Amid a glittering but stylized production that suits a narrative where characters "tell" more than "show" their personalities, the excellent cast headed by Martin Vidnovic (the Trump-like mo…
As a child, Queen Esther Marrow often listened to Mahalia Jackson and grew up loving the work of the great gospel singer.
Anyone with a taste for Monty Python-esque humor, virtuoso comic performances, linguistic razzle-dazzle, and artful direction (by David Leveaux) should not pass on the bizarre events that un…
"Bombay Dreams" brings the flamboyant world of Indian filmmaking to a congenial setting on the Great White Way.
Part of a high-rise condo project, it will be the fifth theater built on the Avenue of the Arts since 1997.
The British-Canadian actor Douglas Campbell and his wife, actress Moira Wylie, are putting on quite an acting exhibition these days in Tête-a-Tête, a play at the Bristol Riverside Theatre …
David Rogers is a veteran, Tony-nominated lyricist, so it's fitting that the words matter more than the music in his one-man show Naked on Broadway: A Lifetime With David Rogers.
"The Philadelphia Story," with Jessica Boevers.
Lippa's "Wild Party," with Jessica Leigh Brown and Jennie Eisenhower.
Cy Coleman and Avery Corman on "The Great Ostrovsky."
Not many plays can trace their origin to a National Public Radio report, but then where else on the dial would one hear about an incident in the Galapagos Islands?
Jerry Herman and Carol Channing (fifth item).
With or without Janet Jackson, ABC's Lena Horne movie is virtually dead, executive producer Craig Zadan says.
For theatergoers, Terrence McNally's new play, The Stendhal Syndrome, produced by the Off-Broadway Primary Stages, is both the latest fashionable ticket and a comeback of sorts.
With quotes from David Leveaux, Barry Weissler, Spotco's Drew Hodges and others.
The Disney musical The Lion King, the most popular and highest revenue-producing show on the national touring circuit, will come to the Academy of Music for 12 weeks in 2006.
Faced with a shortage of operating money, the Philadelphia Shakespeare Festival has postponed the final production of the season and laid off three of its six employees.
James Naughton's one-man show, It's About Time, proves he's also a persuasive advocate of both familiar and forgotten corners of the American songbook.
Among the five acts in the Grammys' new-artist category, the name Heather Headley stands out.
S.J. Perelman's centennial gets little fanfare.