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8,108 stories from DC Theatre Scene

Gaithersburg's comedy theatre, Best Medicine Rep, to feature its funniest playwright: John Morogiello by Tim Treanor

Best Medicine Rep Company, the Gaithersburg theater helmed by noted comic playwright John Morogiello, will feature three plays written by Morogiello himself in its 4-play 2018-2019 season. C…

SOURCE: DC Theatre Scene at 9:06am on July 30, 2018

Compass Rose celebrates new space with 5 play season by Tim Treanor

Annapolis’ Compass Rose Theatre will grace its new digs at 1623 Forest Drive with a 5-play 2018-2019 season, including three contemporary plays about art and two classic musicals. Comp…

SOURCE: DC Theatre Scene at 9:06am on July 30, 2018

MetroStage to produce Fugard's latest and three reprises by Tim Treanor

Alexandria’s MetroStage will open with Athol Fugard’s most recent play, and then bring back three of its most acclaimed productions to round out its 2018-2019 season. The Fugard …

SOURCE: DC Theatre Scene at 8:18pm on July 28, 2018

Rorschach's Three-Play Season All World Premieres by Tim Treanor

Rorschach Theatre, whose recent work has been characterized by world premieres, outlandish concepts, magical realism and suspenseful moments, will offer three world premieres of suspenseful,…

SOURCE: DC Theatre Scene at 1:48pm on July 28, 2018

Review: Sucks To Be a Grownup at Capital Fringe by Alexis Arnold

Sucks To be A Grownup is a one-woman show that feels like a combination of a stand up comedy set and advice from your worldly aunt that you definitely needed after college. CJ, the writer an…

SOURCE: DC Theatre Scene at 11:33am on July 28, 2018

Review: Head Over Heels, Elizabethan silliness to 80's Go Go's songs by Jonathan Mandell

Head Over Heels is a mash-up that sounds weird and unworkable: It's a jukebox musical using 18 songs by the 1980s all-female L.A. punk band The Go-Go's. But it's also a loose adaptation of A…

SOURCE: DC Theatre Scene at 7:48pm on July 26, 2018

Review: The Country Co-Ed at Capital Fringe by Tim Treanor

The Country Co-Ed is a sex comedy. Everybody likes sex, right? Everybody likes comedy, correct? So how could things go wrong? Well. it’s a little more complicated than that. The Countr…

SOURCE: DC Theatre Scene at 4:36pm on July 26, 2018

Review: A View From My Backyard at Capital Fringe by Arielle Ostry

It may be a bit strange, but the feeling of shaving cream always reminds me of when I was little. As a toddler, I was a lot to handle. I would draw on the walls, run around the house like a …

SOURCE: DC Theatre Scene at 12:12pm on July 26, 2018

Two directors find commonality in 4615's rep of Macbeth and the contemporary Dinner by Jon Jon Johnson

I think there are few earthly pleasures quite like sitting in a restaurant with a fantastic cup of coffee, discussing theatre with intelligent and driven professionals. Jordan Friend, Artist…

SOURCE: DC Theatre Scene at 11:06am on July 26, 2018

Review: Perfecting the Kiss at Capital Fringe by Lorraine Treanor

Perfecting the Kiss is a backstage comedy that’s a worthy successor to Noises Off. What Noises Off accomplishes in two acts, Perfecting the Kiss pulls off in an hilarious 80 minutes, w…

SOURCE: DC Theatre Scene at 10:04am on July 26, 2018

Review: 52:15 at Capital Fringe by Marshall Bradshaw

Perhaps more than any other show at this Fringe, 52:15 challenges its audience to reconsider one of its core beliefs. The 100th Monkey Theatre Ensemble's mix of traditional, surreal, and psy…

SOURCE: DC Theatre Scene at 7:54am on July 26, 2018

Review: Aphrodite's Refugees at Capital Fringe by Marshall Bradshaw

In Aphrodite’s Refugees, Monica Dionysiou finds new ways to share stories she grew up with: in this case, as show’s description puts it “the fate of four teenage refugees i…

