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35,732 stories from The Guardian

Christopher Eccleston: 'Macbeth's very insecure about his masculinity. I am. Most men are' by Gareth McLean

As he finally achieves his ambition of playing the Scot at the 'posh' RSC, Eccleston talks about how Doctor Who almost destroyed his career, his debt to his parents and why he 'put self-hatr…

SOURCE: The Guardian at 10:00am on March 11, 2018

The Dog Beneath the Skin review " ragbag revue too larky for its own good by Michael Billington

Jermyn Street theatre, LondonWH Auden and Christopher Isherwood's satire on 1930s nationalism has a topical pungency but can't match the gravity of the subjectThis political satire by WH Aud…

SOURCE: The Guardian at 10:00am on March 11, 2018

Candoco Dance Company review " compelling document of human possibilities by Judith Mackrell

Sadler's Wells, LondonDisabled and non-disabled performers tackle political correctness and prejudice with mischievous humourIt's always great to witness the buzz that choreographers get fro…

SOURCE: The Guardian at 6:40am on March 11, 2018

On my radar: Tim Key's cultural highlights by Guardian Staff

The comedian on his rhubarb tea addiction, the mastery of standup John Kearns, and his love of The CorrectionsTim Key, the comedian, actor, writer and performance poet, was born in Cambridge…

SOURCE: The Guardian at 6:00am on March 11, 2018

Ballet British Columbia triple bill review " the new classical by Luke Jennings

Sadler's Wells, LondonThe Canadian company takes traditional training to bold new places in works by director Emily Molnar, Crystal Pite and Sharon EyalWith the future of ballet very much up…

SOURCE: The Guardian at 4:00am on March 11, 2018

Arinzé Kene: 'When I first started writing, it was raps' by Nick Curtis

The actor and playwright on how performing and writing interact, and his one-man show, MistyArinzé Kene was born in Lagos in 1987 and brought up in Hackney, London, the fourth of five child…

SOURCE: The Guardian at 8:00am on March 10, 2018

Circle Mirror Transformation review " naturalism without the social context by Clare Brennan

Home, ManchesterAnnie Baker's emotion-driven play is not so much Chekhov as RD Laing-litePulitzer prize winner Annie Baker's 2009 play was staged in 2013 by London's Royal Court theatre, in …

SOURCE: The Guardian at 7:00am on March 10, 2018

'It Tore The Cover Off A City': An Oral History Of 'The Wire', Ten Years On by Artsjournal1

Creator and showrunner David Simon sold The Wire to HBO as "the anti-cop show, a rebellion of sorts against all the horseshit police procedurals afflicting American television." Says actor A…

SOURCE: The Guardian at 1:01pm on March 9, 2018

Iain Stirling: 'I still haven't forgiven David Beckham for my curtains' by Harriet Gibsone

The standup, writer and television presenter on the things that make him laugh the mostPatton Oswalt's latest Netflix show is as good as standup gets. He talks about losing his wife and the …

SOURCE: The Guardian at 9:00am on March 9, 2018

Phyllida Lloyd webchat " post your questions now

The director of Mamma Mia!, The Iron Lady and the forthcoming Tina Turner musical will join us for a webchat at 1pm GMT on Tuesday 13 March 1.55pm GMT Not many directors have done Wagner's R…

SOURCE: The Guardian at 8:55am on March 9, 2018

Windrush review " upbeat tribute to a generation who transformed Britain by Sanjoy Roy

Cast, DoncasterSharon Watson's show retraces the steps of the Caribbean passengers who landed on British shores 70 years agoIt's been 70 years " a lifetime " since 492 Caribbean men arrived …

SOURCE: The Guardian at 8:48am on March 9, 2018

The Duchess of Malfi review " so bloody you need a blanket by Michael Billington

The Swan, Stratford-upon-Avon The front row are given protection for the second half of Maria Aberg's RSC staging of Webster's Jacobean tragedy " a brutal tale of female defianceThe RSC laun…

SOURCE: The Guardian at 5:47am on March 9, 2018

Working the room: when the ordinary becomes extraordinary by Jane Howard

Slumber Party, at the Adelaide Fringe festival, took the familiar " a girl's bedroom " and created a weird and wonderful space For 107 hours over one weekend during the Adelaide fringe festi…

