'Proof' reflects on vagaries of genius without becoming formulaic
Sedaris, Shearing, Schickele and Shankar. "The Sing-Along Sound of Music" and the San Francisco Symphony, too.
Bard's classic inspires appealing 'Romeo and Bernadette'
"High Priest of California" is one of 29th Street Rep's duds.
Why don't they just give up?
Cy Coleman, who has written many a glorious Broadway score ("Sweet Charity," "City of Angels") and A.E. Hotchner, the distinguished Hemingway authority, have once again recycled a musical they've been working on for 15 years.
As Shakespeare once said, "What's in a name?"
McCarter's Mann bends genders to update Shakespeare for today
Mark Waldrop admits that when he heard the title of the next musical at the Paper Mill Playhouse -- "Romeo & Bernadette" -- he didn't think it would be any good.
I'M NOT SURE that Matthew Broderick could sell brass band instruments to the stubborn folk of River City, Iowa, but I know that Craig Zadan and Neil Meron could.
A cleverly written new comedy regarding middle-class gay life, "The Last Sunday in June" mixes lots of laughter with sharp insights into relationships today.
New play takes a brutally honest look at race relations
What a shame that "Any Wednesday," a charming and funny comedy, isn't getting a better production at the Bickford Theatre in Morris Township.
At the end of "Some Like It Hot: The Musical," Tony Curtis says it best.
"Nobody's perfect."
Certainly not Curtis, who acts adequately but cannot sing, dance or project his voice into the cavernous Prudential Hall at the New Jersey Performing Arts Center in Newark.
Deft direction makes tale of prematurely aging teenager pass swiftly
Luna Stage deploys cast of 8 with precision to achieve tour de force
Proposed cut of $31.7 million stuns cultural leaders statewide
If a theatergoer sees 150 plays in his lifetime -- and makes "Winterizing the Summer House" at New Jersey Repertory Company in Long Branch one of them -- he'll probably rank it 74th, 75th or…