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3,492 stories from The Arts Desk

What Girls Are Made Of, Soho Theatre review - euphoric gig-theatre by Marianka Swain

Cora Bissett recalls the highs and lows of being a teenage Britpop star It's now Edinburgh Fringe transfer season in London, but here's one they made earlier: Cora Bissett's Fringe First-win…

SOURCE: The Arts Desk at 7:48pm on September 12, 2019

For Services Rendered, Jermyn Street Theatre review " uneven revival of 1930s drama by Laura De Lisle

A mixed bag of performances from a big cast in Somerset Maugham's anti-war play "I don't think I have the right to influence her," says an older character of her daughter in For Services R…

SOURCE: The Arts Desk at 5:33am on September 12, 2019

A Doll's House, Lyric Hammersmith review - Ibsen tellingly transposed to colonial India by Heather Neill

Tanika Gupta's layered version launches a new era Newly arrived from a much-lauded stint at the Sherman Theatre, Cardiff, Rachel O'Riordan has undertaken to make "work of scale by women" du…

SOURCE: The Arts Desk at 10:54pm on September 11, 2019

Preludes, Southwark Playhouse review - journeying into the mind of Rachmaninoff by Marianka Swain

Dave Malloy's innovative musical immerses us in a creative crisis Where does music come from? That's the vital question posed to Sergei Rachmaninoff in Dave Malloy's extraordinary 2015 chamb…

SOURCE: The Arts Desk at 9:06pm on September 11, 2019

Torch Song, Turbine Theatre review - impressive return for Harvey Fierstein's seminal gay drama by Tom Birchenough

Matthew Needham in lithe drag queen form opens new London venue London's latest theatre opening brings a stirring revival of Harvey Fierstein's vital gay drama, which premiered as Torch Song…

SOURCE: The Arts Desk at 4:42pm on September 9, 2019

First Person: Matthew Xia on why his production of 'Amsterdam' feels especially pertinent and vital now by Matthew Xia

The director sets the scene for his debut production at the helm of Actors Touring Company I'm currently opening Amsterdam, my first production for Actors Touring Company since being appo…

SOURCE: The Arts Desk at 4:42pm on September 9, 2019

Chiaroscuro, Bush Theatre review - music, sweet, sweet music by Aleks.sierz

Lively gig theatre revival of a 1980s account of the black lesbian experience Identity politics has been around for decades. One of the great things about the Bush Theatre in West London is …

SOURCE: The Arts Desk at 5:42am on September 7, 2019

Anahera, Finborough Theatre review - blistering family drama from New Zealand by Katherine Waters

A run-away child precipitates a cascade of questions with unintended consequences With power comes responsibility. One without the other is sickening -- and both iterations are on show in Em…

SOURCE: The Arts Desk at 3:12am on September 7, 2019

A Very Expensive Poison, Old Vic review " bold evocation of a post-truth world by Rachel Halliburton

The evening is as devastatingly moving as it is bitingly funny If Russia is, as Winston Churchill once so memorably said, "a riddle, wrapped inside a mystery, wrapped inside an enigma", then…

SOURCE: The Arts Desk at 7:03am on September 6, 2019

Total Immediate Collective Imminent Terrestrial Salvation, Royal Court review - brilliant meta-theatrical experience by Aleks.sierz

Experimental exploration of belief and determinism is touched by genius Playwright and performer Tim Crouch is one of Britain's most innovative creatives, with a big back catalogue of chall…

SOURCE: The Arts Desk at 11:12pm on September 5, 2019

Falsettos, The Other Palace review - affecting search for the new normal by Marianka Swain

This ambitious musical tackles the changing forms of family, romance and faith William Finn and James Lapine's musical " which combines two linked one-acts, March of the Falsettos and Falset…

SOURCE: The Arts Desk at 11:12pm on September 5, 2019

Hansard, National Theatre review - starry argument ends poorly by Aleks.sierz

Debut play about the parliamentary ruling class is timely, but ultimately unsatisfying In the current feverish atmosphere at Westminster, with arguments about Brexit becoming increasingly sh…

SOURCE: The Arts Desk at 1:48am on September 4, 2019

The Son, Duke of York's Theatre review - a piercing drama of depression by Tom Birchenough

Florian Zeller's play of family anguish receives a much-deserved West End transfer A tale of teenage depression and its family resonances, Florian Zeller's The Son has a devastating simplici…