SOURCE: The Guardian at 12:16am on March 9, 2018

Good for Otto review " Ed Harris offers simplistic therapy in David Rabe's drama by Alexis Soloski

Pershing Square Signature Center, New YorkThe actor stars in an intimately staged yet strangely old-fashioned rendition of the Tony award-winning writer's playGood for Otto, David Rabe's bit…

SOURCE: The Guardian at 7:00pm on March 8, 2018

Nicola Sturgeon will 'explore all options' to halt Scottish Youth Theatre closure by Libby Brooks Scotland Correspondent

First minister says impending shutdown of theatre group, which failed to secure Creative Scotland funding, is 'of serious concern'Nicola Sturgeon has promised to "explore all options" to kee…

SOURCE: The Guardian at 12:02pm on March 8, 2018

Three Reasons Netflix's 700-New-Shows Gambit Is A Bad Idea

First of all, argues Stuart Heritage, nobody, not even a poor old TV critic, can watch anything close to that much. Second, "Netflix is gaining a reputation as a provider that throws buckets…

SOURCE: The Guardian at 9:34am on March 8, 2018

Is Facebook killing online comedy? by Ben Williams

Job cuts at Funny or Die suggest making money from comedy videos is harder than ever " and some blame the social-media titan. But a new wave of creators are finding ways to thriveEarlier thi…

SOURCE: The Guardian at 8:38am on March 8, 2018

NME Magazine Ends Print Edition After 66 Years

NME (for New Musical Express), something like Great Britain's version of Rolling Stone, had a circulation in the hundreds of thousands in the days of The Beatles and Rolling Stones and throu…

SOURCE: The Guardian at 7:30am on March 8, 2018

Summer and Smoke review " gripping return for rare Tennessee Williams by Michael Billington

Almeida, LondonPatsy Ferran proves she is one of Britain's most exciting actors in a major and wrongly neglected work by the great playwrightAs it is so rarely seen, this early play by Tenne…

SOURCE: The Guardian at 5:51am on March 8, 2018

Paint Your Wagon review " nuggets of charm in sexist Gold Rush musical by Catherine Love

Liverpool EverymanThis smart version of the rarely performed Lerner and Loewe musical subverts the dodgy gender politicsLerner and Loewe's rarely performed Paint Your Wagon is synonymous wit…

SOURCE: The Guardian at 3:00am on March 8, 2018

Devil With the Blue Dress: play about Monica Lewinsky opens in London by Zahra Dalilah

A new drama revisits the scandalous relationship between Bill Clinton and his former intern, as seen by five women in the White HouseThe relationship between Bill Clinton and Monica Lewinsky…

SOURCE: The Guardian at 2:00am on March 8, 2018

Macbeth review " Rufus Norris's brutal take misses the poetry by Michael Billington

Olivier theatre, LondonRory Kinnear and Anne-Marie Duff star in a vigorous production that shows scant regard for the rhythms of the languageYou have to admire Rufus Norris's chutzpah. For o…

SOURCE: The Guardian at 6:00pm on March 7, 2018

A New Low? Casting Women In Tenor Roles Is Not Going To Fix Opera's Gender Imbalance

Mezzo-soprano Jennifer Johnston responds to an article arguing that we might soon be seeing female tenors on the opera stage: "'Looser gender divisions in casting' may well be possible in Sh…

SOURCE: The Guardian at 10:35am on March 7, 2018

Ballet British Columbia review " party beats and spinning solos by Judith Mackrell

Sadler's Wells, LondonCrystal Pite, Emily Molnar and Sharon Eyal deliver a triple bill of new works that range from hazardous to poignantTamara Rojo's all-female programme She Said was part …

SOURCE: The Guardian at 9:48am on March 7, 2018

Spiral's Audrey Fleurot and Peaky Blinders' Paul Anderson to star in West End by Chris Wiegand

Actors to share the stage in Christopher Hampton's adaptation of Tartuffe at London's Theatre Royal HaymarketOne is known for playing an unpredictable Birmingham gangster; the other for a ru…

SOURCE: The Guardian at 9:43am on March 7, 2018
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