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127 stories from stageandcandor.com

A Conversation with Sigrid Gilmer

  Even from 3000 miles away, Sigrid Gilmer's exuberance, artistic insight, and hilarious writing brightened our days. In this conversation, we discuss why she reimagined Harriet Tubman …

SOURCE: stageandcandor.com at 8:55am on May 31, 2016

The 7th Annual Lilly Awards " Theater & Activism

  The Lilly Awards took place on Monday, May 23rd at Pershing Square Signature Center, honoring extraordinary women artists by promoting gender parity at all levels of theatrical produc…

SOURCE: stageandcandor.com at 8:50am on May 31, 2016

The 7th Annual Lilly Awards " Theater & Activism

  The Lilly Awards took place on Monday, May 23rd at Pershing Square Signature Center, honoring extraordinary women artists by promoting gender parity at all levels of theatrical produc…

SOURCE: stageandcandor.com at 8:50am on May 31, 2016

A Conversation with Anne Kauffman

  During intermission at Lorraine Hansberry’s The Sign in Sidney Brustein’s Window, everyone was having a conversation. Not the usual, “Do you have to go to the bathro…

SOURCE: stageandcandor.com at 10:00am on May 16, 2016

A Conversation with Anne Kauffman

  During intermission at Lorraine Hansberry's The Sign in Sidney Brustein's Window, everyone was having a conversation. Not the usual, "Do you have to go to the bathroom?" or "I'm going…

SOURCE: stageandcandor.com at 10:00am on May 16, 2016

Reflections on the Chicago Spring Season

  Hazel March 31 – May 29, 2016 at the Dury Lane Theatre Book by Lissa Levin; Lyrics by Chuck Steffan; Music by Ron Abel; Directed and Choreographed by Joshua Bergasse Photo: Bret…

SOURCE: stageandcandor.com at 10:00am on May 12, 2016

Hazel, A Musical Maid in America

  What is the specific challenge of basing a musical on an everyday housekeeper? As a writer who doesn’t cook and has never cleaned a window without making it look worse, the answ…

SOURCE: stageandcandor.com at 12:00pm on May 2, 2016

Hazel, A Musical Maid in America

  What is the specific challenge of basing a musical on an everyday housekeeper? As a writer who doesn't cook and has never cleaned a window without making it look worse, the answer is …

SOURCE: stageandcandor.com at 12:00pm on May 2, 2016

The Privilege of Passing

  Passing, passing, passing, passing… what does it mean to us? We try to pass tests in class, we try to pass entrance exams to universities, and we try to pass interviews to jobs.…

SOURCE: stageandcandor.com at 10:00am on April 27, 2016

Pooyaland

  I’m Pooya: an Iranian, American, Transgender, Actor, Writer, Advocate, Cook, Cat mommy and all around life-lover. I tell stories that I believe need to be told and I tell them i…

SOURCE: stageandcandor.com at 10:00am on April 27, 2016

Play Like a Man

  About twenty years ago, the first composer to hire me for a professional job said to me, “I like the way you play the piano. You play like a man.”   At the time I…

SOURCE: stageandcandor.com at 5:45am on April 25, 2016

Play Like a Man by Georgia Stitt

  About twenty years ago, the first composer to hire me for a professional job said to me, "I like the way you play the piano. You play like a man."   At the time I was thrilled. E…

SOURCE: stageandcandor.com at 5:45am on April 25, 2016

The Trigger Project

    The Trigger Project is meant to be a resource for theatergoers who appreciate a heads-up. Understandably, productions want to protect the work" the twists, the stolen kisses, t…

SOURCE: stageandcandor.com at 5:40am on April 25, 2016

The Trigger Project

    The Trigger Project is meant to be a resource for theatergoers who appreciate a heads-up. Understandably, productions want to protect the work" the twists, the stolen kisses, t…

SOURCE: stageandcandor.com at 5:40am on April 25, 2016

Firebrand Theatre Company

  As soon as the press release came out announcing the launch of Firebrand Theatre Company, the first equity, feminist musical theater company, we knew we had to sit down with its found…

SOURCE: stageandcandor.com at 5:40am on April 25, 2016

Firebrand Theatre Company

  As soon as the press release came out announcing the launch of Firebrand, the first equity, feminist musical theatre company, we knew we had to sit down with its founders, Harmony Fra…

SOURCE: stageandcandor.com at 5:40am on April 25, 2016

A Conversation with James Earl Jones II

  From the way James Earl Jones II shows up, early, dressed to the nines when it’s barely noon, and with that disarming smile at the ready, you could easily assume he’s runn…

SOURCE: stageandcandor.com at 5:30am on April 25, 2016

A Conversation with James Earl Jones II

  From the way James Earl Jones II shows up, early, dressed to the nines when it's barely noon, and with that disarming smile at the ready, you could easily assume he's running for offi…

SOURCE: stageandcandor.com at 5:30am on April 25, 2016

Line, Please!?

  Hi, I’m Liz and I’ll be offering you advice on navigating the tricky situations that can come from working in or being a fan of theater. I’ve been doling it out on m…

SOURCE: stageandcandor.com at 5:25am on April 25, 2016

Approaching Race in The Adding Machine

  Our production was probably miscast from the start. The Adding Machine, as it exists in our musical form, is a surrealistic expression of Mr. Zero’s journey that, loosely, takes…

SOURCE: stageandcandor.com at 5:15am on April 25, 2016

A Conversation with Heidi Kettenring

  First Davis, then Bacall, now Kettenring. That’s what the graphic from Porchlight Theatre Company read, advertising Heidi Kettenring’s turn as Margo Channing in Applause. …

SOURCE: stageandcandor.com at 5:15am on April 25, 2016

A Conversation with Heidi Kettenring

  First Davis, then Bacall, now Kettenring. That's what the graphic from Porchlight Theatre Company read, advertising Heidi Kettenring's turn as Margo Channing in Applause. And if you a…

SOURCE: stageandcandor.com at 5:15am on April 25, 2016

On Playwriting

  Originally published in the Dramatist    What are we doing when we write for the stage? Are we entertaining ourselves? Entertaining others? Having our say? Trying to make a …

SOURCE: stageandcandor.com at 5:10am on April 25, 2016

A Conversation with Jaime Jarrett

  Jaime Jarrett is a composer, playwright, and student at the University of the Arts in Philadelphia. Their musical Normativity is being produced as part of The Next Link Project at The…

SOURCE: stageandcandor.com at 5:05am on April 25, 2016

Reflections on the Chicago Spring Season

  Carlyle April 2 – May 1, 2016 in the Owen, at Goodman Theatre Written by Thomas Bradshaw; Directed by Benjamin Kamine Photo: Liz Lauren   Enter Carlyle, the hour-and-fiftee…

SOURCE: stageandcandor.com at 5:00am on April 25, 2016
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