Think of it as intermission, rather than the end of the show.
That's what board members of the John Harms Center for the Arts in Englewood are saying about the closing of the theater, a 1,400-seat former movie house built in 1926.
Who'd expect the Women's Theater Company to do a locker-room comedy?
Musical theater is the Gennaro family business, so when Michael Gennaro started his new job this week as president and CEO of the Paper Mill Playhouse in Millburn, it was more than a professional move.
It was personal.
The article mentions that the cast of "Hairspray" will play there on June 29, but the theater's website doesn't confirm which cast members will be there. Hmm...
Mrs. Anna in "The King and I" tells her Siamese schoolchildren, "By your students, you'll be taught."
James Campodonico is instead discovering that by your students, you'll be produced.
Wendy Liscow of the New Jersey Theatre Alliance is pretty busy.
Writer-director stars plays dual roles in 'Comedy' that lives up to its title
Most productions of David Mamet's "Oleanna" only have one intermission. So why has Alliance Repertory Theatre Company in Bound Brook added a second unnecessary one in its production?
A lighthearted little musical for kids, "A Year with Frog and Toad" comes with a heavyweight top Broadway ticket price of $90.
A trip to a museum has led to a play at a theater.
Arguably the most glamorous musical of the 1980s, "Nine" triumphantly returns to Broadway in an exciting new production by Roundabout Theatre Company.
The McCarter Theatre in Princeton hasn't selected every play for its 2003-2004 season, but three pieces of the puzzle are firmly set.
The stand-up session is said to be Smirnoff's fresh accounting of the differences between men and women rather in the manner of "Defending the Caveman."
Actually, the two-hour event looks suspiciously more like "The Best of Yakov Smirnoff."
Stars take turns creating quaint character portraits in "Talking Heads"
A somber and poetical work, "The Women of Lockerbie" is a fictional treatment of a real-life tragedy.
'Camelot' director brings too much to the table
The King of Revivals will now play King Arthur.
Bold, brassy 'Blast' turns horns into weapons of mass excitement
The last shall indeed be first.
"The Last Bridge" -- the last show of the George Street Playhouse season -- is first-rate theater.
Truth creates friction in fantastic 'Fiction'
"Britzapoppin'!" -- that's the best way to describe "The Play What I Wrote," a screwy little British import that bowed yesterday at the Lyceum.