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3,492 stories from The Arts Desk

Swive, Shakespeare's Globe review " pacy, dagger-sharp rewriting of history by Rachel Halliburton

An interrogation of power, womanhood and the mythologies with which we surround ourselves History has corseted Elizabeth I with the title of "Virgin Queen" for centuries, but in Ella Hickson…

SOURCE: The Arts Desk at 8:42am on December 16, 2019

Teenage Dick, Donmar Warehouse review - a fearlessly acted, well-intentioned mess by Matt Wolf

Mike Lew's riff on Shakespeare needs more art to go with its heart If good intentions were everything, Teenage Dick would be the play of the year. As it is, this British premiere at the Donm…

SOURCE: The Arts Desk at 11:54am on December 13, 2019

The Ocean at the End of the Lane, National Theatre review - terrifying, magical coming of age story by Rachel Halliburton

A stunning tribute to the wild and wonderful life of the mind This scary, electrically beautiful adaptation of Neil Gaiman's book about living on the faultline between imagination and realit…

SOURCE: The Arts Desk at 3:36pm on December 12, 2019

Goldilocks and the Three Bears, London Palladium review - joyously filthy fun by Veronica Lee

Purists may quibble at circus-themed show When Qdos brought back pantomime to the Palladium three years ago after an absence of nearly 30 years, it set the bar high with superb production v…

SOURCE: The Arts Desk at 10:18pm on December 11, 2019

A Kind of People, Royal Court review - multiculturalism falls apart by Aleks.sierz

Family tragedy is emotionally powerful but incomplete and unsatisfying The trouble with prejudice is that you can't control how other people see you. At the start of her career, playwright G…

SOURCE: The Arts Desk at 5:54pm on December 11, 2019

Three Sisters, National Theatre review - Chekhov in time of war by Tom Birchenough

Relocation from the Russian provinces to Sixties Biafra brings insight and immediacy Inua Ellams' Three Sisters plays Chekhov in the shadow of war, specifically the Nigerian-Biafran seces…

SOURCE: The Arts Desk at 9:36am on December 11, 2019

The Duchess of Malfi, Almeida Theatre review - a radically original perspective on Webster's tragedy by Heather Neill

Rebecca Frecknall directs a production which ultimately finds its heart This play can be a challenge for modern audiences: a woman who is ostensibly in a position of power, "a prince" in Ren…

SOURCE: The Arts Desk at 12:33am on December 11, 2019

Fairview, Young Vic review - questioning the assumptions of race by Tom Birchenough

New American drama directs a rapier wit at black stereotypes Jackie Sibblies Drury's Fairview comes to the Young Vic with the 2019 Pulitzer Prize for Drama under its belt, and a reputation …

SOURCE: The Arts Desk at 3:18pm on December 9, 2019

Cyrano de Bergerac, Playhouse Theatre review - James McAvoy triumphant by Aleks.sierz

Magnificent makeover of the French classic - a jaw-dropping success Actor James McAvoy is much in demand: in the BBC's His Dark Materials he is busy saving a parallel world, while in the poe…

SOURCE: The Arts Desk at 8:33pm on December 8, 2019

Ravens: Spassky vs. Fischer, Hampstead Theatre review - it's game over for this chess play by Marianka Swain

The Cold War 'Match of the Century' fails to translate into compelling drama We've had Chess the musical; now, here's Chess the play. Tom Morton-Smith, who has form wrestling recent history …

SOURCE: The Arts Desk at 8:12pm on December 5, 2019

A Christmas Carol, Old Vic Theatre review - the festive favourite mixes gloom with merriment by Heather Neill

A vigorous Paterson Joseph meets the Christmas spirits "Dickensian" commonly means both sentimental Victorian, apple-cheeked family perfection (especially at Christmas) and abject poverty. …

SOURCE: The Arts Desk at 7:48pm on December 4, 2019

The Boy Friend, Menier Chocolate Factory - fun but featherweight by Matt Wolf

Period confection in three acts could use pruning There's slight (White Christmas, to name but one) and then there's The Boy Friend, a period musical so unabashedly vaporous that if you …

SOURCE: The Arts Desk at 8:48am on December 4, 2019

Midnight Movie, Royal Court review - sleepless and digital by Aleks.sierz

New autobiographical play about night thoughts on bodies real and digital Eve Leigh is an experimental playwright who has tackled difficult issues for more than a decade. Yet most members of…

