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35,729 stories from The Guardian

Semperoper Ballett: All Forsythe review " a triple blast from the master by Sanjoy Roy

Sadler's Wells, LondonThe German company perform a trio of suspenseful, deadpan and always sparkling works by William ForsytheIt is not uncommon to see a William Forysthe piece on a ballet p…

SOURCE: The Guardian at 8:42am on June 22, 2018

Keepy Uppy review " back-of-the-net football fun by Catherine Love

York Theatre RoyalA keen young player bonds with his mum on the way to a big match in Tutti Frutti's imaginative kids' showAs England pursue World Cup glory, the hero of Tutti Frutti's new s…

SOURCE: The Guardian at 7:32am on June 22, 2018

'We're in Leeds': West Yorkshire Playhouse changes name by Mark Brown Arts Correspondent

In a £15.8m redevelopment, the influential regional theatre will revert to its old nameThe West Yorkshire Playhouse, one of the most important of the UK's regional theatres, plans to clos…

SOURCE: The Guardian at 7:32am on June 22, 2018

Celestial Motion: a virtual dance with the stars by Shehani Fernando

In the Guardian's new VR 360 film, inspired by solar physics, contemporary dancers from the Alexander Whitley Dance Company explore movement across human and astronomical scalesCelestial Mot…

SOURCE: The Guardian at 3:48am on June 22, 2018

Celestial Motion: a virtual dance experience " 360-degree video by Shehani Fernando, Francesca Panetta, David Levene, Anetta Jones, Federico Fasce, Alexander Whitley and Luca Biada

An immersive dance performance in virtual reality, Celestial Motion is inspired by the imagery of solar physics. Choreographed by Alexander Whitley and made in association with Sadler's Well…

SOURCE: The Guardian at 3:48am on June 22, 2018

Comedy: Roseanne Barr, Leicester Square theatre, London by Brian Logan

Leicester Square theatre, LondonRoseanne Barr's London gig starts with a video of her in her closet, choosing a frock. The set that follows suggests that, comedically speaking, she no longer…

SOURCE: The Guardian at 2:42am on June 22, 2018

The Little Prince " review by Helen Meany

Lyric, BelfastMillions of children around the world love Antoine de Saint-Exupéry's story of a quest for companionship and understanding. The best-selling French novella from 1943 has succe…

SOURCE: The Guardian at 2:42am on June 22, 2018

Woyzeck review " hallucinatory adaptation tightens its grip as its hero loses his by Sanjoy Roy

Birmingham Repertory theatreMore than 100 community performers help fill this ambitious modern-day retelling with soldiers, clubbers, salsa, bhangra, robots, ghosts and Pina Bausch-style cho…

SOURCE: The Guardian at 8:36am on June 21, 2018

Beirut review " sex is banned in surveillance-state New York by Bridget Minamore

Park theatre, London In Alan Bowne's play, an allegory exploring New York's 1980s Aids crisis, a couple meet in secretAn unnamed plague has hit New York. The virus is spread through sexual c…

SOURCE: The Guardian at 9:36am on June 20, 2018

Alan Bennett: I'm wholly on Edward Snowden's side by Ben Quinn

Playwright defends NSA whistleblower and Cambridge spies in interview extracts published on the eve of his 80th birthdayThe playwright Alan Bennett has said that he is wholly on the side of …

SOURCE: The Guardian at 6:18am on June 20, 2018

Michael Jackson musical to hit Broadway in 2020 by Jake Nevins

A stage show about the King of Pop's life featuring the biggest hits from his catalogue is now in developmentMichael Jackson's music is set to hit Broadway in 2020 in the shape of an as-yet-…

SOURCE: The Guardian at 12:32pm on June 19, 2018

Tunes with no show: the songs cut out of musicals, from Follies to Hamilton by Chris Wiegand

Lin-Manuel Miranda's Hamildrops project gives his leftover lyrics a new life. What happens to other songs dropped from musicals " and how do their creators feel about them?When Hamilton open…

SOURCE: The Guardian at 10:18am on June 19, 2018

Sir ​Leonard Blavatnik buys one of London's oldest theatres by Mark Brown Arts Correspondent

Billionaire vows to continue 'tradition of excellence' at Theatre Royal HaymarketThe billionaire entertainment mogul and arts philanthropist Sir Leonard Blavatnik has bought one of London's …

