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35,729 stories from The Guardian

Why time's up for theatre's 'timeless' classics by Catherine Love

How can women or people of colour find a voice in theatre's classics when so much of the canon - written by white men - confines them to the sidelines? Meet the theatre makers who are reinve…

SOURCE: The Guardian at 1:54pm on May 8, 2018

How Jeff Dunham's offensive puppets became the voice of Trump's America by Rob Walker

From José the Mexican immigrant to Achmed the dead terrorist, his foul-mouthed puppets have made him one of the richest comedians on the planet. How will the ventriloquist go down in Britai…

SOURCE: The Guardian at 11:42am on May 8, 2018

Guardian theatre critics are UK's best, says the Stage by Staff and Agencies

Industry insiders vote Guardian writers Michael Billington and Lyn Gardner top theatre critics in the UKA survey by British entertainment industry bible the Stage has voted the Guardian's tw…

SOURCE: The Guardian at 7:18am on May 8, 2018

Lexicon review " circus juggles first-class turns with a dollop of nostalgia by Lyn Gardner

Brighton festivalNoFit State's new show mixes skill, humour and physical poetry but sidelines the womenSwapping their trademark promenade-style circus for a retro seated show in a big top, N…

SOURCE: The Guardian at 7:18am on May 8, 2018

Alexei Sayle: How Stalin stole my childhood by Brian Logan

Comedian Alexei Sayle got heckled by his 90-year-old mother, who calls his memoirs 'a pack of lies', so it's no mystery where he gets his tireless revolutionary fury fromAlexei Say…

SOURCE: The Guardian at 12:42am on May 8, 2018

Building the Wall review " Trump imposes martial law and the roundups begin by Michael Billington

Park theatre, LondonThe president's war on illegal immigrants is taken to its logical conclusion " a heartening sign that dramatists are responding with something stronger than lampoonsHow d…

SOURCE: The Guardian at 7:04am on May 7, 2018

Eddie and the Slumber Sisters review " It's 2.17? Time for my nightmare by Mark Fisher

Corn Exchange, HaddingtonCharlie's Angels meet the Andrews Sisters in this entertaining and melodic meditation on griefYes, it is aimed at the over-eights, but Eddie and the Slumber Sisters …

SOURCE: The Guardian at 7:04am on May 7, 2018

Lolita | Theatre review by Michael Billington

National, LondonThis is an odd evening: one in which Brian Cox gives us a dramatised reading of Vladimir Nabokov's novel in a potted, two-hour version by Richard Nelson. It prompts two quest…

SOURCE: The Guardian at 1:42am on May 7, 2018

Katie Mitchell on ROH's brutal new opera: 'There is optimism " for 10 seconds' by Andrew Male

Her last production contained cannibalism and was staggeringly successful. Could Lessons in Love and Violence top it? We sit in on rehearsals as the revered director grapples with some Danis…

SOURCE: The Guardian at 12:18pm on May 6, 2018

The Fall review " millennial angst supplies short, sharp shock by Arifa Akbar

Southwark Playhouse, LondonThe mood grows ever darker in James Fritz's play about a young generation increasingly burdened by their wealthy eldersThe Fall opens with a glee club-style choir,…

SOURCE: The Guardian at 6:54am on May 6, 2018

Red | Theatre review by Michael Billington

Donmar Warehouse, LondonPlays about painters are fraught with difficulty. Either the hero preaches about art without practising it, or the Bohemian lifestyle supersedes the work. But John Lo…

SOURCE: The Guardian at 5:48am on May 6, 2018

On my radar: Matthew Bourne's cultural highlights by Interview By Jem Bartholomew

The dance impresario on a tribute to his idol, Gene Kelly, his love of Tennessee Williams and why his local restaurant is a dog's delightBrought up in north-east London, award-winning choreo…

SOURCE: The Guardian at 5:48am on May 6, 2018

Company Chameleon: 10 review " theatrical but unoriginal by Luke Jennings

Drawn from a decade of the Manchester dance company's work, this frustrating triple bill lacks focusCompany Chameleon was founded in 2007 by two graduates of the Northern School of Contempor…

