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1,483 stories from ArtsATL

Review: Gilbert and Sullivan's "Pirates of Penzance" gets a rousing debut with the Atlanta Opera by Mark Gresham

On Saturday evening the Atlanta Opera presented the opening night performance of Gilbert and Sullivan’s two-act comic opera, The Pirates of Penzance. It is the

SOURCE: ArtsATL at 2:37pm on March 8, 2016

News briefs: Candler line-up announced; "pop-up" box office opens; the Atlanta Opera honored by ArtsATL Staff

Schwartz Center announces line-up for the Candler Concert Series The 2016-17 Candler Concert Series will offer an eclectic line-up that features a jazz icon and

SOURCE: ArtsATL at 3:31pm on March 4, 2016

Review: With a self-conscious script, Georgia Ensemble's "Peter and the Starcatcher" fails to lift by Andrew Alexander

It’s hard to know what a kid might make of it, but I found the new family show Peter and the Starcatcher a noisy, unappealing

SOURCE: ArtsATL at 1:00pm on March 2, 2016

Review: The Alliance takes C.S. Lewis' "Lion, Witch and the Wardrobe" on a magical ride by Andrew Alexander

Stagecraft can have a tough time competing with cinematic special effects. A theatrical trick is seldom as convincing, impressive or immersive as the results of

SOURCE: ArtsATL at 11:00am on March 2, 2016

Review: "Start Down" is a good, but imperfect start up for Kendeda playwright Eleanor Burgess by Andrew Alexander

Could computers ever replace teachers? Those of us who hated high school often wondered.   The possibility becomes the topic of serious and considered speculation

SOURCE: ArtsATL at 1:00pm on February 24, 2016

News Briefs: ART PAPERS' Editor Victoria Camblin gets a fellowship, The High names Mark Bradford the recipient of the Driskell Prize and more by ArtsATL Staff

Victoria Camblin, the editor and artistic director of the Atlanta-based magazine and contemporary art nonprofit ART PAPERS, has been selected as one of the five

SOURCE: ArtsATL at 1:00pm on February 23, 2016

Preview: "Woman of the Year" accepts the challenge of role reversal and gender tom-foolery by Gail O'Neill

When Woman of the Year opens at Dad's Garage Theatre Company tonight (through March 12), the scripted comedy will challenge some deeply entrenched notions of

SOURCE: ArtsATL at 12:52pm on February 18, 2016

Review: Lyric Theater's "Full Monty" is a crowd pleaser that teases, but doesn't go all the way by Jim Farmer

In the never-ending parade of hit movies that have become Broadway musicals, The Full Monty is an example of one that has firmly clicked, keeping

SOURCE: ArtsATL at 2:00pm on February 17, 2016

News: Atlanta Word Works and Natalie Cook join the ranks of VOX by Laura Relyea

VOX and Atlanta Word Works have announced that the two organizations will be merging, with VOX bringing on Atlanta Word Works founder, executive director and

SOURCE: ArtsATL at 11:00am on February 17, 2016

Review: David Mamet's classic "American Buffalo" loses some of its sheen in True Colors staging by Andrew Alexander

The value of a nickel is five cents, except for when it isn’t. As every collector knows, a coin can be worth much more than

SOURCE: ArtsATL at 2:14pm on February 16, 2016

Preview: "Wait, Wait… Don't Tell Me!" Returns to the Fox Theatre by Gail O'Neill

Peter Sagal cuts to the chase when asked what he might be doing if not hosting Wait Wait… Don't Tell Me!, NPR's weekly hour-long quiz

SOURCE: ArtsATL at 12:35pm on February 16, 2016

Review: For Alvin Ailey's annual Fox run, the thrill of the new and the comfort of the old by Cynthia Bond Perry

It's been nearly five years since Robert Battle succeeded Judith Jamison as artistic director of the Alvin Ailey American Dance Theater. As with many changes

SOURCE: ArtsATL at 1:00pm on February 15, 2016

News briefs: Bill would transform Georgia's music industry, local SXSW entry, Cook takes helm by ArtsATL Staff

Legislation introduced to transform Georgia's music industry Legislation to offer tax breaks to music-related businesses was introduced this week by State Rep. Bert Reeves (R-Marietta).

