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35,729 stories from The Guardian

Patricia Morison obituary by Ronald Bergan

Stage and screen star whose most famous role came in the original Broadway production of Kiss Me, Kate in the late 1940sAlthough Patricia Morison, who has died aged 103, starred in dozens of…

SOURCE: The Guardian at 11:32am on May 21, 2018

Lear review " Shakespeare epic becomes howling hour of whimsy by David Jays

Queen Elizabeth Hall, LondonValda Setterfield, doyenne of the New York dance scene, plays the ageing monarch in a collage of movement and textAnyone who has done time watching a theatrical k…

SOURCE: The Guardian at 10:32am on May 21, 2018

3 Women review " many snappy returns in Katy Brand's barbed drama by Michael Billington

Trafalgar Studios 2, LondonThe comedian's debut play gives a double portrait of mother-daughter relationships on the eve of a weddingIt comes as a shock to walk into the theatre and be confr…

SOURCE: The Guardian at 6:06am on May 21, 2018

Elaine Stritch, famed Broadway actor and TV star, dies aged 89 by Jessica Glenza

Star celebrated for performing Sondheim and playing Jack Donaghy's mother in 30 Rock dies at home in Michigan' From Sondheim to 30 Rock: Stritch's career in clips' In pictures: an incorrig…

SOURCE: The Guardian at 8:12pm on May 20, 2018

Is Trevor Noah really proof of US comedy's soft power? by Brian Logan

Apparently US comedy is so powerful and pervasive that people all over the world want to, and can, fit its template. I have some problems with thatIs the US a shining city upon a hill for co…

SOURCE: The Guardian at 11:33am on May 20, 2018

Trevor Noah review " what if Harry and Meghan had 'a real black wedding'? by Brian Logan

O2 Arena, LondonThe royal couple get a cheerful ribbing from the Daily Show host in a set that's a delight " even to huffy republicansWhat a gift to Trevor Noah that his one-off UK date coin…

SOURCE: The Guardian at 9:12am on May 20, 2018

Bridget Christie review " gleeful in trashing the label that defined her by Brian Logan

Brighton DomeAward-winning standup serves up ruthless self-mockery in a show that is playful and pugnacious in equal measureLying, says Bridget Christie, has been tainted by association with…

SOURCE: The Guardian at 8:12am on May 20, 2018

Jonny and the Baptists v Ukip: aren't there better targets to lampoon? by Brian Logan

After their YouTube video went viral, the comedy duo are expanding their Stop Ukip tour. But do they have anything new to say about Nigel Farage's party?' Stewart Lee: a vision of life under…

SOURCE: The Guardian at 3:48am on May 20, 2018

The week in theatre: Red; Effigies of Wickedness " review by Susannah Clapp

Wyndham's; Gate, LondonMark Rothko's work and mind are brilliantly evoked in a revival of John Logan's 2009 play. And Weimar Germany is alive and kicking…Red: for rage and fire " and Mark …

SOURCE: The Guardian at 3:48am on May 20, 2018

Ignition dance festival review " sparks are flying by Luke Jennings

Lyric Hammersmith, LondonThe annual festival of new work saw the fruits of previous commissions from the likes of Salah El Brogy, Sally Marie and Dane HurstMonday saw the opening night of Ig…

SOURCE: The Guardian at 3:48am on May 20, 2018

The Girl on the Train review " bestseller moves at the pace of a milk train by Clare Brennan

West Yorkshire Playhouse, LeedsUnconvincing plotting and a tension-free narrative hamper this adaptation of Paula Hawkins's novelA woman is missing. In a room, a detective quizzes two people…

SOURCE: The Guardian at 3:48am on May 20, 2018

Sancho play portrays slave who became first black British voter by Rob Walker

Single-hander written by Paterson Joseph tells how son of slaves overcame prejudiceIt began as a quixotic project three years ago in local theatre. Now the story of the man who was born on a…

SOURCE: The Guardian at 7:04pm on May 19, 2018

I Can't Sing closure: why Harry Hill's X Factor musical was voted off by Mark Lawson