SOURCE: DC Theatre Scene at 12:12am on July 26, 2018

Review: Beauty and the Beat at Capital Fringe by Susan Galbraith

Three sleek suburban women stay active by running around their neighborhood and spying on their somewhat suspicious neighbor. Choreographer and director Jane Franklin has devised the smart m…

SOURCE: DC Theatre Scene at 12:12am on July 26, 2018

Review: The Truth at Capital Fringe by Susan Galbraith

In settling in to The Truth, I was reminded of the show within the show of A Midsummer Night's Dream and its PR buzz of being of "very tragical mirth." How else could you package a tale of f…

SOURCE: DC Theatre Scene at 12:12am on July 26, 2018

Review: Hawaii Nei at Capital Fringe by Jeffrey Walker

Under the title Hawaii Nei, author Paul Handy has crafted two plays, both set in the picturesque Pacific islands of Hawaii. One is a revival of sorts; the other is a new companion piece. The…

SOURCE: DC Theatre Scene at 12:12am on July 26, 2018

Review: How to Fall in Love on a Warming Planet at Capital Fringe by Arielle Ostry

Calling all vegans, tree-huggers, and activism junkies: I have found the perfect Capital Fringe show for you! How to Fall in Love on a Warming Planet is a casual concert celebrating activism…

SOURCE: DC Theatre Scene at 12:12am on July 26, 2018

Review: Riot Brrrain at Capital Fringe by Tim Treanor

Aaah, dammit, Teddy (Ari Eckley) has neurosyphilis! But who gave it to her? Was it Jeff (Reid Clark), an old lover now ensconced in Canada, in marital bliss? Was it the other Jeff (Walter C.…

SOURCE: DC Theatre Scene at 12:12am on July 26, 2018

Review: Movie Magic Live! at Capital Fringe by Tim Caron

This year, DC Fringe is offering the cinephiles out there a show that's very well-tailored to the silver screen " Movie Magic Live! While this production is technically a work of theatre, it…

SOURCE: DC Theatre Scene at 12:12am on July 26, 2018

Holly Bass on how the Starbucks arrest references her latest, The Trans-Atlantic Time Traveling Company by Keith Loria

The Trans-Atlantic Time Traveling Company, Holly Bass’ latest work, conceptualizes one of the most urgent ideas of our time: what it means to be free and how we can all move towards…

SOURCE: DC Theatre Scene at 12:12am on July 26, 2018

Review: BLOWIN' OFF STEAM at Capital Fringe by Jeffrey Walker

Are steam rooms still a 'thing?' I ask because I have only encountered them in movies, television shows, and a very interesting production of Verdi's Rigoletto many years ago. As anyone who …

SOURCE: DC Theatre Scene at 12:12am on July 26, 2018

Review: Ghosts at Capital Fringe by Alison Daniels

I freaking love a good ghost story. The best ones have me simultaneously on the edge of my seat and shoving my body back into the couch, hiding my face while watching through my fingers beca…

SOURCE: DC Theatre Scene at 12:12am on July 26, 2018

Review: Almost Full: A Young Girl's Guide to Growing Up at Capital Fringe by Alexis Arnold

Almost Full: A Young Girl's Guide to Growing Up is an exploration and examination of teenage lives through a variety of artistic methods. The girls use poetry, soliloquy, movement, music, an…

SOURCE: DC Theatre Scene at 12:12am on July 26, 2018

Review: up your aesthetic at Capital Fringe by Arielle Ostry

When I saw the oversized, rectangular dominos interspersed among the chairs lining up your aesthetic.‘s circular stage, I knew that this was surely an omen for an up-close and personal…

SOURCE: DC Theatre Scene at 12:12am on July 26, 2018

Review: Heartbreak Hitman at Capital Fringe by Tim Treanor

Back in my dating days, I kept company with a certain young woman who quite impressed me. I met her at her apartment preparatory to going to dinner. Just as we were about to leave, she got a…

SOURCE: DC Theatre Scene at 12:12am on July 26, 2018

Fringe news: Fringe ticket deal, voting for best shows and closing party by Lorraine Treanor

In this last week of Capital Fringe 2018, the festival is still going strong. There’s still time to catch something brand new – five shows are having their first performances …

SOURCE: DC Theatre Scene at 12:12am on July 26, 2018
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