1,908 stories from The New Yorker
Van Gogh’s Mrs. Robinson.
The Wooster Group rewrites Chekhov.
THE BIG TIME MADE EASY
Producer Jean Doumanian.
"Ma Rainey" and August Wilson's mighty music.
Adventures in casting at the Classic Stage Company.
Sam Mendes's productions shoot for the stars.
Identities lost and found on the London stage.
As far as Stanley Donen is concerned, elegance died in 1959. That was the year he directed Cary Grant in "The Grass Is Greener."
Interview with Catherine Zuber, hat designer for Far Away.
"Chicago" and "The Lord of the Rings: The Two Towers."
Food and sex in the face of disaster.
Dinner at Eight and The Mercy Seat.
"Medea," "Imaginary Friends," "Adult Entertainment."
Getting the spirit onstage.
"Our Town" and "Crowns."
LILLIAN, MARY, AND ME by Dick Cavett
Who would guess that by uttering a few harmless words you could trigger lawsuits in the millions, a furor in the literary world, and a Broadway show?
Doom with a view, in "Hollywood Arms" and "Book of Days."
Green's wife of forty-two years, the actress Phyllis Newman, tells of going with him to the movies and hearing an actor on the screen declare, "I've tasted death. Have you?" Green called out, "Yes, and it tastes like chicken."
Twyla Tharp's "Movin' Out."
Al Pacino in Brecht, and a "Flower Drum Song" makeover.
Mouth-to-mouth resuscitation in David Hare's new play.
Langston Hughes—the musical.
Tom Stoppard on the revolutionary road.
Life is an endless platter party in "Hairspray."
HELLO MUDDAH, HELLO FADDAH by Lillian Ross
Box-office is down on Broadway, but the most cheerful and high-spirited theatrical producer in town last week was Camp Broadway, yielding three musicals—"Oklahoma!," "State Fair," and "On the Town"—plus a number of perks. The performers, rehearsing at Chelsea Studios during five overpacked days, were a hundred and forty-eight kids between the ages of ten and seventeen.
A New Age Harlem.
Losing it in the locker room.
Richard Greenberg's "Take Me Out."
