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8,108 stories from DC Theatre Scene

Review: How to Win a Race War, a 3 hour white supremacy lit class by John Bavoso

Before you read this review, I'd like to ask a favor of you: open a new browser tab and navigate to your favorite news/politics site and spend five minutes browsing the stories there. Seriou…

SOURCE: DC Theatre Scene at 11:12am on September 26, 2018

Review: Cat on a Hot Tin Roof. Director Judith Ivey puts her stamp on Williams' steamy drama by Jayne Blanchard

Hold onto summer heat and humid emotions just a little while longer with Baltimore Center Stage's juicy production of Cat on a Hot Tin Roof. The lies we tell ourselves so we can sleep and th…

SOURCE: DC Theatre Scene at 12:06pm on September 25, 2018

Review: The Last American Hammer from UrbanArias by Susan Galbraith

What an opening for an opera! After a low tremolo on the bass and some nice string section writing as violins, viola, and cello join in, suddenly on stage appears a bearded, para-military du…

SOURCE: DC Theatre Scene at 11:04am on September 25, 2018

Lincolnesque at Keegan Theatre. What if a political speech writer had the gifts of Lincoln? by Emily Priborkin

"I like to write about the things that matter, whether they matter emotionally, or whether they matter dramatically, or whether they matter politically. If you can get all those in one, that…

SOURCE: DC Theatre Scene at 4:36pm on September 24, 2018

Review: Ain't Misbehavin' at Toby's Dinner Theatre by Jeffrey Walker

Toby's Dinner Theatre is THE place and its joint is jumping thanks to the infectious melodies of the late, great Mr. Thomas Waller, a.k.a Fats Waller. The show is Ain't Misbehavin', one of t…

SOURCE: DC Theatre Scene at 1:18pm on September 24, 2018

Review: Living and Dying with Tricia McCauley, moving forward from unspeakable tragedy. by Debbie Minter Jackson

She was on her way to an annual Christmas day party and never made it.  The news of her murder shook all who knew Tricia McCauley as a beloved actress, a precious yoga instructor, a fello…

SOURCE: DC Theatre Scene at 12:12pm on September 24, 2018

Review: Pramkicker at Taffety Punk by John Geoffrion

Once upon a time, there was a woman named Jude who kicked a pram (a baby carriage). An empty one, don't worry, but nonetheless Jude has to complete an anger management program to avoid charg…

SOURCE: DC Theatre Scene at 12:54pm on September 21, 2018

Review: Svanda Theatre's Four Plays from Prague: The Good and the True by Susan Galbraith

Svanda Theatre has journeyed to Washington from Prague in a residency that includes 'Four Plays from Prague' in repertory " works that confront us with difficult periods of history when huma…

SOURCE: DC Theatre Scene at 11:48am on September 21, 2018

Review: The True. Edie Falco as Kirsten E. Gillibrand's foul-mouthed political grandmother by Jonathan Mandell

The devotion that Dorothea "Polly" Noonan (Edie Falco,) a foul-mouthed political operative, shows to  Erastus Corning 2nd (Michael McKean,) the long-time mayor of Albany, is so intense th…

SOURCE: DC Theatre Scene at 7:24pm on September 20, 2018

Review: The Pianist of Willesden Lane, a mother's story told by her daughter through words and music by Jon Jon Johnson

Mona Golabek has adapted The Pianist of Willesden Lane from her book The Children of Willesden Lane, written with Lee Cohen and performs it alone on stage. Golabek's presence as she recal…

SOURCE: DC Theatre Scene at 1:33pm on September 18, 2018

Review: If I Forget asks big questions about forgetting and forgiving by Ben Demers

How do we honor our past without closing doors to the future? What do we owe our parents and grandparents, when weighed against the prospects of our children and their children?  These wr…

SOURCE: DC Theatre Scene at 12:24pm on September 18, 2018

Review: The Wedding Singer at NextStop Theatre by Missy Frederick

Eye rolling and harrumphing over Broadway musical writers being out of ideas feels pretty banal at this stage in the game. It's no secret that creators of musical theater are relying more th…

SOURCE: DC Theatre Scene at 11:18am on September 18, 2018

Review: The Events, a survivor's view of a mass shooting by Tim Treanor

We are riveted by a need to understand the perpetrator of a mass shooting, but isn’t it more pertinent to know what the survivor feels? After all, it’s much more likely that we w…

