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35,732 stories from The Guardian

Bold Girls review " a woman's hard-hitting view of the Troubles by Clare Brennan

Citizens, GlasgowRona Munro's sharply observed portrait of three generations of women caught up in Belfast's violenceA searchlight strafes the auditorium. A girl in a slip trembles out of da…

SOURCE: The Guardian at 3:00am on February 4, 2018

London play tells of Network star's fury at attacks on third marriage by Vanessa Thorpe

New drama Mad As Hell explores how actor Peter Finch's real-life anger over snobbery and prejudice fuelled his Oscar-winning performance in the 1976 filmHis "mad as hell" outburst as America…

SOURCE: The Guardian at 7:05pm on February 3, 2018

London's Royal Court theatre in row over shelving of Tibet play by Ben Quinn

China censorship storm hits groundbreaking venue after drama about Tibetan exiles pulled from scheduleThe Royal Court theatre has been accused of censorship by an award-winning Indian playwr…

SOURCE: The Guardian at 7:04pm on February 3, 2018

Lou Sanders: 'I took a friend to a breast cancer op, all told it was a great day out' by Harriet Gibsone

The writer, standup and actor on the things that make her laugh the mostLuke McQueen singing. Or Holly Burn really committing to something in front of a bewildered audience. Senseless comedy…

SOURCE: The Guardian at 9:00am on February 2, 2018

Dry Powder/Yous Two review " Atwell is a whiz and Christou's debut sparks by Michael Billington

★★★☆☆/★★★★☆Hampstead theatre, LondonHayley Atwell plays a ruthless capitalist while Georgia Christou shows promise with tale of a …

SOURCE: The Guardian at 8:44am on February 2, 2018

The War of the Worlds review " HG Wells's aliens invade the north by Mark Fisher

Northern Stage, NewcastleLaura Lindow's adaptation of the sci-fi classic is a thrilling parable of complacency that allows a brilliant cast to shineHG Wells wrote The War of the Worlds at th…

SOURCE: The Guardian at 6:39am on February 2, 2018

Eugenius! review " Mark Hamill is a robot called Kevin in superhero show by Lyn Gardner

The Other Palace, LondonA school nerd escapes the bullies but meets a murderous movie mogul in an imaginative 1980s-themed musicalThings are looking up for new British musicals. The gorgeous…

SOURCE: The Guardian at 6:00pm on February 1, 2018

'It's messy': Gormley dance show uses three tonnes of clay by Press Association

Dancers at Sadler's Wells to grapple with clay in work co-created by Antony GormleyDancers on the London stage will grapple with more than three tonnes of clay in a new work co-created by sc…

SOURCE: The Guardian at 12:38pm on February 1, 2018

Pearl Mackie webchat " post your questions now

The Doctor Who star, who is appearing in a West End revival of Pinter's The Birthday Party, will answer you questions from 12pm GMT on Monday 5 February 3.31pm GMT As Peter Capaldi's compan…

SOURCE: The Guardian at 10:31am on February 1, 2018

Regional UK theatres need more public funds, says leading director by Dalya Alberge

Exclusive: Sir Richard Eyre says cuts make it harder to take artistic risks with new talentThe former head of the National Theatre, Sir Richard Eyre, is calling for regional theatres to rece…

SOURCE: The Guardian at 8:18am on February 1, 2018

Hit musical Hamilton raises top-price tickets to £250 by Chris Wiegand

The London production of Lin-Manuel Miranda's hip-hop musical surpasses The Book of Mormon as it hikes premium ticket pricesPremium seats for the London production of Hamilton, Lin-Manuel Mi…

SOURCE: The Guardian at 11:59am on January 31, 2018

Collective Rage: A Play in Five Betties review " wickedly funny by Lyn Gardner

Southwark Playhouse, LondonFive New Yorkers, all named Betty, are magically transformed in this swaggering production of Jen Silverman's playJen Silverman's often raucously funny piece is ab…

SOURCE: The Guardian at 9:30am on January 31, 2018

The Culture review " James Graham's shrewd spoof on Hull's big year by Michael Billington

