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35,728 stories from The Guardian

Carmen La Cubana review " revolutionary makeover is a bumpy but heady ride by Sanjoy Roy

Sadler's Wells, LondonThis energetic, Cuban-ified version of Carmen Jones whizzes by, ricocheting from comedy to melodrama, intimacy to dancing crowdsCarmen La Cubana is a 2016 Cuban makeove…

SOURCE: The Guardian at 11:42am on August 3, 2018

'She's got no filter': the standup who let a six-year-old write his comedy show by Chris Wiegand

Giving his partner's daughter free rein during the creative process has resulted in Owen Roberts' most surreal show to date " and the sort of laughs other comics at Edinburgh dream ofIn a sw…

SOURCE: The Guardian at 8:32am on August 3, 2018

Dennis Potter's adaptation of The White Hotel to premiere on Radio 4 by Mark Brown Arts Correspondent

Anne-Marie Duff to star in BBC radio play based on the sprawling and controversial novelThe White Hotel has become known as one of the great unadaptable works of modern literature, almost bu…

SOURCE: The Guardian at 8:32am on August 3, 2018

The Importance of Being Earnest review " Wilde's comic masterpiece lost in shouty frenzy by Michael Billington

Vaudeville theatre, LondonMichael Fentiman's coarse production robs Wilde of his decorum, swapping subtleties and satire for screaming and sexThis is one of those occasions when, in the word…

SOURCE: The Guardian at 8:32am on August 3, 2018

Happy Hour review " barfly theatre show leaves you lonesome in the crowd by Rebecca Monks

Summerhall, EdinburghThis thought-provoking experiment in solo theatre has a fascinating concept but it falls short in realityBinge Culture's 25-minute "solo audience experience" Happy Hour …

SOURCE: The Guardian at 5:12am on August 3, 2018

US gun culture and racial politics come under fire at Edinburgh fringe by Catherine Love

Underground Railroad Game and On the Exhale are among several shows at the festival exploring the way America sees itselfAs the UK's so-called special relationship with the US becomes increa…

SOURCE: The Guardian at 4:06am on August 3, 2018

£ï¿¥â‚¬$ (Lies) review " enjoy the thrill of a global banking crisis by Mark Lawson

Almeida, LondonThis ingenious high-stakes show uncovers the psychology of those whose financial flutters shook the worldIn place of the Almeida theatre's rows of tip-back seats are 10 semici…

SOURCE: The Guardian at 5:06pm on August 2, 2018

Othello review " Mark Rylance and André Holland get to heart of the play by Michael Billington

Shakespeare's Globe, LondonRylance is a fascinating and nihilistic Iago and André Holland exudes majestic dignity as Othello in Clare van Kampen's lively and unsettling productionAny produc…

SOURCE: The Guardian at 7:06am on August 2, 2018

Israel's most prolific actor: 'The synagogue of the Zionists was the theatre' by Oliver Holmes In Tel Aviv

Shlomo Bar-Shavit, whose life mirrors the history of Israeli theatre, has appeared in more than 260 productions, including as Nazi doctor Josef Mengele Just shy of 90 years old, Shlomo Bar-S…

SOURCE: The Guardian at 7:54am on August 1, 2018

A desire for Duras: Katie Mitchell and Alice Birch on the writer's erotic, existential mystery by Mark Fisher

Part philosophical meditation, part fantasy, Marguerite Duras's 1982 novella La Maladie de la Mort comes to the stage in a hi-tech Edinburgh festival show There's something about Marguerite …

SOURCE: The Guardian at 3:32am on August 1, 2018

Booze, bankruptcy, brain haemorrhage: the comics turning tragedy into laughs by Ben Williams

A former alcoholic, a cancer survivor and a man who lost all his money in a Bitcoin crash are among the comics coming back from the brink at the Edinburgh fringe 'I didn't start drinking unt…

SOURCE: The Guardian at 1:18am on August 1, 2018

Before the Kiki: a history of dangerous dance crazes by Martin Belam

The Drake-related challenge has been condemned by authorities. But from 1,000-hour-long 'jitterbug marathons' to daggering, it's not the first time dance moves have sparked concernThe reacti…

