as a Frozen Marble Sculpture": An interview with choreographer Galina Borissova. by Ina Doublekova

Galina Borissova is a dancer and choreographer, working mainly in the field of modern and contemporary dance. Her professional path is almost 40 years long, resulting in the creation of more…

SOURCE: thetheatretimes.com at 1:45pm on February 4, 2021

Sydney Festival Review: "The Rise And Fall Of Saint George" Shows The Transformative Power Of Music by Justin Ellis

The Rise and Fall of Saint George is a story about place, belonging, and community that taps into universal tensions of identity and faith in multicultural societies. Playing for one night o…

SOURCE: thetheatretimes.com at 1:47am on February 3, 2021

Sydney Festival Review: Circa's "Humans 2.0" is a Visceral Delight by Kate Maguire-rosier

Review: Humans 2.0, directed by Yaron Lifschitz, Circa at Sydney Festival The black circular stage is lit by small towers of side-lights. Lights fade to black, before suddenly revealing ten …

SOURCE: thetheatretimes.com at 11:33am on February 2, 2021

In China's Voguing Houses, Queer Millennials Strike a New Pose by Wang Xuandi and Fan Yiying

Ballroom culture is quietly flourishing in China's cities, creating a safe space for young LGBT people to explore their identities. SHANGHAI " When he's hanging around campus, Zhao Zixun oft…

SOURCE: thetheatretimes.com at 8:16pm on January 31, 2021

Death or Re-birth?: On Vicissitudes of the Egyptian stage during 2020 by Nora Amin

This year, for theatre and dance artists around the world, it was necessary to convey the message that culture contributes to human immunity. The year will remain a turning point in the glob…

SOURCE: thetheatretimes.com at 1:20am on January 31, 2021

Dramaturgy as "A Poem About The Unknown": Producing Dance Theatre About the Future During Uncertain Times by Shiya Lu

A Poem About the Unknown is a dance theatre performance directed by Chinese dance artists Lian Guodong and Lei Yan with the participation of an international creative team. Co-produced by pa…

SOURCE: thetheatretimes.com at 3:44pm on January 30, 2021

Sydney Festival Review: Politics of Care in Force Majeure's "The Last Season" by Kate Maguire-rosier

Review: The Last Season, directed and choreographed by Danielle Micich, Force Majeure at Sydney Festival The only moment bodies touch in Force Majeure's austere The Last Season comes l…

SOURCE: thetheatretimes.com at 8:29pm on January 28, 2021

Ten Ableist Tropes to Jettison in 2021 by Allison Newey

Disabled people need people who live in privileged bodies to do better. People with disabilities make up a significant percentage of the population " by some measures, a full quarter " and y…

SOURCE: thetheatretimes.com at 11:18am on January 28, 2021

"A Black and White Cookie" at TNC by Jack Wernick

Gary Morgenstein's nostalgic yet au courant play A Black and White Cookie is an invigorating feature of Theater for the New City's new On the Air series of Zoom presentations. Cookie was ori…

SOURCE: thetheatretimes.com at 1:02am on January 28, 2021

"Times3 (Times x Times x Times)" Takes Bite Out of Big Apple by Alexander Fatouros

Created by theatre-artist Geoff Sobelle and composer-performer Pamela Z, Times3 (Times x Times x Times) is a sonic odyssey to the far side of New York City's Times Square. Through this maste…

SOURCE: thetheatretimes.com at 8:49pm on January 27, 2021

ON CHANGING THE DISABILITY INCLUSION NARRATIVE: AN INTERVIEW WITH THEATER BREAKING THROUGH BARRIERS' NICK VISELLI by Madison Parrotta

Inclusion has quickly become the commanding narrative in the theater world, but when it comes to disability, not all of that inclusion is productive. Theater Breaking Through Barriers (TBTB)…

SOURCE: thetheatretimes.com at 9:37am on January 27, 2021

On Changing The Disability Inclusion Narrative: An Interview With Theater Breaking Through Barriers' Nick Viselli by Madison Parrotta

Inclusion has quickly become the commanding narrative in the theater world, but when it comes to disability, not all of that inclusion is productive. Theater Breaking Through Barriers (TBTB)…

SOURCE: thetheatretimes.com at 3:45pm on January 26, 2021

In India, 16% of Creative Sector Facing Permanent Closure by The Hindu

Many adapting to digital, live business models, but some of the workforces are changing careers. The creative economy is contracting, organizations are closing permanently to avoid bankruptc…

SOURCE: thetheatretimes.com at 12:22am on January 25, 2021

The Amazing Energy of the Bulgarian Dance Platform 2020 by Ina Doublekova

As the second wave of the pandemic was just gaining speed in the country, in between the worrying rise in new infections and the necessary tightening of restrictions, almost miraculous from …

SOURCE: thetheatretimes.com at 1:02am on January 24, 2021
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