SOURCE: The Arts Desk at 11:33am on September 3, 2019

Bartholomew Fair, Sam Wanamaker Playhouse review - Jonson's chaotic slice of 17th-century life by Veronica Lee

Jacobean comedy gets a rare outing It was a bold choice by director Blanche McIntyre to stage Ben Jonson's seldom performed, sprawling slice-of-life play in the bijou Sam Wanamaker Playhouse…

SOURCE: The Arts Desk at 9:18pm on August 29, 2019

Fleabag, Wyndham's Theatre review - superb swansong for modern classic by Veronica Lee

Final outing for Phoebe Waller-Bridge as her iconic creation We're saying goodbye to a much treasured friend. Fleabag will live on, of course " other actresses have and will inhabit the role…

SOURCE: The Arts Desk at 7:54pm on August 28, 2019

The Secret River, National Theatre review - turbulent tale of Australia's past by Rachel Halliburton

A resonant tragedy of mutual incomprehension, fresh from the Edinburgh Festival Neil Armfield's resonant, turbulent production of Kate Grenville's classic Australian novel The Secret River s…

SOURCE: The Arts Desk at 8:54am on August 28, 2019

Appropriate, Donmar Warehouse review - fraught family reunion blisteringly told by Tom Birchenough

Branden Jacobs-Jenkins's 2013 play is tensely dark, as well as very funny You can't fail to feel the ghosts in Appropriate: they are there in the very timbers of the ancient Southern planta…

SOURCE: The Arts Desk at 8:42pm on August 23, 2019

The Doctor, Almeida Theatre review - Robert Icke's long goodbye by Aleks.sierz

Juliet Stevenson is brilliant in an ethical debate that is both thrilling and challenging After six years, associate director Robert Icke bids farewell to the Almeida Theatre. In this time h…

SOURCE: The Arts Desk at 7:24pm on August 20, 2019

Edinburgh Fringe 2019 reviews: The Red/ Gone Full Havisham by Veronica Lee

More from the world's biggest and best arts festival The Red Pleasance Dome ★★★★ Comic Marcus Brigstocke has spoken in the past about his addictions and now he ha…

SOURCE: The Arts Desk at 9:06pm on August 16, 2019

Edinburgh Fringe 2019 review: How Not to Drown by David Kettle

Autobiographical refugee story feels like a boy's own adventure Urgent, fast-paced, seemingly never pausing for breath, How Not to Drown is a real-life boy's own adventure, an appeal for com…

SOURCE: The Arts Desk at 5:03am on August 16, 2019

Once on This Island, Southwark Playhouse review - folkloric Caribbean musical charms by Marianka Swain

Class, calypso and warring gods feature in this enthusiastic revival As British summer really kicks in (umbrellas at the ready), our thoughts might turn fondly to the sunny Caribbean. Good t…

SOURCE: The Arts Desk at 7:48pm on August 14, 2019

Edinburgh International Festival 2019 review: Total Immediate Collective Imminent Terrestrial Salvation by David Kettle

Messianic devotion and audience complicity in a slippery new work from Tim Crouch It's the end of the world as we know it. At least according to Miles, scientist turned messiah, who lost hi…

SOURCE: The Arts Desk at 4:06am on August 14, 2019

Edinburgh Fringe 2019 reviews: Darren McGarvey AKA Loki: Scotland Today / Scottee: Class by David Kettle

Two vicious dissections of class and identity might just leave you reeling Darren McGarvey AKA Loki: Scotland Today The Stand's New Town Theatre ★★★★★ …

SOURCE: The Arts Desk at 6:42am on August 13, 2019

Edinburgh International Festival 2019 review: Roots by David Kettle

Captivating and macabre, 1927's new show marks a partial return to their own origins A fat cat who gobbles up everything in sight. A king who tests his wife's fidelity with increasingly horr…

SOURCE: The Arts Desk at 6:42am on August 13, 2019

Edinburgh Fringe reviews 2019: On the Other Hand, We're Happy / Daughterhood / The Shark Is Broken by Veronica Lee

More from the world's biggest and best arts festival On the Other Hand, We're Happy Summerhall **** This affecting co-production between Paines Plough and Theatr Clywd of Daf James's play t…

SOURCE: The Arts Desk at 4:42am on August 10, 2019
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