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6,709 stories from Stage and Cinema

Dance Review: EUGENE ONEGIN (Joffrey Ballet) by Emma S. Rund

FROM PAGE TO PAS DE DEUX Possokhov’s adaptation captures Pushkin’s aching tale of missed chances and irreversible choices Alexander Pushkin’s Eugene Onegin is so deeply embedded in Rus…

SOURCE: Stage and Cinema at 5:00am on June 9, 2026

Theater Review: LOVE JOY RESISTANCE (Deeply Rooted Dance Theatre, Auditorium Theatre Chicago) by Mitchell Oldham

THIRTY YEARS DEEP, STILL REACHING HIGHER Deeply Rooted celebrates its past while boldly pointing toward the future Deeply Rooted Dance Theatre (DRDT) initiated its hard-fought existence exac…

SOURCE: Stage and Cinema at 2:59am on June 9, 2026

Theater Review: ANTIGONE (Promethean Theatre Ensemble / The Den Theatre / Chicago) by C.j. Fernandes

THE TRAGEDY’S THE THING A few baffling choices can’t derail the explosive clash at the heart of Anouilh’s classic There are a number of missteps in this production of Anouilh’s Antig…

SOURCE: Stage and Cinema at 2:58am on June 9, 2026

Dance Review: SPECTACULAR BALANCHINE! (American Contemporary Ballet / Los Angeles) by Michael M. Landman-karny

BALANCHINE IN A BOX ACB proves intimacy can be both an asset and a liability George Balanchine said he needed nothing but a stage, some light, and dancers. He also had the New York City Ball…

SOURCE: Stage and Cinema at 10:01pm on June 8, 2026

Off-Broadway Review: BLOOMING IN DRY SEASON (Woodie King Jr.’s New Federal Theatre & North Carolina Black Repertory Company / WP Theater) by Kevin Vavasseur

A CALYPSO OF CLASHING DREAMS A richly acted Caribbean family drama flourishes despite a few overgrown passages There’s much that can happen within the confines of a thirty-year marriage. S…

SOURCE: Stage and Cinema at 10:00pm on June 8, 2026

Theater Review: ANDY WARHOL PRESENTS: THE COCAINE PLAY (Jackalope Theatre / Chicago) by C.j. Fernandes

FIFTEEN MINUTES FOREVER Terry Guest turns pop-art icons into a meditation on immortality I may have passed on the foil-lined photo booth—too Bug for me—on my way into Jackalope Theatre�…

SOURCE: Stage and Cinema at 9:17pm on June 8, 2026

Theater Review: PRIMARY TRUST (Center Theatre Group / Mark Taper Forum) by Ernest Kearney

A COMMUNITY OF ONE Eboni Booth’s Pulitzer-winning drama finds theatrical poetry in loneliness and hope Primary Trust is the sort of play that reminds us why theater matters. I want to stat…

SOURCE: Stage and Cinema at 5:43pm on June 8, 2026

Theater Review: THE PIANO LESSON (Pennsylvania Shakespeare Festival / Center Valley, PA) by Gregory Fletcher

KEYS TO THE PAST Directed by James Ijames, August Wilson’s masterpiece resonates powerfully in an exceptional PSF production As the fourth installment in August Wilson‘s immense American…

SOURCE: Stage and Cinema at 7:00pm on June 7, 2026

Theater Review: CONTINUITY (Shotgun Players / Berkeley) by Chuck Louden

CLIMATE OF CONFUSION Bess Wohl’s Hollywood satire delivers ideas more successfully than laughs Nowadays everyone is aware of the climate crisis. We know about recycling, composting, and dr…

SOURCE: Stage and Cinema at 6:30pm on June 6, 2026

Theater Review: THE PHYSICISTS (The Actors’ Gang / Culver City) by Ernest Kearney

MAD SCIENCE, SANELY STAGED Friedrich Dürrenmatt’s Cold War satire still packs a comic sting The Actors’ Gang has been a pillar of L.A. theater since 1988, when they burst onto the scene…

SOURCE: Stage and Cinema at 4:48pm on June 6, 2026

Theater Review: ON YOUR FEET! THE STORY OF EMILIO & GLORIA ESTEFAN (North Shore Music Theatre / Beverly, MA) by Lynne Weiss

HIGH ENERGY AND HIGH HOPES Rhythm, resilience, and a lot of heart On Your Feet! The Story of Emilio & Gloria Estefan is far from groundbreaking theater, but it is certainly uplifting. Le…

SOURCE: Stage and Cinema at 4:28pm on June 6, 2026

Theater Preview: TWELVE HOURS WITH TRACY LETTS (Circle in the Square) by Tony Frankel

A DAY WITH TRACY LETTS Animus Theatre Company presents a marathon reading festival with an all-star cast to support Circle in the Square Theatre School For theater lovers, the chance to expe…

