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2,221 stories from stagebuddy.com

Interview: With 'Bastard Jones' Marc Acito and Amy Engelhardt Are Doing Musical Theatre for a Good Cause by Jose Solis

Henry Fielding's The History of Tom Jones, a Foundling caused such a stir in 18th-century England that it was blamed for a natural disaster, its tale of a bastard trying to find happiness ab…

SOURCE: stagebuddy.com at 4:07pm on March 27, 2017

Review: 946: The Amazing Story of Adolphus Tips by Hanna Oldsman

I am an ardent fan of Kneehigh, a magically innovative theater company based in Cornwall, England, having seen their unique productions of Tristan and Yseult and The Wild Bride, both base…

SOURCE: stagebuddy.com at 3:14pm on March 27, 2017

Review: SPILL by K Krombie

It's hard to forget the 2010 news images of the BP Deepwater Horizon blowout, the pathetically sad marine life gasping for air, daubed in the viscid black oil that spilled into the Gulf of M…

SOURCE: stagebuddy.com at 2:31pm on March 27, 2017

Review: Loose Ends by Auriane Desombre

Everyone knows communication is key when it comes to relationships, but that rarely means everyone knows how to put that theory to practice. That's certainly the case in Loose Ends, as the s…

SOURCE: stagebuddy.com at 12:42pm on March 27, 2017

Interview: Luzer Twersky on Making His Stage Debut in 'God of Vengeance' by Jose Solis

Last time I spoke to Luzer Twersky he had just starred in Felix and Meira which went on to become Canada's official submission for the Best Foreign Language Film Oscar in 2015. Now he's maki…

SOURCE: stagebuddy.com at 3:24pm on March 24, 2017

Review: Miss Saigon by Tami Shaloum

The current revival of Miss Saigon marks the triumphant return of the hit musical to Broadway, transplanted from a successful West End revival. The beloved show, written by Claude-Michel Sch…

SOURCE: stagebuddy.com at 9:00pm on March 23, 2017

Review: Home/Sick by Emily Gawlak

“Today, when the foundations of our democracy are under assault, we want to reconsider the promise and peril of radical activism and dissent.” Taking note of the political climat…

SOURCE: stagebuddy.com at 2:57pm on March 23, 2017

Interview: "Beneath the Gavel's" Mara Lieberman and Barbara Strongin on the Drama of the Auction House by Erin Kahn

Mara Lieberman’s new play Beneath the Gavel (from Bated Breath Theatre Company) is an immersive theater experience in which the audience members become bidders in an art auction. Wh…

SOURCE: stagebuddy.com at 1:36pm on March 23, 2017

"The Lightning Thief" Cast Tries Frrrozen Hot BLUE Chocolate by Erin Kahn

In the new musical based on Rick Riordan’s best-selling novel, Percy Jackson discovers that he is the son of Poseidon, the Greek god who rules the sea. Now, with a host of …

SOURCE: stagebuddy.com at 7:25pm on March 22, 2017

Interview: How The Debate Society Put a Sparkle of Wonder in 'The Light Years' by Jose Solis

The year is 1893 and theatrical impresario Steele MacKaye (Rocco Sisto) is working on the finishing touches for The Spectatorium, a massive 12,000 seat theater designed for the Chicago World…

SOURCE: stagebuddy.com at 6:51pm on March 22, 2017

Review: When It's You by Auriane Desombre

The grief surrounding a mass shooting affects us all, but none more than the victims' families. Courtney Baron moves in a new direction with her play When It's You, which wonders about the p…

SOURCE: stagebuddy.com at 3:49pm on March 21, 2017

Review: In the Bar of a Tokyo Hotel by Mark Dundas Wood

In the Bar of a Tokyo Hotel, Tennessee Williams's 1969 one-act (two scene) play, is such a dark, bitter work that it would seem wrong to call seeing it a "rare treat." But the current produc…

SOURCE: stagebuddy.com at 3:27pm on March 21, 2017

Review: The Light Years by Auriane Desombre

With electricity came not just practicality, but a whole new way to impress artistically. At least, that's what Steele MacKaye (Rocco Sisto) thinks. With Hillary (Erik Lochtefeld) as his hea…

