6,473 stories from New York Daily News
His widow, Cheryl Jones, described Mitchell as someone who "lived life to the fullest" and whose death reflected his dedication during his 30 years as a performer.
The dance halls, brothels and bars of 1890s Paris come to vibrant life in "Belle Epoque," a spirited dance-theater piece inspired by the life and times and paintings of Henri de Toulouse-Lau…
Unlike Ensler and Goldberg, who have absorbed all that feminist stuff about minimizing gender differences, Dame Edna is not afraid to be feminine.
Richard Chang pushes buttons, and gets laughs, in his one-man show 'Goy Vey!'
A streak of adolescence runs though most of Sam Shepard's plays, but seldom has it been as pronounced as it is in "The God of Hell."
It is a study of the backstage machinations that make politics, if not farcical, at least wryly, sometimes poignantly comic.
This juggling act is what makes "Democracy" such a breathtaking play.
If Whoopi felt compelled to make a comeback, perhaps she should have devised some characters as unusual as the ones she did back then, rather than just offering comedy-club riffs.
Don't ask Dame Edna about her love life
Each of the women has powerful moments, but the overall feeling is flat and mechanical, an exercise in facile nihilism.
So I laughed. So sue me.
Halfway through "Eve-olution," a play by two women, performed by two other women, somebody said the word "Paxil." It got a laugh. That suggests something about the limited appeal of "Eve-olu…
Since his death in 1983, Tennessee Williams has continued to grow in stature. This impressive production of five Williams one-acts, four of which were only recently discovered, can only enha…
Fierstein on the 'Roof'
Fierstein already has sung music from "Fiddler" onstage. In MCC Theatre's Miscast concert in April 2002, Fierstein and Kristin Chenoweth sang the duet "Do You Love Me?" with Fierstein singing the role of Golde and Chenoweth singing Tevye.
The rags-to-riches story is still intact.
So are the delightfully hummable songs by Richard Rodgers and Oscar Hammerstein.
But this is not your mother's "Cinderella."
"The Foreigner" is too feeble to sustain an evening.
The calendar shows it's early November, but inside Radio City Music Hall the Christmas spirit is alive and well.
The songs, by Steven M. Alper and Sarah Knapp, are primitive verbally and musically jerky.
The evening manages to make something potentially powerful seem entirely artificial.
Dozens of aspiring actors and drummers attended a casting call for the world-famous Blue Man Group yesterday, hoping to join the troupe at one of the company's seven shows around North Ameri…
Mario Cantone, whose one-person show, "Laugh Whore," opened to enthusiastic notices a week ago, has canceled his performance Tuesday to encourage potential audience members to vote.
Here's a play about German politics every American will identify with
Antigone is on a rampage again.