SOURCE: The Guardian at 4:24pm on July 31, 2018

Homeland's Mandy Patinkin: 'Reality, for me? Not so good' by Alexis Soloski

The outspoken star, who has recorded a 'prayer for peace', gives a few clues about how the show might end " and says why he's more comfortable with fantasy than the real world"Let's be hones…

SOURCE: The Guardian at 10:48am on July 31, 2018

Here we go again: which jukebox musical should be next? by Jim Farber

The box office success of Mamma Mia 2 and Broadway buzz over shows centred around music from The Go-Go's, Alanis Morrisette and Cher opens the doors for more big star musicals If jukebox mus…

SOURCE: The Guardian at 5:12am on July 31, 2018

Brexit looms large in arts festival that straddles Irish border by Maev Kennedy

Event features Samuel Beckett's Waiting for Godot and a sculpture by Antony Gormley at crossing points between north and southVisitors to the only arts festival that straddles the Irish bord…

SOURCE: The Guardian at 1:54pm on July 30, 2018

Bernard Hepton obituary by Michael Coveney

Actor best known for his roles in the TV series Tinker, Tailor, Soldier, Spy, Colditz and I, ClaudiusNever on the front cover, but always somehow familiar, Bernard Hepton, who has died aged …

SOURCE: The Guardian at 1:54pm on July 30, 2018

White actors singing slave songs? It's right that this play was cancelled | Emer O'Toole by Emer O'Toole

Western art cannot be 'intercultural' without including the historically marginalised people that it claims to representAs artistic director of Ex Machina, creator of some of Cirque du Solei…

SOURCE: The Guardian at 1:54pm on July 30, 2018

Lamplighters review " audience takes centre stage in chaotic spy spoof by Arifa Akbar

Old Red Lion, LondonThis improvised John le Carré parody is only as clever and funny as its liveliest participantsLamplighters is a thriller set in the mould of John le Carré's cold-war sp…

SOURCE: The Guardian at 8:24am on July 30, 2018

The week in theatre: Exit the King; Pity; River Stage festival " review by Susannah Clapp

Olivier; Royal Court; National Theatre, LondonRhys Ifans ages well in Patrick Marber's update of Ionesco's classic, while Rory Mullarkey's homage often palls. Plus tales of the River Stage�…

SOURCE: The Guardian at 3:48am on July 29, 2018

Block review " deconstructing city life with dance and acrobatics by Clare Brennan

Milton Keynes international festivalA thrilling collaboration between a circus and dance company full of daring leaps and bounds, and a giant Jenga setBlock is one of five circus-inspired ev…

SOURCE: The Guardian at 2:42am on July 29, 2018

The families in plays together ... why the theatre at Edinburgh is all relative by Libby Brooks

A number of shows at the fringe this year benefit from the readymade intimacy, shared language " and tension " you only get when real-life family members share the stage"I hate feeling emoti…

SOURCE: The Guardian at 4:24am on July 28, 2018

Come Back Tomorrow review " an emotional love letter to the NHS by Kate Wyver

Singleton Hospital, SwanseaAs part of the NHS70 celebrations, Roy Williams' play takes the temperature of the nursing profession, showing us two women, three generations apart but equally an…

SOURCE: The Guardian at 12:04pm on July 27, 2018

Theatre review: King Lear / Courtyard, Stratford-upon-Avon by Michael Billington

Courtyard, Stratford-upon-AvonIt is no exaggeration to say that this King Lear is long-awaited. Critics, in fact, have been waiting impatiently for nine weeks to get a glimpse of a productio…

SOURCE: The Guardian at 10:54pm on July 26, 2018

Head Over Heels review " Go-Go's jukebox musical packs a power-pop punch by Alexis Soloski

Hudson Theatre, New YorkA zippy, frothy combination of songs from the Go-Go's and a bawdy Shakespearean comedy plot delivers goofy, if forgettable, funJust your everyday genderqueer pastoral…

SOURCE: The Guardian at 10:54pm on July 26, 2018

King Lear review " Ian McKellen's dazzling swan song weighed with poignancy by Arifa Akbar

Duke of York's, LondonThe 79-year-old star shines brightest in play's darkest moments, in what may be his last big Shakespearean role on stageA tweet pinned to Sir Ian McKellen's Twitter acc…

SOURCE: The Guardian at 7:36pm on July 26, 2018
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