SOURCE: stagebuddy.com at 1:53pm on March 21, 2017

Interview: Getting to Know 'All the Fine Boys' Leading Man Joe Tippet by Jose Solis

Despite what he'll claim later in this interview, people know who Joe Tippett is. He's the guy who's been memorably stealing the scene by playing jocks-next-door, sensitive soldiers, and gen…

SOURCE: stagebuddy.com at 11:54am on March 21, 2017

Interview: 'Omega Kids' Playwright Noah Mease on the Super Powers of Theatre Artists by Jose Solis

Two young men, both named Michael, get to know each other over the course of a rainy Saturday afternoon, as they sit on the carpet discussing the achievements of the Omega Kids, the superher…

SOURCE: stagebuddy.com at 12:06pm on March 20, 2017

Review: Sam and Dede, or My Dinner with André the Giant by J. C. Wright

Probably the most important thing to realize about Gino Dilorio's Sam and Dede, or My Dinner with André the Giant is that it is really quite a lot of fun. This is a great service to the fac…

SOURCE: stagebuddy.com at 4:52pm on March 16, 2017

Interview: Jen Silverman on Female Visibility and Power in Her Gripping New Play "The Moors" by Courtney Marie

Jen Silverman has always had a curiosity about the world around her. The American playwright first became fascinated with storytelling as a child while she traveled to countries all over …

SOURCE: stagebuddy.com at 2:14pm on March 16, 2017

Interview: Broadway's Mike Faist on Playing Connor in "Dear Evan Hansen" and the Power of Human Connection by Courtney Marie

Broadway's Mike Faist has been a part of the groundbreaking musical Dear Evan Hansen since its inception and has been savoring the journey that has led to Broadway. Making its debut on…

SOURCE: stagebuddy.com at 2:09pm on March 16, 2017

Interview: Caissie Levy on Getting to Sing from the Kander and Ebb Songbook, and Why Making Art is More Important Than Ever by Jose Solis

On March 10th The New York Pops will celebrate the 90th birthday of Broadway legend John Kander with an evening of songs he created with the late Fred Ebb. In Life is a Cabaret: The Songs of…

SOURCE: stagebuddy.com at 11:41am on March 16, 2017

Review: Haram! Iran! by Saima Huq

Haram! Iran! is an emotional roller coaster well worth the ride. Based on a true story, the play by Jay Paul Deratany depicts the trial and conviction of two teenagers when they make a ge…

SOURCE: stagebuddy.com at 7:38pm on March 15, 2017

Interview: Arts On Site Founders on Creating a Community for Artists by Heather Anne Chamberlain

There are people who wait for the world to give permission to create, and there are some people who create the world. Chelsea Ainsworth, Kyle Netzeband and Adrian Rosas are people who, toget…

SOURCE: stagebuddy.com at 2:01pm on March 15, 2017

Review: White Guy on the Bus by Auriane Desombre

What happens when tragedy strikes a hitherto perfect life? When the privileged clash with those less fortunate? These are the questions that playwright Bruce Graham asks in his new play Whit…

SOURCE: stagebuddy.com at 8:00pm on March 14, 2017

Review: The Moors by Auriane Desombre

Since the era of the Bronte sisters, the moors of England have inspired a literary tradition deeply rooted in their otherworldly nature. The Moors, the tellingly named new play from the Play…

SOURCE: stagebuddy.com at 8:34pm on March 13, 2017

Review: The Last Days of Judas Iscariot by Erin Kahn

Judas Iscariot is one of history's greatest ciphers: no one seems to know what to make of him, and the Biblical portrait of the infamous traitor leaves many questions unanswered. In The Last…

SOURCE: stagebuddy.com at 2:57pm on March 13, 2017

Review: C.S. Lewis Onstage: The Most Reluctant Convert by Erin Kahn

C. S. Lewis is arguably the most important Christian writer of the 20th century. His large number of works include The Chronicles of Narnia, The Great Divorce, and The Screwtape Letters, and…

SOURCE: stagebuddy.com at 2:49pm on March 13, 2017
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