SOURCE: ArtsATL at 9:00am on February 12, 2016

For College Park native Neal Ghant (now starring in "American Buffalo"), it's all in the Mamet by Jim Farmer

It's a language many performers fear and avoid, but Neal Ghant has become pretty fluent in Mamet speak.  Mamet speak is the dialogue-rich, testosterone heavy

SOURCE: ArtsATL at 9:00am on February 11, 2016

Social Media Rules- Woman of the Year by Haylee

The social media – Woman of the Year contest is sponsored by ArtsATL ("Sponsor"). This contest is governed by these official rules ("Official Rules"). By participating

SOURCE: ArtsATL at 3:35pm on February 10, 2016

Review: Atlanta Ballet's "Moulin Rouge" is a guilty pleasure with a few too many empty calories by George Staib

A quartet of live musicians usher an excited, robust Cobb Energy Performing Arts Centre audience into a familiar French scene. Edith Piaf's "La Vie en

SOURCE: ArtsATL at 1:00pm on February 10, 2016

Review: Horizon's "The Toxic Avenger" is one of the unsung super heroes of this theater season by Jim Farmer

Oftentimes theater gems can be found when least expected. It's not the splashiest show around, or even the highest profile musical in town, but Horizon

SOURCE: ArtsATL at 11:00am on February 10, 2016

Preview: For Alvin Ailey's Robert Battle, "Revelations" inspires his own grand "Awakening" by Gillian Anne Renault

It's almost impossible to think of the Alvin Ailey American Dance Theater and not think Revelations. It's the finale on every mixed bill the company

SOURCE: ArtsATL at 9:00am on February 9, 2016

The Alliance hosts talkbacks to discuss (and maybe cuss) the dimensions of "Disgraced" by Gail O'Neill

By the time Andrew Ramcharan Guilarte took a bow following his performance in the Alliance Theatre's first preview performance of Disgraced last week, the leading man

SOURCE: ArtsATL at 2:57pm on February 5, 2016

Review: Alliance's "Disgraced" tells a provocative tale of race and religion, and tells it really well by Andrew Alexander and Jim Farmer

Both a Pulitzer Prize winner and a 2015 Tony Award nominee for Best Play, Disgraced is one of the most talked about, provocative plays around,

SOURCE: ArtsATL at 11:00am on February 5, 2016

Tomer Zvulun discusses the Atlanta Opera's 2016-17 season, expanding vision and reach by Mark Gresham

The Atlanta Opera announced its upcoming 2016-17 season today, which will feature four main stage productions for the first time in six years. The season

SOURCE: ArtsATL at 9:00am on February 5, 2016

Preview: René Marie evokes the powerful, uncompromising spirit of Eartha Kitt by Andrew Alexander

Most people are familiar with Eartha Kitt through her role as Catwoman on the campy Batman television series of the 1960s, one of the most well-known

SOURCE: ArtsATL at 7:51pm on February 3, 2016

Review: Lauren Gunderson's "I and You" reminds how its the "biggest little" that often matters by Andrew Alexander

In Decatur-native Lauren Gunderson’s new two-character play I and You, running at Aurora Theatre through February 21, the character Anthony (J.L. Reed) enters speaking the

SOURCE: ArtsATL at 2:00pm on February 3, 2016

Review: Theatrical Outfit's "Moxie" shows promise, but needs more cohesion and honing by Jim Farmer

It begins simply enough, as a father in Afghanistan (Bobby Labartino) communicates with his son (Royce Mann) back home in the States by telling stories

SOURCE: ArtsATL at 1:00pm on February 3, 2016

Review: "Sweeney Todd" has its basic flaws, but also plenty of Sondheim moments to enjoy by Andrew Alexander

“He seldom laughed, but he often smiled,” is just one of the ways that the chorus describes the murderously obsessive lead character in Stephen Sondheim’s

SOURCE: ArtsATL at 3:58pm on February 2, 2016
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