SOURCE: The Guardian at 8:06am on June 19, 2018

A is for 'ah well', F is for fish and chips: show delivers A-Z of Englishness by Andrew Dickson

English, created by National Theatre Wales and Quarantine, is a brainstorm about language and identity On either side of the stage, screens flash up words and phrases. "Accident of birth", r…

SOURCE: The Guardian at 5:54am on June 19, 2018

Quality Street review " JM Barrie romcom that inspired the chocolates by Mark Fisher

Pitlochry Festival theatreLiz Carruthers directs a sprightly, good-looking revival of Barrie's romantic 1902 hitValentine Brown is trying to persuade Phoebe Throssel that age is no barrier t…

SOURCE: The Guardian at 2:36am on June 19, 2018

Wing commander: the artist putting on a light show with 1,500 pigeons by Jon Day

They swoop, they soar, they light up the sky! Meet the pigeon-fancier sending his LED-wearing birds heavenwards for a hypnotic night danceYou can see them in the sky long before you get clos…

SOURCE: The Guardian at 1:32am on June 19, 2018

Finishing the Picture review " Monroe is missing in Miller's patchy portrait by Miriam Gillinson

Finborough, LondonArthur Miller's final play, inspired by the filming of The Misfits, offers a powerful view of the manipulation of Marilyn MonroeWhen Arthur Miller's final play premiered in…

SOURCE: The Guardian at 1:24pm on June 18, 2018

Flight of the Conchords: 'We're retired sex symbols' by Hadley Freeman. Photograph: Johnny Savage For The Guardian

The fourth-most-popular folk duo in New Zealand are back " and selling out stadiums. They're now married, with kids, and fans still love their Sugar Lumps. But is there anything Bret and Jem…

SOURCE: The Guardian at 12:18pm on June 18, 2018

Bob Mortimer: my doctor said I'd have a heart attack on stage by Press Association

Comedian reveals his heart was 95% blocked before triple bypass surgery in 2015The comedian Bob Mortimer has revealed a doctor told him that he risked having a heart attack on stage had he a…

SOURCE: The Guardian at 9:06am on June 18, 2018

Birmingham Royal Ballet: Polarity and Proximity review " dialogues of desire by Judith Mackrell

Sadler's Wells, London A virtuoso ensemble wring nuanced emotions from a triple bill that teams two emerging choreographers with a Twyla Tharp classicDavid Bintley has never made a particula…

SOURCE: The Guardian at 8:04am on June 18, 2018

Catherine Johnson on life after Mamma Mia! by Lyn Gardner

She wrote Mamma Mia! Now she's back " with another story about a wedding. Lyn Gardner meets the down-to-earth Catherine JohnsonCatherine Johnson is downing an energy drink that promises to p…

SOURCE: The Guardian at 7:04pm on June 17, 2018

Can an all-women Julius Caesar work? by Charlotte Higgins

The cast and director of a new Donmar Warehouse show tell Charlotte Higgins what a thrilling and liberating experience it has been tackling one of Shakespeare's great worksOn a table in the …

SOURCE: The Guardian at 7:04pm on June 17, 2018

Andrew Scott: 'I hate Shakespeare being put in a glass box, like a dead thing' by Holly Williams

The Sherlock star on Shakespeare, modern-day morality and playing a Christmas baubleAndrew Scott, 41, was born and raised in Dublin. Recently seen in the BBC adaptation of King Lear, he is b…

SOURCE: The Guardian at 4:42pm on June 17, 2018

In Search of Dinozord review " the quest for hope in a ravaged nation by Sanjoy Roy

The Place, LondonChoreographer Faustin Linyekula brings a ground-shaking intensity to his odyssey through the virulent history of CongoIn Search of Dinozord begins, as earthquakes do, with a…

SOURCE: The Guardian at 11:12am on June 17, 2018

Rudolf Nureyev documentary unearths unseen avant-garde footage by Dalya Alberge

Previously unknown 'amateur-shot' film shows ballet dancer's sexually provocative sidePreviously unknown footage of Rudolf Nureyev will be seen for the first time in a new British documentar…

SOURCE: The Guardian at 10:06am on June 17, 2018
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