SOURCE: Stage and Cinema at 2:57pm on June 6, 2026

Theater Review: FRUTAS DE LA MUERTE (Glass Half Full Theatre / Austin) by Leo Emerson

A TRIP WORTH TAKING A mushroom-fueled journey through family memory finds wisdom in the chaos If there’s ever a time to take mushrooms, it’s when your Tía offers them to you. “I feel …

SOURCE: Stage and Cinema at 2:00am on June 6, 2026

Theater Review: DAMN YANKEES (Theo Ubique Cabaret Theatre / Evanston) by C.j. Fernandes

WITH ITS BASES LOADED, THEO UBIQUE HITS ANOTHER GRAND SLAM A clever, heartfelt revival proves this Golden Age favorite still knows how to play ball There’s a bit of a curveball early in Th…

SOURCE: Stage and Cinema at 5:18pm on June 5, 2026

Theater Review: THE HOMBRES (The Old Globe / San Diego) by Milo Shapiro

WHAT A PIECE OF WORK IS HOMBRE Tony Meneses explores the hidden costs of masculinity with humor, compassion, and insight For centuries, women and gay men have fought to carve out power in a …

SOURCE: Stage and Cinema at 4:48pm on June 5, 2026

Theater Review: BUYER AND CELLAR (Victory Theatre Center / Burbank) by Michael M. Landman-karny

PEOPLE WHO NEED PEOPLE (TO MIND THE STORE) Michael Mullen shines in Jonathan Tolins’ affectionate backstage fantasy Jonathan Tolins built his 2013 solo play around one of the stranger fact…

SOURCE: Stage and Cinema at 4:36pm on June 5, 2026

Off-Broadway Review: GIRL, INTERRUPTED (The Public Theater) by Gregory Fletcher

LESSONS INTERRUPTED A haunting memory play finds its strongest voice in music, memory, and an exceptional ensemble There is a painting at the Frick—a Vermeer—of a girl at her music lesso…

SOURCE: Stage and Cinema at 12:38am on June 5, 2026

Dance Review: MARY, QUEEN OF SCOTS (Scottish Ballet / David H. Koch Theater at Lincoln Center) by William Keiser

HEAVY IS THE CROWN Scottish Ballet’s ambitious historical epic dazzles in moments while struggling under the weight of its story How much do you know about Mary, Queen of Scots? If you’r…

SOURCE: Stage and Cinema at 3:59am on June 4, 2026

Theater Review: THE LUNCHBOX (Berkeley Repertory Theatre) by Chuck Louden

SPECIAL DELIVERY A charming Bollywood-inspired musical serves up romance, music, and a feast for the eyes From its first moments, Berkeley Rep’s new musical The Lunchbox wins you over. The…

SOURCE: Stage and Cinema at 4:00am on June 3, 2026

Theater Review: THE MAGIC FLUTE (LA Opera) by Michael M. Landman-karny

CONLON’S LAST SPELL A beloved production returns as James Conlon brings his remarkable LA Opera tenure to a close James Conlon walked to the podium last Saturday night and the house was on…

SOURCE: Stage and Cinema at 2:59am on June 3, 2026

Off-Broadway Review: JEROME (Playwrights Horizons) by Gregory Fletcher

GHOSTS OF LOVE John J. Caswell, Jr.’s moving drama finds unexpected grace amid fear, desire, and survival As Pride Month begins, there may be no better theatrical companion than John J. Ca…

SOURCE: Stage and Cinema at 6:00am on June 2, 2026

Theater Review: GRANGEVILLE (Ruskin Group Theatre / Santa Monica) by Michael M. Landman-karny

LONG-DISTANCE DAMAGE Samuel D. Hunter finds devastating intimacy across thousands of miles Sam Shepard built True West on a kitchen and two brothers who could not stay out of each other’s …

SOURCE: Stage and Cinema at 4:15am on June 2, 2026

Theater Review: GOING BACHARACH: THE SONGS OF AN ICON (Apollo Theater / Chicago) by C.j. Fernandes

WHAT THE WORLD NEEDS NOW A charming revue reminds us why Burt Bacharach’s songs remain timeless An overture! An honest-to-goodness overture! All right, so maybe I’m overreacting a bit, b…

SOURCE: Stage and Cinema at 4:00am on June 2, 2026

Theater Review: KEERAH (Definition Theatre / Chicago) by Tony Frankel

KEERAH’S WAYWARD WANDERINGS: DON’T LOOK BACK—OR DO An ambitious meta-theatrical drama of love and loss boasts terrific performances but struggles to find its focus with too many detour…

SOURCE: Stage and Cinema at 3:43am on June 2, 2026

Evaluating Virtual Drama Academies: What Live Theater Criticism Can Teach Us About E-Learning Engagement by Tony Frankel

Evaluating virtual drama academies reveals how elements of live theater criticism can enhance e-learning engagement. You’ll find that interactive storytelling and real-time audience partic…

SOURCE: Stage and Cinema at 3:05am on June 2, 2026
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