SOURCE: The Guardian at 3:36am on May 6, 2018

The week in theatre: Mood Music; Chess; Nine Night by Susannah Clapp

Artist and producer fight over a song in Joe Penhall's intricate new drama, a revival of Chess makes all the wrong moves, and a party of mourners lifts the spiritsThe lens through which we s…

SOURCE: The Guardian at 3:36am on May 6, 2018

State of play: David Hare and James Graham talk drama and politics by Kate Kellaway

The veteran playwright and the prolific young star, both masters of political theatre, reflect on the state of the nation " and contemporary culture " in the internet ageDavid Hare and James…

SOURCE: The Guardian at 3:36am on May 6, 2018

Othello review " a contemporary conundrum by Clare Brennan

Everyman, LiverpoolCasting a woman as Othello was a brilliant move, but setting the play in the present day undermines itSince a play is a world of make-believe, gender-blind and colour-blin…

SOURCE: The Guardian at 2:24am on May 6, 2018

Don't let the EU turn out the show lights | Letters by Letters

Bryan Raven adds his voice to the worry over a ban on much entertainment lighting, while Stephane Arditi says the directive can be amended. Plus letters from John Lincoln and Eleanor Levin, …

SOURCE: The Guardian at 1:06pm on May 4, 2018

Black to the future: afrofuturism hits the stage by Bridget Minamore

This year, Black Panther put afrofuturism in multiplexes " and there are plenty more artists of colour exploring inner and outer space, like artist and playwright Rachael YoungMore than ever…

SOURCE: The Guardian at 1:06pm on May 4, 2018

In Children's Lit, Family Dramas Are Crowding Out Adventures, Warns Awards Judge by Artsjournal1

"The fictional children of the past frolicked on the heather-clad slopes of Kirrin Island or battled the armies of evil at Hogwarts, free from the restrictions of their parents. Today, accor…

SOURCE: The Guardian at 12:06pm on May 4, 2018

New Thinking About The Context Of Classical Music by Artsjournal

Why does the classical music industry only look to its own professionals to solve its problems? I know musical enthusiasts whose opinions are no less informed or apposite than my own and wor…

SOURCE: The Guardian at 12:06pm on May 4, 2018

When The U.S. Sent Its Jazz Greats Abroad As Weapons In The Cultural Cold War by Artsjournal1

"By the mid-1950s, the civil rights movement in the US had become a major international news story. People were horrified by the brutality of Emmett Till's lynching in 1955, and by the mob v…

SOURCE: The Guardian at 11:04am on May 4, 2018

Tom Davis: 'Eddie Murphy's Raw sits in my bedside drawer like a bible' by Harriet Gibsone

The writer, standup and star of Action Team on the things that make him laugh the mostEddie Murphy Raw. A kid from school gave me a pirate copy when I was 12. I waited for my parents to go t…

SOURCE: The Guardian at 9:48am on May 4, 2018

Othello review " lesbian Moor boldly puts gender under microscope by Lyn Gardner

Everyman, LiverpoolPlaying a female Othello who has bedded Desdemona, Golda Rosheuvel casts new light on both Shakespeare and societySamuel Taylor Coleridge famously talked of Iago's "motive…

SOURCE: The Guardian at 8:42am on May 4, 2018

An Ideal Husband review " Wilde's dandies and fat cats are played for laughs by Michael Billington

Vaudeville, LondonEdward and Freddie Fox, as a father and son, are the star turn in this stylish revival of Wilde's send-up of a money-mad societyRailing against fashionable society's overpo…

SOURCE: The Guardian at 7:42am on May 4, 2018

In British Movie Theatres, Polish Immigrants Are Now A Major Demographic by Artsjournal1

"Like Bollywood, Polish cinema has flourished" - with some titles even making the weekly top 10 at the box office - "in UK multiplexes rather than arthouses, without any help from the Britis…

SOURCE: The Guardian at 7:42am on May 4, 2018
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