The playwright juggles satire and farce in a knockabout celebration of Hull's tenure as UK city of cultureSatire is one thing, farce another, and the two forms prove hard to reconcile in thi…

SOURCE: The Guardian at 7:09am on January 31, 2018

Anxiety attack: the theatre company investigating anti-terror training by Matt Trueman

Breach Theatre's new show turns the spotlight on courses preparing people for emergency situations. Do they dispel fear, or cause it?In a windowless room in a disused office block, Breach Th…

SOURCE: The Guardian at 6:55am on January 31, 2018

Lauren Pattison: Lady Muck review " an empowering hour of spirited standup by Brian Logan

Soho theatre, LondonShortlisted for best newcomer at the Edinburgh festival, Pattison delivers a drolly direct account of an annus horribilisYou may not associate live comedy with tales of l…

SOURCE: The Guardian at 6:41am on January 31, 2018

Julius Caesar review " Hytner delivers a visceral, politically urgent tragedy by Michael Billington

Bridge theatre, LondonBen Whishaw and David Morrissey star in Nicholas Hytner's promenade production, which shows putative dictators can be populistsLike Shakespeare's Mark Antony, Nicholas …

SOURCE: The Guardian at 5:00pm on January 30, 2018

Rothschild & Sons review " rags-to-riches musical can't match Fiddler's magic by Lyn Gardner

Park theatre, LondonBanking dynasty story is beautifully sung, but the central character lacks the doleful warmth of Tevye'If I were a rich man," sings Tevye, the poor Jewish milkman in Jerr…

SOURCE: The Guardian at 5:27am on January 30, 2018

The Almighty Sometimes: the drama that asks 'how much of me is my medication?' by Natasha Tripney

In her prizewinning play, Kendall Feaver charts the relationship between a young woman with mental health problems and her motherWhen Kendall Feaver was going through her old school reports,…

SOURCE: The Guardian at 2:00am on January 30, 2018

The Weir review " Conor McPherson's black stuff still chills by Kate Wyver

The Lowry, SalfordAdele Thomas's revival of McPherson's early play reveals the horror of loneliness to be on a par with fear of the undeadJust over 20 years on from its Royal Court debut, Co…

SOURCE: The Guardian at 3:00pm on January 29, 2018

Sleepers in the Field review " witty wartime drama without the heroics by Michael Billington

The Questors, LondonA deliberately unromantic view of the second world war as experienced by one family provides an antidote to current idealised versions on screenThis play by the late, muc…

SOURCE: The Guardian at 6:23am on January 29, 2018

Bold Girls review " Rona Munro's portrait of women under siege by Mark Fisher

Citizens, GlasgowThe tale of four Belfast women during the Troubles becomes an unflinching study of the effects of male violenceOn the face of it, Bold Girls is not a violent play. In form, …

SOURCE: The Guardian at 2:00am on January 29, 2018

'It was unbearable': Tim Minchin on life under Trump and the collapse of his $100m movie by Steph Harmon

Back on home soil, the Australian polymath discusses politics, musicals and #MeToo " and the worst year of his professional lifeTim Minchin has segued from Donald Trump to homophobia, from r…

SOURCE: The Guardian at 12:00pm on January 28, 2018

The Brothers Size review " magical and bracing portrait of southern masculinity by Bridget Minamore

Young Vic, LondonBijan Sheibani's revival of Moonlight writer Tarell Alvin McCraney's family drama brilliantly explores the complexities of brotherhoodIn the decade since The Brothers Size p…

SOURCE: The Guardian at 7:34am on January 28, 2018

The week in theatre: John; Lady Windermere's Fan " review by Susannah Clapp

Dorfman; Vaudeville theatre, LondonTension builds subtly in Annie Baker's unmissable John at the National, while Kathy Burke has a hectic take on Oscar WildeWhat counts as action in the thea…

SOURCE: The Guardian at 3:00am on January 28, 2018

Giselle review " uncontestable greatness from Marianela Núñez by Luke Jennings

Royal Opera House, LondonThe Royal Ballet star is transcendent in the title role " with seven more principal ballerinas about to step into her shoes When Peter Wright mounted Giselle for the…

SOURCE: The Guardian at 3:00am on January 28, 2018
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