SOURCE: The Arts Desk at 5:12pm on December 3, 2019

The Wind of Heaven, Finborough Theatre review - a welcome, if strange, Emlyn Williams rediscovery by Heather Neill

Welsh parable of the second coming makes unusual seasonal fare This is the third Emlyn Williams piece to be presented here in a decade: The Druid's Rest in 2009 was followed by the enormous …

SOURCE: The Arts Desk at 10:18pm on November 29, 2019

The Wolf of Wall Street, 5-15 Sun Street review - energetic but to what end? by Matt Wolf

Jordan Belfort memoirs translate unpleasantly, even unnecessarily, to the stage Of all the groups you probably wouldn't want to be part of, surely the hyper-adrenalised, hardscrabble popula…

SOURCE: The Arts Desk at 6:36am on November 29, 2019

White Christmas, Dominion Theatre review - breezy but bland by Matt Wolf

Seasonal entertainment is cheerful if essentially dull Nostalgia for things that probably never were is an animating theme in politics these days.

SOURCE: The Arts Desk at 9:06am on November 28, 2019

My Brilliant Friend, National Theatre review - sleek spectacle almost eats its characters by David Nice

Four complex novels squeezed into a big, bold show with strong performances It took no time for Elena Ferrante's two Neapolitan friends to join the ranks of great literary creations: Lenù…

SOURCE: The Arts Desk at 6:03am on November 27, 2019

The Arrival, Bush Theatre review - boys will definitely be boys by Aleks.sierz

Director Bijan Sheibani turns playwright in a fine two-hander about family Family dramas are a staple of British new writing, but as well as talking about our nearest and dearest, can they …

SOURCE: The Arts Desk at 6:36pm on November 26, 2019

The Lion, The Witch and The Wardrobe, Bridge Theatre review " spellbinding narrative of parallel worlds by Rachel Halliburton

An electric interpretation in which the White Witch " like the devil " has all the best tunes We all remember that moment when we walked through the back of the wardrobe: the heaviness of th…

SOURCE: The Arts Desk at 6:33am on November 26, 2019

Henry VI, Sam Wanamaker Playhouse review - a lively vortex by David Nice

Close-knit company keeps the York and Lancaster clashes as clear and lively as it can No Joan of Arc means no Henry VI Part One. France, where we left the victorious Henry V - the superb Sar…

SOURCE: The Arts Desk at 8:06am on November 22, 2019

& Juliet, Shaftesbury Theatre review - the Bard with dancefloor bangers by Sam Marlowe

The heroine seizes the mic in this Shakespeare-inspired jukebox musical It's bright, it's brash, it's a gazillion times camper than Christmas: but is it such stuff as theatrical hits are mad…

SOURCE: The Arts Desk at 8:18pm on November 20, 2019

Dear Evan Hansen, Noël Coward Theatre review - this social outcast will steal your heart by Marianka Swain

A stirring new musical tackles missed connections in the internet age Steven Levenson, Benj Pasek and Justin Paul's Tony and Grammy Award-winning musical Dear Evan Hansen is an institu…

SOURCE: The Arts Desk at 5:48pm on November 19, 2019

Measure for Measure, RSC, Barbican review - behind the times by Katherine Waters

Stratford transfer makes much of contemporary resonance but fails to deliver Because he dramatised power, Shakespeare never really goes out of fashion. Treatments of his plays do though, and…

SOURCE: The Arts Desk at 5:48am on November 19, 2019

Stray Dogs, Park Theatre review " no fire in this historic encounter by Rachel Halliburton

The script misses all that was distinctive about Berlin and Akhmatova's meeting How do you begin to dramatise one of the most extraordinary conversations of the 20th century between two of i…

SOURCE: The Arts Desk at 4:54am on November 18, 2019

'By the end I'd lost me': Joe Simpson, mountaineer and writer - interview by Jasper Rees

The story of Touching the Void has been told and retold. Its author explores its appeal In Peru in 1985, Joe Simpson - then 25 - and his 21-year-old climbing partner Simon Yates were descend…

SOURCE: The Arts Desk at 7:12am on November 16, 2019
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