Harry Hill and Steve Brown's show was staged too late " and felt conflicted. We were asked to laugh at the vacuousness of it all yet also care about the charactersWhereas the diaries of musi…

SOURCE: The Guardian at 3:48pm on May 19, 2018

Strictly inclusive: how disabled people are taking up dance - in pictures

Step Change Studios was set up in 2017 to provide opportunities for disabled and non-disabled people to dance. In the last year, it has held dance events for more than 900 disabled people in…

SOURCE: The Guardian at 7:12am on May 19, 2018

Grandma's traditional Jamaican wake brought me closer to the Windrush generation by Giulia Rhodes

The 'nine night' ritual of gathering to eat, drink and swap stories helped Natasha Gordon connect with her family's past " and inspired her first playNatasha Gordon's grandparents arrived in…

SOURCE: The Guardian at 7:12am on May 19, 2018

Shappi Khorsandi review " convivial and caustic set from I'm a Celebrity star by Brian Logan

Soho theatre, LondonIn her new show Mistress and Misfit the standup delivers droll tales, gasp-inducing skits and a Georgian history lessonMistress and Misfit, Shappi Khorsandi's latest set,…

SOURCE: The Guardian at 7:12am on May 19, 2018

Hay Fever " review by Michael Billington

Noel Coward, LondonHoward Davies has a gift for revitalising Coward's comedies. Having put the sexuality back into Private Lives, he now visually redefines Hay Fever and pulls off the daring…

SOURCE: The Guardian at 7:12pm on May 18, 2018

Hay Fever " review by Kate Kellaway

Noël Coward theatre, LondonGoing to Howard Davies's glorious production of Noël Coward's Hay Fever is like being invited to an irregular house party; the relief is that, unlike the hap…

SOURCE: The Guardian at 7:12pm on May 18, 2018

Jackie Snow takes us through important movement exercises for actors by Jackie Snow

A key string to the actor's bow is a malleable body, capable of adapting and transforming as the situation requires, says RADA head of movement Jackie SnowOf all facets of drama training, pe…

SOURCE: The Guardian at 4:04pm on May 18, 2018

The Royal Ballet's Swan Lake: high-flyer or ugly duckling? by Judith Mackrell

Audiences tweeted their love after live cinema screenings of the Royal's current production " but others hate the gothic set and costumesAs the Royal Ballet dance the final performances of t…

SOURCE: The Guardian at 1:42pm on May 18, 2018

Swan Lake review " the Royal Ballet's spellbinder leaves you weeping by Judith Mackrell

Royal Opera House, LondonThere are superlative performances " and the world's most glamorous black tutu " in Liam Scarlett's new take on the classicFundamentally, what I want from a producti…

SOURCE: The Guardian at 10:24am on May 18, 2018

Loyiso Gola: 'The funniest word? Nincompoop makes me laugh every time' by Harriet Gibsone

The South African standup and late-night satirical news anchor on what makes him laugh the mostIt has to be Ross Noble. I saw him at the Cape Town comedy festival in 2002. I was in high scho…

SOURCE: The Guardian at 9:18am on May 18, 2018

Hamlet/As You Like It review " Michelle Terry's double-edged Globe debut by Michael Billington

Shakespeare's Globe, LondonThe new artistic director's ensemble give fine performances but this pairing raises questions about staging ShakespeareIn this pairing of two plays performed by th…

SOURCE: The Guardian at 7:06am on May 18, 2018

Shift review " circus squad put each other to the test by Lyn Gardner

Norfolk and Norwich festivalThe breakdancing Barely Methodical Troupe prove truly inventive as they transform each other into human marionettesEveryone gets tied up in knots at times. Or wan…

SOURCE: The Guardian at 6:04am on May 18, 2018

Marat/Sade prompts audience walkouts at RSC by Matt Trueman

Scenes of 'filth and depravity' in Anthony Neilson's revival of notorious 60s play provoke mass exitsThe Royal Shakespeare Company's 50th anniversary revival of Marat/Sade in Stratford-upon-…

SOURCE: The Guardian at 12:33am on May 18, 2018
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