SOURCE: DC Theatre Scene at 12:06pm on September 17, 2018

Review: Turn Me Loose, a play about comic genius Dick Gregory  by Lorraine Treanor

Dick Gregory was never afraid to speak truth to those who most needed to hear it. Even when it fell like acid rain. Gregory"the rebel comedian who paved the way for provocative, black funny …

SOURCE: DC Theatre Scene at 12:06pm on September 17, 2018

Reviews: Richard III, Emma and The Man of Mode at The American Shakespeare Center in Staunton, VA by Tim Treanor

The skies opened up as Route 66, going west, became Route 81, going south, frustrating my vow to drive at 80 mph for the rest of the way. We had left at ten after ten, a reasonable enough st…

SOURCE: DC Theatre Scene at 12:54pm on September 14, 2018

Review: Tubman at DC Hip Hop Theater Festival by Josh Kaplan

Playwright and performer Lacresha Berry spent ten years working as a public school teacher in New York.  A teacher inevitably wonders if some children are simply beyond her power to help,…

SOURCE: DC Theatre Scene at 10:48am on September 14, 2018

Review: Sweeney Todd at Rep Stage by Jeffrey Walker

The lean, black box staging of Sweeney Todd, The Demon Barber of Fleet Street by Joseph W. Ritsch packs a more muted wallop than other versions I have seen but is highlighted by a cast of…

SOURCE: DC Theatre Scene at 1:48pm on September 13, 2018

Review: Folger's alt-Macbeth, a "strange perfection" by John Geoffrion

I've seen Macbeth performed in the round, outdoors, in the nude, multiple film and TV versions, various homages and parodies across multiple media, I saw a spirited production last month by …

SOURCE: DC Theatre Scene at 12:12pm on September 12, 2018

Review: Como Agua Para Chocolate (Like Water for Chocolate), new romantic comedy at GALA by Alan Katz

Walking into Como Agua Para Chocolate (Like Water for Chocolate) I knew, as you may, that there was a best-selling Spanish language movie of its time, and an equally popular novel/cookboo…

SOURCE: DC Theatre Scene at 11:06am on September 12, 2018

Review: Dancing at Lughnasa at Everyman by Jayne Blanchard

Dancing at Lughnasa casts a spell before the actors utter a word. Irish music peppily plays as you enter the theater and drink in Yu-Hsuan Chen’s painterly set–with sinuously twi…

SOURCE: DC Theatre Scene at 10:04am on September 12, 2018

Review: Viva V.E.R.D.I " an otherworldly convergence of Verdi and Shakespeare by Alexander C. Kafka

Giuseppe Verdi revered Shakespeare and wrote a Macbeth, an Otello, and a Falstaff. He longed to write a King Lear as well and even worked with two librettists toward that goal. But although …

SOURCE: DC Theatre Scene at 2:32pm on September 11, 2018

Review: 1st Stage give Ayckbourn's play Hero's Welcome its area debut by Steven McKnight

A war hero returns to his hometown after 17 years with a new wife with hopes for a new life.  Yet the scandalous circumstances of his departure and long-standing regrets challenge his pla…

SOURCE: DC Theatre Scene at 2:32pm on September 11, 2018

Review: Gloria, violence in the workplace, "sometimes shocking, frequently hilarious" by John Bavoso

While a very popular musical currently running at the Kennedy Center is asking audiences, "Who lives, who dies, who tells your story?" across town at Woolly Mammoth Theatre Company, Brandon …

SOURCE: DC Theatre Scene at 1:24pm on September 10, 2018

Review: South Pacific, enchanting and relevant by Alexander C. Kafka

Was ever a message musical wrapped in such a luxurious bounty of romance? Those love songs! Seventy years later, Rodgers and Hammerstein's South Pacific still floors us with its lyricism.Â�…

SOURCE: DC Theatre Scene at 1:24pm on September 10, 2018

Review: Engaging Shaw, an engaging romantic comedy by Debbie Minter Jackson

Engaging Shaw is a fun-loving romp of a parlor comedy that hits its mark at Best Medicine.  The script by John Morogiello imagines one of the truly most gifted social writers in history c…

SOURCE: DC Theatre Scene at 12:24pm on September 10, 2018
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