1,623 stories from exeuntmagazine.com
Fun on the side: Frey Kwa Hawking writes on Kevin Elyot's debut play about nonmonogamy, as it transfers to Trafalgar Studios.
The post Review: Coming Clean at Trafalgar Studios appeared firs…
'Something strange and wild emerges from familiar architecture': Lauren Mooney reviews Annie Jenkins' impressive debut play about female friendship.
The post Review: In Lipstick at The Plea…
'A fast-paced tour of fake news, guided by an otherworldly ensemble of mischievous shapeshifters': Henry Gleaden reviews Rhum and Clay's adaptation of Orson Welles's radio play
The post Revi…
Playwright James Graham's Brexit telly drama was met with a storm of media fury. Here's Fergus Morgan on what it says about our expectations of drama on TV.
The post James Graham and The Unc…
Slow burning tragedy: Eve Allin writes on falling in love with Lynn Nottage's play about eight lives in industrial Pennsylvania.
The post Review: Sweat at Donmar Warehouse appeared first on…
Starting a conversation: Eve Allin reviews a new collaboration between Andy Smith (UK) and Amund Sjølie Sveen (Sweden)
The post Review: Commonism at Birmingham REP appeared first on Exeun…
Vault, Push Festival, and more mime than you can shake an (invisible) stick at: here's Exeunt's UK-wide picks for January in theatre.
The post Exeunt Recommends: January 2019 appeared first …
From a strange seaside experience to meta Jane Austen, Exeunt's writers pick their stand-out shows outside of London.
The post Exeunt’s Most Memorable UK-wide Theatre 2018 appeared fir…
Nights at the Circus: Sally Hales reviews an uneven attempt to bring the big top back in time.
The post Review: Circus 1903, Southbank Centre appeared first on Exeunt Magazine.
Willy Hudson's solo show explores 'the arbitrariness of what we expect young gay people to have instantly figured out, before they even come out', writes Frey Kwa Hawking
The post Review: Bo…
Panto pedagogy: Hester Chillingworth's pantomime ditches dodgy gags and tired tropes for a transpositive alternative.
The post Review: A Pair of Pantos at The Marlborough, Brighton appeared …
"This is Shakespeare as petty playground squabble, rather than stately struggle for the throne" - Fergus Morgan writes on Joe Hill-Gibbins' punchy, political Richard II.
The post Review: The…
Season's greetings: Tracey Sinclair reviews a warm-hearted quartet of short plays from emerging writers.
The post Review: Christmas Crackers at Live Theatre, Newcastle appeared first on Exeu…
Raising the roof: John Murphy reviews Sheffield Crucible's slick and spectacular production of the Cole Porter classic.
The post Review: Kiss Me, Kate at Sheffield Crucible appeared first on…
After #hotgate, Dr Kirsty Sedgman writes on the complex territory of gender and objectification in theatre, and why it's time for "a more radical, ethical kind of thirst".
The post How can …
A reckoning: Mark Ravenhill's new play is a naturalistic, troubling exploration of history and abuses of power.
The post Review: The Cane at the Royal Court appeared first on Exeunt Magazin…
"Cook, stirring, until the misery has melted": Rosemary Waugh's review of the ROH's opera takes the form of a very festive recipe.
The post Review: Hansel & Gretel at Royal Opera House …
Exeunt's London writers choose the shows that they loved, fought for, and couldn't stop talking about in 2018.
The post Exeunt’s Favourite London Shows of 2018 appeared first on Exeun…
Hanging up his wig: Louise Jones writes on the 40th and final panto helmed by legendary York dame Berwick Kaler.
The post Review: The Grand Old Dame of York at York Theatre Royal appeared fi…
Who runs this house? Danai Gurira's play is a brilliant exploration of the clashes between cultural traditions and colonial influences.
The post Review: The Convert at Young Vic appeared fir…
'Fifty shades of beige': Rosemary Waugh reviews The Meyerhold Theatre Centre's adaptation of Ivan Vyrypaev's play about a couple arguing themselves round in circles
The post Review: The Sun …
Verity Healey writes on Stephen Laughton's new play, which explores the impact of an antisemitic attack on a relationship.
The post Review: One Jewish Boy at the Old Red Lion Theatre appeare…
Can I lick your face?: Simon Gwynn reviews Not Too Tame's 'raucous and gratifying reinvention of panto'.
The post Review: Cinderella: A Wicked Mother of a Night Out! at London Welsh Centre …
"I hope it's stupid": James Varney on the skill of being an idiot in a Dutch company's tribute to the great entertainers.
The post Review: Släpstick at HOME, Manchester appeared first on Ex…
'The most millennial millennial': Emily Davis writes on Bebe Sanders' one woman show about an intergenerational friendship
The post Review: Violet at The Bunker appeared first on Exeunt Maga…
